OPERATION MANUAL
USAGE AND SAFETY PRECAUTIONS USAGE AND SAFETY PRECAUTIONS SAFETY PRECAUTIONS In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows: This symbol indicates explanations about extremely dangerous matters. If users ignore this symbol and handle the Warning device the wrong way, serious injury or death could result. This symbol indicates explanations about dangerous matters.
Usage Precautions USAGE AND SAFETY PRECAUTIONS •Electrical interference For safety considerations, the SampleTrak ST-224 has been designed to provide maximum protection against the emission of electromagnetic radiation from inside the device, and protection from external interference. However, equipment that is very susceptible to interference or that emits powerful electromagnetic waves should not be placed near the SampleTrak ST-224, as the possibility of interference cannot be ruled out entirely.
CONTENTS USAGE AND SAFETY PRECAUTIONS 2 ••••• CONTENTS SAFETY PRECAUTIONS • • • • • • • • • • • • • • • • • • • • • • • 2 Usage Precautions • • • • • • • • • • • • • • • • • • • • • • • • • • • • 3 Introduction ••••••••••••••••••••••••••••••••• Using the Internal Effects Creating Songs Front Panel Rear Panel 6 ••••••••••••••••••••••••••••••••••• 6 7 ••••••••••••••••••••••••••••••••••• Getting Connected • • • • • • • • • • • • • • • • • • • • • • • • • • 8 Connections to Playback Equipment and M
Introduction Thank you for selecting the ZOOM SampleTrak ST-224 (hereafter simply called the "ST-224"). The ST-224 is a sampler with the following features: Introduction • Versatile sampler settings The sampler section allows selection of three sound quality grades and stereo/mono switching. Whether you want Hi-Fi for best sound or Lo-Fi for long recording time, the choice is yours. Sampled waveforms can be stored in the internal backup memory or on external data cards (option).
Names of Parts Front Panel ■ Effects section POWER ■ Input/output section ■ Sampling section ■ Display/sequencer section DC IN MIDI IN DATA CARD L/MONO R PHONES OUTPUT Names of Parts EFFECT MIN VOLUME/BASS TIME STRETCH EXCITER SCRATCH TREMOLO DELAY AUTO PAN REVERB LO-FI EFFECT FLANGER COMPRESSOR STEP CRY CHORUS EXTREME EQ RESONANCE PHASER LOW-PASS PITCH SHIFTER HIGH-PASS DIMENSION DISTORTION RING MODULATOR EDIT 2 R MIC/LINE INPUT OUTPUT INPUT MAX MIN MAX PEAK BPM/VALUE SONG REC SAMPLING
■ Display/sequencer section [SONG REC] key & LED [SONG PLAY/STOP] key & LED BPM/VALUE SONG REC Display PLAY/STOP [PLAYLIST] key & LED PLAYLIST [TAP/BPM] key & LED SAMPLE/SONG – [-] [+] keys + BACKUP EXIT AUTO SYNC BEAT DELETE Names of Parts MEASURE COPY TAP BPM LOAD SAVE INTERNAL/DATA CARD SPECIAL [SPECIAL] key [AUTO SYNC] key & LED [INTERNAL/DATA CARD] key [COPY] key & LED [SAVE] key [DELETE] key & LED [LOAD] key [EXIT] key ■ Pad section [PAD FUNCTION] key & LED Pads 1 - 8 & LED
Getting Connected Connections to Playback Equipment and MIDI Equipment Data card (option) Getting Connected HeadPhones AC Adapter PHONES ZOOM CORPORATION DC INPUT MODEL 300mA MADE IN JAPAN LINE/MIC R INPUT L/MONO PHONES R OUTPUT L/ MONO OUTPUT R DATA CARD MIDI IN OUTPUT L/MONO DC9V POWER MIDI IN When wishing to synchronize the operation of the ST-224 with an external sequencer or control the sound of the ST224 sound from external MIDI equipment, connect the MIDI OUT jack of the extern
Connection to Sound Source (2) (Microphone) L/MONO Microphone R MIC/LINE INPUT INPUT L/MONO INPUT ZOOM CORPORATION MODEL MIN 300mA LINE/MIC LINE/MIC R INPUT L/MONO [INPUT] knob [INPUT PEAK] LED PHONES R OUTPUT L/ MONO To sample a signal from a microphone, set the [LINE/MIC] switch to the "MIC" position.
