OPERATION MANUAL © ZOOM Corporation Reproduction of this manual, in whole or in part, by any means, is prohibited.
Usage and safety precautions Usage and safety precautions SAFETY PRECAUTIONS In this manual, symbols are used to highlight warnings and cautions that you must read to prevent accidents. The meanings of these symbols are as follows: This symbol indicates explanations about extremely dangerous matters. If users ignore this warning and handle the device incorrectly, serious injury or death could result. This symbol indicates explanations about dangerous matters.
Introduction Please read through this manual carefully in order to understand the R24 functions well. After reading it, please keep the manual along with the warranty in a safe place. ■ Multitrack recorder that can use up to 32 GB SDHC cards ■ Handles a variety of input sources including guitars, microphones and line-level equipment The R24 can record up to 8 tracks simultaneously, allowing serious live recording.
Contents Contents Usage and safety precautions . . . . . . . . 1 Introduction . . . . . . . . . . . . . . . . . 2 Contents . . . . . . . . . . . . . . . . . . . 3 R24 operation flow . . . . . . . . . . . . . 5 Basic recording guide . . . . . . . . . . . . 7 Panel layout and functions . . . . . . . . . 9 Connections . . . . . . . . . . . . . . . . 11 SD card installation . . . . . . . . . . . .
For details about use with a computer, refer to the Audio Interface Manual (PDF) on the CD-ROM included with the unit. Inserting and deleting beats Changing the time signature Playing back a sequence . . . . . . . . . . Changing the BPM . . . . . . . . . . . . . Changing tempo without changing pitch . . Trimming unnecessary parts of audio files . Setting fade-ins and fade-outs . . . . . . . 59 60 61 63 64 Rhythm function Overview of rhythm functions . . . . . . .
R24 operation flow R24 operation flow 24 audio tracks Multitrack recorder Recording preparations Make various settings for the builtin microphones, connected musical instruments and other input sources, signals and tracks. Use the tuner and the metronome to prepare for a new project or a live performance. Project creation Prepare a project to save recordings.
Track mixer 330 types of effects Mixing ＆mixdown Apply various effects to process input signals, recorder playback and sound generator output. • PATCH EDIT, etc. P83~ Mixer Editing & output P39 Project Recorded sound files and settings can be managed and stored on a per song basis as a project and then edited in various ways. Adjust recorded tracks using the track mixer. Effects used on specific track signal paths 2. Desired tracks in mixer Overdubbing 3.
Basic recording guide Make a quick recording with the R24 Basic recording guide Here we explain how to record in stereo with the built-in microphones on the unit's left and right sides and how to record an electric guitar in mono using the high impedance input. Insert an SD card and turn STEP 1 the power on. STEP 3 Turn the input source ON. Using built-in mics (stereo recording) STEP 2 Create a new project. 1 2 1 2 Turn the INPUT 7 & 8 MIC switch ON.
1 Adjust the input sensitivity (GAIN) 2 Adjust the recording level Adjust the GAIN of each INPUT so that their PEAK indicators blink occasionally. The red (0 dB) indicator of the level meter should not light when you apply an insert effect to an INPUT. Adjust the patch level, for example, if necessary. STEP 5 Record—Complete—Play Recording 1 While pressing press move to the beginning. 2 3 Press and then recording. Start performing.
Panel layout and functions Panel layout and functions Rear panel Level meters (1/9/17~8/16/24, MASTER) Input section Control section Built-in mic Fader section Transport section Display section Display TEMPO indicator Right side panel TEMPO key Soft keys Bottom panel (not shown) Battery compartment SD card slot 9 USB HOST port USB DEVICE port
Input section Panel layout and functions MIC switch PHANTOM switch METRONOME switch Hi-Z switch PEAK indicator BALANCE control GAIN controls (1~8) Control section Fader section PROJECT key EFFECT key Status keys (1/9/17~8/16/24, MASTER) Track indicator Master indicator TOOL key USB key RHYTHM key 1-8Tr key 9-16Tr key TRACK key PAN/EQ key 17-24Tr key Transport section AUTO PUNCH IN/OUT key marker key ▶▶ A-B REPEAT key marker key MARK/CLEAR key Faders (1/9/17~8/16/24, MASTER) REW key
Connections Connections Refer to the following to connect other devices, including instruments, microphones, audio equipment and computers. Outputs Inputs Set the METRONOME switch to output it to only the PHONES jack or also to the OUTPUT jacks. Connect cables with XLR or mono phone plugs (balanced or unbalanced) to the INPUT jacks. ❶ Stereo system, speakers with built-in amplifiers, etc. Turn off the system’s power (or turn down the volume) before connecting speakers to avoid damage.
SD card installation NOTE An SD card is necessary for recording. Turn the power OFF beforehand (ordinary use) 1 2 Turn the POWER OFF and detach the cover of the SD card slot. • If you want to change the SD card while the power is ON, follow special procedures (see P101). • When inserting or removing an SD card, always turn the power OFF. If you do so when the power is ON, recording data might be lost.
Powering the unit Powering the unit Use the included AC Adapter, which is designed for the unit, or six AA batteries (sold separately) to power the unit. Using batteries Using ordinary power (included AC adapter) 1 Make sure that the power is OFF, and then plug the included AC adapter into the back of the unit. Always use the included ZOOM AD-14 AC adapter, which is designed for use with the unit. Using any other adapter could damage the unit.
Turning the power on & off/Date & time setting Turning the power on & off 1. Make sure all the equipment is OFF. 2. Insert an SD card into the R24. Confirm that the power, the instruments and the monitoring system (or stereo headphones) are correctly connected. Turn the power ON to start the unit Setting the date and time TOOL>SYSTEM>DATE/TIME 1 2 Press Select SYSTEM. Change menu 1 Press Slide to ON 3 Select DATE/TIME.
Switch and key operation overview Switch and key operation overview Here we explain how to use the keys and switches of the R24. Please look at the display for icons that show key functions. Transport section REC key Control section Functions only when tracks are in recording standby.
Display information Display and indications Icon display and setting keys Top Screen: Shows the current project Icon display area Time sig. Tempo (BPM) Display information The display shows data about projects and other elements, connection and operation status as a recorder or a computer audio-interface, available functions and various menus. Insert effect icon – P80 ON when shown. Use key to set.
Recording preparations R24 recording flow/Creating a new project R24 recording flow/Creating a new project With the R24, you can use multitrack recording to create a complete work of music. Create a new project for each song that you make. Recording preparations Connecting instruments Project and track settings Create a new project PROJECT>NEW 1 2 Press Select NEW. Change menu Create a new project Select the INPUTS and the recording tracks Set stereo links Press 3 Confirm the project NAME.
Recording preparations Connecting instruments/Making mono settings Connecting passive-type guitars Connect the high impedance instrument to INPUT 1, and the turn the Hi-Z switch ON. Signal to INPUT 1 Connecting low-impedance instruments (mono connections) Connect low impedance instruments to any INPUT 1~8. Signals to any INPUT 1~8 Assign INPUT 1~8 connections to tracks 1~24 1 2 Connect instruments and mics. INPUTS 1~8 Make settings for instruments, built-in mics, stereo tracks, etc.
Recording preparations Connecting instruments/Stereo settings & status keys Connecting instruments/Stereo settings & status keys To make a stereo recording, set a stereo link for adjacent odd and even-numbered tracks and record on them. Use the status keys to send input signals to recording tracks. Using the built-in mics Turn the MIC switch ON Signals to INPUTS 7/8 Connecting line input instruments (stereo connection) Use INPUTS 1/2, 3/4, 5/6 and 7/8 as pairs.
Recording preparations Stereo link Stereo link Status keys and track indicators Press a status key to set the role of a track fader and change the color of the track indicator light. The track indicator colors show the status as follows. PAN/EQ>STEREO LINK 1 2 3 REC Record ready PLAY Playback ready REC Lit red → → → Press PLAY Lit green Press Select a track. Change tracks Select ST LINK.
Recording preparations Setting the tempo Set the tempo for the music. The tempo is saved for each project. Setting the tempo Changing the tempo 1 2 Press beneath . Use the dial to change the value. Tap beneath repeatedly. The average pace will be set as the tempo value. Tempo Range 40.0~250.0 21 Default value : 120.
Recording preparations Preparing a rhythm track Assignment to a track 1 2 3 Press Select the track to assign. Select track Preparing a rhythm track The R24 has a sampler function that allows loops to be played back on each track. Here, we assign a rhythm pattern that is built-in to the R24 to a track as a guide rhythm. Select TAKE. Change menu Press 4 Select PATTERN to use a rhythm pattern. Change menu HINT • You can also play the selected audio file or rhythm pattern.
Track recording Recording the first track Recording the first track After connecting instruments and completing recording preparation, ready the recorder and start recording the first track. Starting from the Top Screen of a new project 1 Return the counter to the beginning Press and hold and press to return to the beginning. Adjusting the input level 2 Arm the track for recording. Press 1-2 times until the track light turns red.