Quick Guide Quick Guide (1) Listening to the Demo The ST-224 comes with a demo song already built in. Listen to this to hear for yourself what the ST-224 can do. [Preparations ] [P Headphones Quick Guide •C • Th fa fa w • Connect the ST-224 to the playback equipment ( p. 8). • Turn power on in the order ST- 224 playback equipment, and adjust the volume ( p. 9).
Quick Guide (2) Playing the Preset Pads The ST-224 allows assigning sampled sounds to pads and playing these manually (pad play). You can try out the preset sounds that are assigned to the pads at the factory. [Preparations ] • Connect the ST-224 to the playback equipment ( p. 8). • The Quick Guide assumes that the ST-224 is in the factory default condition. To return the ST-224 to the factory default condition, hold down the [SAVE] key while turning power to the unit on in step .
Quick Guide (3) Assign an Effect to a Pad The ST-224 incorporates built-in effects with 22 effect types. Among these, you can select any desired effect and assign it to a pad. [Preparations ] •Connect the ST-224 to the playback equipment ( p. 8). •Turn power on in the order ST-224 playback equipment. Headphones Quick Guide Playback equipment.
ent. Quick Guide While holding down the [EFFECT ON/OFF] key, hit the pad that was selected in step . While the [EFFECT ON/OFF] key is held down, the effect is active. L/MONO R PHONES OUTPUT MIN L/MONO R MIC/LINE INPUT OUTPUT INPUT MAX To turn the effect permanently on, hold down the [LOOP/MARK] key and press the [EFFECT ON/OFF] key. MIN MAX To effect off, press the [EFFECT ON/OFF] key.
Quick Guide (4) Try Out Sampling In Quick Guide (2), you played samples that were already preprogrammed in the unit. Now let's try out assigning a sampled sound to a pad yourself. The following description shows how to use the supplied sampling CD to sample drum and percussion sounds and assign the samples to pads. [Preparations ] Quick Guide • Connect the ST-224 to the playback equipment ( p. 8). • Connect the CD player output jacks to the [INPUT R] and [INPUT L/MONO] jacks on the ST-224.
Headphones OUTPUT R PHONES Playback equipment OUTPUT L/MONO ZOOM CORPORATION MODEL 300mA MADE IN JAPAN LINE/MIC R INPUT L/ MONO R OUTPUT L/ MONO DATA CARD MIDI IN DC9V POWER Quick Guide INPUT R PHONES INPUT L/MONO Press the [PLAY/STOP] key. CD player The sampled sound is played back, letting you check the result of the process.
Introducing the ST-224 This section explains the basic configuration of the ST- 224 as well as some important terms used in this manual. ST-224 Configuration The illustration below shows the basic configuration of the ST-224. As can be seen from the chart, the ST-224 is made up of three main sections. Introducing the ST-224 • Sampler Samples the audio signal and performs playback using the pads and sequencer. • Sequencer Stores data about pad operation to enable automatic sampler playback.
playback by hitting the pad. For example, when sampling a drum pattern, a single drum sound or the entire pattern can be assigned to a pad. Sample Sample Boom Boom bang thump thump boom bang thump thump boom Introducing the ST-224 Pad Pad Boom Boom ! Assigning only one sound to the pad bang thump thump boom Assigning the entire pattern to the pad Pads and banks A combination of all settings for pads 1 - 8 is called a "bank".
ST-224 Memory Configuration The following three types of memory are used in the ST- 224. • Main memory Volatile memory whose contents are lost when the ST-224 is turned off. Temporarily holds waveform data, pad parameter setting data, and song data for the internal sequencer. • Backup memory Nonvolatile memory whose contents are retained also when the ST-224 is turned off. Serves for permanently storing the entire contents of the main memory (bulk data).
BPM BPM (beats per minute) is a tempo unit that indicates the number of quarter notes per minute. For example, a piece where a quarter note is 0.5 seconds long will have a BPM figure of 120, whereas a piece where a quarter note is 1 seconds long will have a BPM figure of 60. BPM=120 0.5 s BPM=60 1s Introducing the ST-224 The ST-224 handles three types of BPM, which can be set individually. • Song BPM Indicates the tempo of a stored song. This value is stored separately for each song.
Let's Try Out Sampling (1) Manual Sampling This section explains how to use the [RECORD] key to manually specify the start and end point of the sampling process. Manual sampling is convenient for example for quickly sampling a desired rhythm or bass pattern while listening to a CD. Except for special cases such as personal use, unauthorized sampling of material from copyrighted sources (including but not limited to CDs, records, tapes, video clips, broadcast material) is prohibited.
HINT STEP 4 If you press the [CAPACITY] key, the approximate remaining sampling time in seconds (calculated for HiFi and Mono) will appear on the display. To switch between mono and stereo, use the [MONO/STEREO] key. The indication "Mn" (Mono) or "St" (Stereo) will appear on the display. To change the setting, hold down the [MONO/STEREO] key and use the [-] or [+] key. (The default setting is "Mono".) NOTE STEP 5 The grade and mono/stereo selection can be made individually for each sample.
STEP 8 Press the [PAD ASSIGN] key. The number of the most recent sample is shown. PAD ASSIGN BPM/VALUE MEASURE STEP 9 BEAT SAMPLE/SONG Press the [PAD ASSIGN] key once more. PAD ASSIGN STEP10 Use the [BANK 1] - [BANK 3] keys and the pads 1 - 8 to select the pad to which you want to assign the sample. Let's Try Out Sampling The currently selected sample will be assigned to the pad. BANK 1– 3 keys BANK STEP11 1 Press the [PAD ASSIGN] key. The assign process is confirmed.
(2) Auto Sampling Besides the manual sampling procedure using the [RECORD] key as described above, the ST-224 also allows auto sampling where the start and stop of sampling is controlled automatically. There are two auto sampling modes: the auto recording mode where sampling starts automatically when the signal level exceeds a certain threshold, and the auto stop mode where sampling stops automatically after a preset interval.
STEP 5 While holding down the [PLAY/STOP] key, use the [-] and [+] keys to change the auto stop sampling time The value can be set in 1 second steps. HINT STEP 6 PLAY/STOP The auto sampling time can also be specified in BPM units. To do this, hold down the [BPM] key and use the [-] and [+] keys to change the time. The display will change to BPM units. The time corresponding to four beats of the displayed BPM value will be the auto sampling time.
Pad Play Mode Operation This section explains operation of the unit in pad play mode. In this mode, pads are played to produce their assigned samples. This is the basic operation mode of the ST-224. The playback position and playback mode of each sample are also adjusted in this mode.
Using the [SOURCE] Pad to Play an External Sound Source The [SOURCE] pad is a special pad that allows using an externally connected component as sound source for pad play. For example, when a CD player or other source component is connected to the [INPUT L/MONO] jack and [INPUT R] jack, the sound from that source will be heard while the [SOURCE] pad is pressed. When the pad is released, the signal is muted ("gate playback").
Assigning a Sample to a Pad Samples stored in the main memory can be assigned to any desired pad also after sampling is completed. This section explains how to select a sample from the main memory and assign it to a pad.
Assigning a Sample to a Major Scale Sometimes it may be useful to assign the same sample to several pads and play the pads with changed pitch (such as when a single bass note was sampled). The ST-224 can automatically assign one sample to pads 1 - 8 and change the pad tuning using a Major scale.
Setting the Sample Playback Position After assigning a sample to a pad, the following three parameters can be changed to specify the playback position.