6 9 Start recording standby. Press 7 Playing back the recorded track Press Lit red Start recording. Press Lit red Unlit Lit green 10 Stop recording. Press Lit green Counter stops Counter starts 8 Press stop (if you have not already). Recording the first track Recording the first track Lit green Unlit 11 Play the track. When green, the track is ready for playback Press on the track to be played 1-2 times until lit green Return the counter to the beginning.
Track recording Changing the playback take Changing the playback take You can assign audio files to tracks freely. By recording multiple takes of vocals, guitar solos and other parts in different files, you can later select the best take. 1 2 Switching two tracks (SWAP) Press 1 Select the track to assign. Press beneath . Select track 3 Select TAKE. Change menu 2 Select the first track to swap. Press 4 Indicators blink orange on tracks that can be selected.
The swap function switches two tracks, including the assigned files, track sequence data and all track parameter information.
Overdubbing Recording additional tracks Recording additional tracks After recording the first track, you can record additional tracks while playing back already recorded audio. Preparations for recording are the same as for the first track, but you can also set recordings to play on different tracks. Playing already recorded tracks 1 Press 1-2 times until the indicator lights green for all tracks to be played back. Start and stop recording 4 Press and hold and press to return to the beginning.
Recording additional tracks Playback all tracks 1 Press 1-2 times until the indicator lights green for all tracks to be played back. Playback-ready when green 2 Press and hold and press to return to the beginning. 3 Press to start playback. Lit green 4 Press to stop playback. Lit green NOTE • When you move files on tracks, confirm that no files are assigned to the tracks to be recorded (“New Take”). If there is a file assigned to a track, that recording will be overwritten by new recording.
Re-recording Automatic punch-in/punch-out Automatic punch-in/punch-out Punch-in and punch-out allow you to re-record a single part of a recorded file. You can set the beginning (punch-in) and ending (punch-out) points in advance to start and stop recording automatically. Prepare the track that you want to punch-in/punch-out 1 Raise the fader on the track you want to re-record Rehearse 1 Press to start playback. Lit When the punch-in point is passed, the track is automatically muted.
Re-recording Manual punch-in/punch-out Prepare the track that you want to punch-in/punch-out 1 Raise the fader on the track you want to re-record 2 Press 1-2 times until lit red Re-recording: punch-in/punch-out 4 5 Press to start playback. Lit Perform (not recording) When red, recording is possible 3 Locate to before the punch in point. Manual punch-in/punch-out You can also punch in and out manually. Press the REC key during playback to start re-recording from that point.
Playback Project playback Project playback Recorded audio files are assigned to the tracks that they were recorded on. All tracks that are enabled for playback by their status keys (green lights on) will be played.
Playback Repeat playback of a specific section (A-B repeat) HINT Setting A-B points 1 Locate the beginning point. 2 Press Appears on display 3 Locate the end point. 4 Press Appears on display A-B repeat: playback repeatedly 5 6 • When playback reaches point B, it automatically goes back to point A and continues playback. • While the A-B icon appears, playback repeats continuously. • These settings can be made both during playback and when stopped.
Using the counter and marks to locate Using the counter and marks to locate The counter shows the recording or elapsed time in hours: minutes: seconds: milliseconds and bars–beats–ticks (1/48 beat). Set marks in a project to locate to them quickly. Locate using the counter Add a mark To prepare, stop the recorder, select the project and start from the Top Screen. 1 Select the hours: minutes: seconds or bars–beats–ticks. Add a mark using the counter 1 Start from the top screen.
Use keys to move between marks in order 1 Delete a mark 1 Press the forward or backward mark key until you reach the desired mark. Press the forward or backward mark key until you reach the desired mark. 2 Project Mark icon highlighted Press Using the counter and marks to locate Locate to the position of a mark The highlighted mark is erased and the preceding mark is shown. NOTE Move to marks in counter sequence 1 Select the mark number.
Tools Tuner Tuner The R24 has a multifunction tuner that includes chromatic tuning that detects note names by semitones, standard guitar/bass tuning and half-step-down tuning. 1 2 3 Other tuner types Press 5 Press 1-2 times Press the under . Select tuner type Record-enabled when red Select TUNER.
Tools Metronome 1 2 Menu settings and setting values Press ON/OFF: Set when operative Settings Select METRONOME. During playback only Play Only Change menu Metronome This metronome, which includes a pre-count function, allows you to change its volume, tone and pattern. You can also output the metronome sound only through the headphones.
Tools 16-track synchronized recording with two units 16-track synchronized recording with two units If you want to record more then 8 tracks at the same time during a band performance, for example, you can increase the number of tracks by connecting two R24s units by USB. Set the R24 to use for key control as the master. Make receiver settings Set the R24 that will receive commands as the slave. 1 2 1 2 Make sender settings 3 Press Select SYSTEM. Change menu Press Select SYSTEM.
NOTE • Perfect synchronization of the starting time of recording of two units is not guaranteed. A gap of approximately 1-2 ms will occur. • Connection with an R16 is also possible. When connecting to an R16, always set the R24 as the Master. • Pre-count is disabled when using synchronized recording. • When an R24 is set to Slave, operation using bus power is not guaranteed. Use an AC adapter or batteries.
Mixing R24 mixing process R24 mixing process Use the track mixer to make stereo link settings, adjust volume, EQ, pan (balance) and the send amount to send-return effects. NOTE Adjust the volume, EQ and PAN of tracks Except for phase settings, both left and right channels of stereo tracks share the same parameter values. HINT Select the send-return effect What is the track mixer? • Use the mixer to mix the recorder's audio tracks to stereo.
Mixing EQ, pan and send level track settings 1 2 3 HINT Press Select a track. Change tracks • Use the track mixer to adjust each track parameter, including pan and the send-return effect levels, to process the signals. • In step 2, you can also select a track by pressing its status key so that its indicator lights orange. Select a menu item and its setting.
Mixing Track parameters These parameters can be set for each track Track parameters Mono tracks: 1~24 Stereo tracks: 1/2~23/24 Display Parameter PAN EQ HI PAN Mono tracks Stereo tracks Adjusts a track’s PAN. For stereo tracks adjusts the volume balance between the left and right channels. ◯ ◯ Master track TYPE EQ HI, HI CUT (EQ HI) Set whether to boost/cut the high-frequency range (EQ HI) or clearly cut unnecessary high frequencies (HI CUT).
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Mix down/Bounce Combine multiple tracks into 1–2 tracks Bounce to combine multiple tracks into one new mono or stereo file in the same project. Combine multiple tracks into 1–2 tracks Bounce destination track settings PROJECT>REC>BOUNCE TR 1 Start from the Top Screen 1 2 Bounce (preparation) Select the bounce source tracks (set each track to play back). Press 1–2 times until indicator lights green Press Select REC. Playback-ready when green Change menu 2 Select bounce destination track(s).
3 Press Adjust the mix balance (audition) beneath . 1 Press to start playback. BOUNCE ON appears on the display 2 Adjust the mix balance, including level, volume, pan and EQ settings, for each track. Red Note: Press the BOUNCE soft key again to cancel bounce mode. Orange Green 4 Green Press and hold and press to return to the beginning. 5 Press in order to start recording. Lit red 6 3 Make sure that the red (0 dB) indicator does not light on the MASTER level meter.
Mix down/Bounce Using a mastering effect Using a mastering effect Use a mastering algorithm as an insert effect on the master track before recording to process the mix down. Insert an insert effect before the MASTER fader 1 2 3 Press Selectt ON/OFF and set it to On. Change menu Change setting Select ALGORITHM and set it to Mastering.
Mix down/Bounce Recording to the master track Recording to the MASTER track Prepare by adjusting the signal levels. 1 2 1 Press and hold and press to return to the beginning. to start playback, Then, press and adjust the levels of each track. Adjust the level of the signal that passes through the master fader. 赤 Red Orange Green Green 3 Make sure that the red (0 dB) indicator does not light on the MASTER level meter. Press to stop.
Sampler functions Using the sampler to make songs Using the sampler to make songs Use the sampler functions of the R24 to easily create backing tracks, rhythm parts and other basic tracks that have high sound quality. These features can be used to make a wide variety of music, from demo songs to produced recordings. 1 Make a loop to provide the basic rhythm of the entire song. You can assign a rhythm made with the included loops and the unit's rhythm functions to a track (pad) and set it to loop.
Sampler functions Overview of sampler functions The following settings can be made related to playing the pads. • Pad playback types • Global quantization to fix timing errors You can also set the R24 to loop an audio file assigned to a track. The starting point and length of a loop can be set. In addition, audio files and rhythm patterns that have been assigned to tracks and set to loop can be used to create a sequence, including backing parts and rhythms for an entire song.