HINT STEP 4 The display indication can be switched from number of samples to milliseconds. To do this, press the [SPECIAL] key after step 3. While listening to the loop playback of the sample, hit the [LOOP/MARK] pad at the point you want to designate as start point. The address of that point (or the time in milliseconds) is shown on the display, and the new start point is set to this location. HINT STEP 5 It is also possible to use the [EDIT 1] wheel for setting the start point.
Setting the Playback Parameters for Each Pad The playback parameters such as level, tuning, playback position, etc. can be set individually for each pad.
Pad Parameters The types and values of parameters that can be set for pads 1 - 8 and the [SOURCE] pad are as follows. • [SOURCE] pad (SOURCE MIX) When this parameter is set to "on", the signal supplied at the input jacks is always sent to the output jacks. When the parameter is "oFF", the signal is sent only while the [SOURCE] pad is being pressed. The [-] [+] keys or the [EDIT 1] wheel can be used to change the setting. For information on use of the [SOURCE] pad, see page 26.
• Pad 7 (REVERSE) Switches between reverse playback (on) and normal playback (oFF). When "on" is selected, playback proceeds from the end point to the start point. Use the [- ] [+] keys or the [EDIT 1] wheel or the [LOOP/MARK] pad to make the setting. Setting values: oFF, on (Default settings: oFF) • Pad 8 (TRIGGER/GATE) Selects one of the following three playback modes. Use the [-] [+] keys or the [EDIT 1] wheel or the [LOOP/MARK] pad to make the setting. This parameter is also valid for the [SOURCE] pad.
Copying Pad Settings The settings for a given pad (sample number, playback position, playback method, etc.) can be copied to another pad. This is useful for example when wishing to play the same sample with two pads, while changing only the tuning and panning settings.
Clearing Pad Settings The settings for a given pad can be erased when no longer needed. When the settings for a pad are erased, the sample reverts to the original (unassigned) condition.
Erasing a Sample You can delete a specific sample or all samples from the main memory. This is useful for example to remove all preprogrammed samples or to remove unwanted samples in order to free up memory. Also when all samples are erased, the preprogrammed samples of the ST-224 can be restored by initializing the unit.
Optimizing Samples Samples that are not assigned to pads or any unused portion can be erased to free up memory in the main memory. This is called optimizing. The process can be applied to a specific sample or to all samples.
Matching BPM of Pads (Auto Sync) The ST-224 incorporates an auto sync function that matches the tempo (BPM) of a pad to that of a reference pad. This is useful for example to align the tempo of a drum pattern and bass pattern sampled separately. Using the Auto Sync Function (Basic Steps) From the duration of a waveform assigned to a pad, the ST- 224 can calculate the tempo, expressed in BPM (quarter note beats per minute).
STEP 5 Press the [AUTO SYNC] key. The [AUTO SYNC] LED flashes, and the indication "MAStEr" (master) appears on the display. This guides the user to specify the pad to be used as reference (master). AUTO SYNC BPM/VALUE MEASURE STEP 6 BEAT SAMPLE/SONG Use the [BANK 1] - [BANK 3] keys and the pads 1 - 8 to select the master pad for auto sync. The LED of the selected pad lights up. BANK 1– 3 keys BANK STEP 7 1 Press the [AUTO SYNC] key. The indication "SLAvE" (slave) appears on the display.
NOTE When "rESMPL" is selected as auto sync type, resampling is carried out with the pitch shift effect applied. This may result in a slight alteration of the sound. BPM/VALUE When auto sync is completed, the indication "A-SYnC" appears on the display. STEP10 MEASURE BEAT SAMPLE/SONG Hit the master and slave pad together, to check whether the tempo is properly matched.
Changing BPM for Every Pad (Auto Sync Advanced Steps) As explained in the previous section, the ST-224 regards the length of a sample assigned to a pad as 4 beats, and automatically calculates the BPM value for that pad. However, sometimes it may be desirable to synchronize phrases or patterns with a different beat pattern (such as combining a 4-beat bass pattern with an 8-beat drum pattern or a 2-beat sequencer pattern).
Using the Internal Effects The ST-224 has 22 types of built-in effects. You can select any effect and apply it to the sound of any pad. The [EDIT 1] wheel and [EDIT 2] knob on the unit can be used to adjust effect parameters in real time. It is also possible to synchronize a specific effect parameter with a certain BPM value. Applying an Effect to a Specific Pad This section explains how to select an effect type, apply an effect to a pad, and how to adjust effect parameters.
STEP 4 To turn the effect on permanently, hold down the [LOOP/MARK] pad and press the [EFFECT ON/OFF] key. To turn the effect off again, press the [EFFECT ON/OFF] key once more. HINT STEP 5 When a MIDI message is used to turn an effect on, the effect will stay on until turned off by another MIDI message. [LOOP/MARK] pad LOOP/MARK + ON/OFF Operate the [EDIT 1] wheel and [EDIT 2] knob while hitting the pad for which effect processing has been enabled.
Synchronizing Effect Parameter BPM The ST-224 incorporates a special BPM function for effects (called "effect BPM") which allows synchronizing a selected effect parameter to this tempo. For example, this lets you easily match the delay time or modulation cycle to the tempo of a song. HINT Effect BPM can be set separately from pad BPM and the tempo of the internal sequencer. Effect BPM is the same tempo as the current Song unless you change it.
STEP 4 To set Effect BPM in metrical beats, hold down the [EFFECT SYNC] key and press the [SPECIAL] key. The currently selected resolution appears on the display.
Effect Types This section lists all effect types with their parameters which can be adjusted using the [EDIT 1] wheel and [EDIT 2] knob. The list also shows which parameters can be synchronized to effect BPM.
EFFECT TYPE BANK EDIT 1 EDIT 2 SYNC DISTORTION A RING MODULATOR B LOW-PASS A B EXTREME EQ A tone frequency balance frequency resonance frequency resonance gain filter type – This effect produces a wild-sounding distortion. The [EDIT 1] wheel adjusts the distortion gain (gain), and the [EDIT 2] knob the tone. The distortion is a mono effect. – This effect uses AM (amplitude modulation) to achieve a metallic sound.
Creating Songs The ST-224 lets you record and play eight songs. A song is a series of pad actions. The maximum number of sounds is 5000, and the maximum length of all songs together is 300 bars. When a song which contains data has been selected, the song number and information about the current position (number of bars and beats) are shown on the display. When a song without data has been selected, the position information shows only "-----".
STEP 3 Use the [-] [+] keys to select the desired quantize setting (minimum note). – 4 quarter note 8 eighth note 12 eight note triplet 16 sixteenth note 24 sixteenth note triplet 32 thirty-second note Hi No quantization (1/24 of a quarter note) STEP 4 + [–] [+] keys Press the [SONG FUNCTION] key again. FUNCTION The [SONG FUNCTION] LED goes out, and the new quantize setting becomes active. PAD SONG STEP 5 Hold down the [BPM] key and use the [-] [+] keys to set the tempo (BPM).
pad is changed after recording, the song will also be different during playback. NOTE • Effect operations are not recorded in a song. However, if effects are enabled for a pad, the effects will be active also during playback of the song. • The operation of the [SOURCE] pad cannot be recorded. STEP 8 If you have made a mistake in playing a particular pad, hold down the [DELETE] key and hit the pad again. While the [DELETE] key is held down, any pads that are hit will be deleted from the song.
Playing a Song This section describes how to play a song that has been recorded.
Changing Song Settings The length of a song or the number of beats, the metronome sound volume, pre-count setting and other song settings (song function parameters) can be changed, as follows.
Song Function Parameters The song function parameters assigned to pads 1 - 8 are as follows. • Pad 1 (BAR LENGTH) Sets the length of a bar in the song. The maximum number is 300 bars for each song. This parameter can be specified for each song individually. Setting values: 1 - 300 (Default settings: 4) NOTE If a song is set to a longer time after recording, blank bars are added to the end of the song. If set to a shorter time, the excess bars are cut off.
Copying a Song The data recorded for a song can be copied to another song, for example to create a different version.
Deleting a Song The data recorded for a song can be deleted if no longer required. A deleted song is returned to the default (blank) condition.
Playing Songs With Pads (Play List Function) The ST-224 incorporates a play list function which lets you assign songs 1 - 8 to pads 1 - 8 and play the songs by hitting the pads. This section explains how to use this function.
Using the Resampling Function "Resampling" refers to returning the output of the ST-224 to the sampler section for repeated sampling in the digital domain. This can be used to create a new sample based on multi-pad play or song playback by the internal sequencer. The new sample can then again be assigned to a pad. Resampling is also possible while the internal effects are active.
• To terminate resampling when one-shot playback of pad is completed Press the [PAD FUNCTION] key so that the [PAD FUNCTION] LED lights up. • To terminate resampling when playback of song is completed Press the [SONG FUNCTION] key so that the [SONG FUNCTION] LED lights up. STEP 7 Press the [RECORD] key again. The indication "rEAdy" appears on the display. RECORD BPM/VALUE MEASURE STEP 8 BEAT SAMPLE/SONG To resample a song, press the [SONG PLAY/STOP] key. To resample pad play, hit one of pads 1 - 8.
Storing and Reading Data This section explains how to save the entire main memory contents or the waveform data for a pad to the backup memory and how to load this data back into the main memory. Storing/Reading Bulk Data (Backup Memory) This section explains how to save bulk data (main memory contents) to the backup memory and how to load bulk data from backup memory into the main memory.
Formatting a Data Card Before a data card can be used for saving and loading data, it must be formatted (initialized) as follows. NOTE Use only data cards formatted in the ST-224.
Storing Bulk Data (Data Card) This section explains how to save bulk data (main memory contents) on a data card SM04 (option) and how to load bulk data back from data card into the main memory.
STEP 5 To remove bulk data that are no longer needed, use the [-] [+] keys to choose the file number (1 - 99) when "CArdXX" is displayed in step 2. – + [–] [+] keys STEP 6 Press the [DELETE] key. The [DELETE] LED flashes. DELETE STEP 7 Press the [DELETE] key again. The bulk data selected in step 3 are deleted. When wishing to cancel the delete process, press the [EXIT] key to return to play mode.
Loading Bulk Data (Data Card) This section explains how load bulk data stored on a data card SM04 (option) into the main memory.
Loading Individual Pad Data/Waveform Data (Data Card/Backup Memory) The ST-224 can individually extract pad data (waveform data and parameter setting information for a specific pad) from bulk data stored on a data card. It is also possible to load regular waveform files (WAV or AIFF files) stored on a data card. This lets you use WAV files or AIFF files created on a computer as samples in the ST-224.
NOTE • To store WAV files or AIFF files on a data card for the ST-224, a computer capable of reading and writing MS- DOS format data cards is required. • If "--" is shown in place of XX, the data card does not contain any of the files described above. • When wishing to recall a preset sound, store the contents of the main memory and backup memory to a data card as required, and then reset the ST-224 to the factory default condition ( ➔ p. 69).
MIDI Application Example This section describes an example for using the MIDI capability of the ST-224. Samples assigned to the pads of the ST-224 can be played from external MIDI equipment, or songs stored in the ST- 224 can be synchronized by a MIDI sequencer or rhythm machine. MIDI Connections To use the MIDI capability, connect the MIDI OUT jack of the external equipment to the [MIDI IN] jack on the ST- 224, using a MIDI cable.
STEP 3 Press the [SONG FUNCTION] key again. Note data received via the [MIDI IN] jack can now be used to play the samples assigned to the various pads of the ST-224. The correlation between note numbers/names and pads is shown below.
Synchronizing Song Playback of the ST-224 With External Equipment Song playback of the ST-224 can be synchronized to an external MIDI sequencer or rhythm machine.
Other Functions Resetting the ST-224 to the Factory Default (Initializing) You can reset the unit to the factory default condition as follows. PLAYLIST MEASURE EDIT 2 EFFECT A TAP BPM COPY BEAT SAMPLE/SONG – DELETE + RECORD PLAY/STOP B ON/OFF AUTO SYNC BACKUP EXIT LOAD SAVE INTERNAL/DATA CARD SPECIAL PAD ASSIGN CAPACITY ERASE OPTIMIZE PAD ENABLE FUNCTION EFFECT SYNC PAD SONG STEP 1 Turn off the ST-224. POWER STEP 2 While holding down the [SAVE] key, turn the unit back on again.
Troubleshooting If there seems to be a problem with the unit, check the following points first. Symptom Check Remedy Is correct AC adapter connected Refer to section "Getting Connected" ( ➔ p. 8) and establish properly? correct connections. Use only the supplied AC adapter. No sound, or very low volume. Playback sound is distorted or breaks up. Sampling not possible. Troubleshooting Sound of [SOURCE] input cannot be turned off. Effects do not work.
ST-224 Specifications • • • • • • • • • • • • • Signal processing DSP Sampling frequency Total recording time (mono) Maximum recording time per sample Maximum number of simultaneous samples Tempo Songs Number of recorded notes Resolution Number of built-in effects Pads Controls • Control input • Display • Inputs 18-bit A/D converter / 18-bit D/A converter ZOOM original ZFX-2 Hi-Fi: 32 kHz / STANDARD: 16 kHz / Lo-FI: 8 kHz Hi-Fi: 60 s / STANDARD: 120 s / Lo-FI: 240 s Hi-Fi: 30 s / STANDARD: 60 s / Lo-FI:
ST-224 File Import Details The ST-224 can import standard PCM files via Data card(SM04 option). 1. Windows WAV Files PCM file type used by Microsoft Windows Imported from .WAV files The following types of RIFF format files can be imported: Sampling frequency:any frequency from 8 kHz - 48 kHz Quantization 16 bit or 8 bit linear Stereo or mono Maximum 1900 kilobytes (maximum WAV data capacity / stereo) WAV file name conventions Files must be named "??.WAV" (?? stands for a number from 01 - 99).
MIDI Implementation 1. TRANSMITTED DATA NONE. 2.RECOGNIZED DATA 1) CHANNEL VOICE MESSAGES STATUS SECOND THIRD DESCRIPTION 1000 nnnn 0kkk kkkk 0vvv vvvv NOTE OFF kkk kkkk : Note number ( See NOTE 1 ). vvv vvvv : Note Off Velocity ( ignored ). 1001 nnnn 0kkk kkkk 0000 0000 NOTE OFF kkk kkkk : Note number ( See NOTE 1 ). 1001 nnnn 0kkk kkkk 0vvv vvvv NOTE ON kkk kkkk : Note number ( See NOTE 1 ). vvv vvvv : Note On Velocity ( not 0 ).
4 : #00 #01 #02 #03 #04 #05 #06 #07 #08 #09 #10 EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT BANK BANK BANK BANK BANK BANK BANK BANK BANK BANK BANK A : TIME STRETCH A : DELAY A : FLANGER A : CHORUS A : PITCH SHIFTER A : DISTORTION A : LOW-PASS A : EXTREME EQ A : LO-FI EFFECT A : TREMOLO A : VOLUME/BASS #11 #12 #13 #14 #15 #16 #17 #18 #19 #20 #21 EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT EFFECT BANK BANK BANK BANK BANK BANK BANK BANK BANK BAN
MIDI Implementation Chart [ Sampling Machine ] Data Model SampleTrak ST-224 MIDI Implementation Chart Transmitted Function Recognized Basic Default Channel Changed : 6.Oct.,1998 Version : 1.00 Remarks 1 1-16 Mode Messages Default Altered Note Number | True voice *************** 3 35-59 95-119 ( channel 10 ) *************** Velocity Note On Note On = not 0.
ZOOM CORPORATION NOAH Bldg.