Sampler functions Assigning tracks Assigning tracks To use the sampler function, first assign audio files and rhythm patterns to tracks. In this example, we explain how to assign loops stored on the included USB memory. 1 2 3 NOTE Press Select the track to assign. Select track Select TAKE. Change menu Press 4 • To load an audio file from another project, select OTHER PRJ in step 4. From PROJECT, select the project that contains the file. Then, from NEXT, select the file.
Sampler functions Loop settings Setting tracks to loop NOTE Turn loops ON and OFF for each track. 1 2 3 Press Select the track to be looped. Select track • The status key indicator of a track with LOOP set ON lights orange instead of green when enabled for playback. Moreover, a track with LOOP set ON cannot be used to record (the indicator will not be lit red). In addition, the following functions can be used when a track has LOOP set ON. - The pad can be used to trigger the loop.
Sampler functions Loop settings Loop settings Setting the loop interval The loop interval (starting point and length) can be set for tracks that have audio files assigned and LOOP set to ON. 1 2 6 Press beneath to set the length of the loop. Length Locate Press Change length Select the track to be looped. Select track HINT 3 • When setting the loop starting point and length you can switch between the POSI and LENGTH soft keys. • You can also play the audio file that you are setting.
Sampler functions Playing the pads Press the pad beneath a fader to play the audio file or rhythm pattern assigned to that track. Set global quantization Press a pad Press a pad while holding REPEAT/STOP to enable loop playback (if PAD is set to 1Shot). Press a pad again while holding REPEAT/STOP to stop loop playback. The unit can be set to correct timing errors when playing the pads or inputting sequence data in real time so that sounds are aligned with bars and beats.
Sampler functions Creating a sequence Creating a sequence Assign audio files and rhythm patterns to tracks and set their LOOP settings to ON. Combine them to create backing parts, rhythms and other data (sequence data) for an entire track. A sequence can be created with real-time input or step input. 5 Create a sequence with real-time input With real-time input, you can create a sequence by playing the pads in time with the rhythm (metronome). 1 2 To delete input, press and hold .
5 Or, press ENTER to input the data of that track at that position. A sequence can be created one step at a time using step input. 1 2 Press a pad to input that pad's data at that position. Creating a sequence Create a sequence using step input Press Select TRK SEQ. Change menu Note-on Press 3 Length of loop or rhythm pattern Start step input. 6 Press 7 4 To delete input, press beneath to delete data at that position. Press to end input.
Sampler functions Creating a sequence Creating a sequence Deleting data When using step input, you can delete data before and after the cursor position together. 1 5 Select EXECUTE. Change menu Move the cursor to the position of data that you want to delete. Move cursor Press Go back 1 step Go forward 1 step 2 3 Press beneath . Select DEL EVENT. Change menu Press 4 Select MODE and set it to Before or After to delete data to the left or right of the cursor.
Sampler functions Editing a sequence Inserting and deleting beats 1 When using step input for a sequence, you can insert and delete beats. You can insert and delete a number of beats that differ from the project time signature, changing the time signature for only that part. Start step input. 5 Select INS BEAT to insert beats or DEL BEAT to delete beats. Change menu Editing a sequence When creating a sequence by step input, you can insert and delete beats. You can also change the time signature.
Sampler functions Editing a sequence Editing a sequence NOTE • When you insert beats, the sounds of loops and files playing back will be cut at that point. One beat inserted here 1 3 • If you insert or delete beats that differ from the set time signature, the time signature for that part might change depending on the SIGNATURE setting. 5 SIGNATURE: time signature setting Setting No 1 3 • If you insert beats, the time signature of the bar that contains the last inserted beat will change.
During step input of a sequence, you can also change the time signature. 1 Delete an inserted time signature 1 Move the cursor to the position where you want to delete the time signature Start step input. Editing a sequence Changing the time signature Press Go back 1 step Go forward 1 step 2 Move the cursor to the position where you want to change the time signature. 2 Move cursor Blinks 3 Go back 1 step Move to the time signature indication area. Press beneath .
Sampler functions Playing back a sequence Use the following procedures to play back the sequence that you made. Playing back a sequence Playback from the sequencer 1 2 Press 1 Press beneath track sequence ON/OFF. 2 Press to turn the Select TRK SEQ. Change menu Press 3 Playback from the Top Screen Press Track sequencer ON Press to stop Press to stop Press and hold and press to return to the beginning.
Sampler functions Changing the BPM 1 2 NOTE Press Select the track where you want to change the setting. • BPM is calculated for an audio file assuming 4/4 time. • When a track is recorded, the current BPM value is used. Changing the BPM The BPM of each track is automatically calculated when an audio file is assigned to it. Depending on the material, however, the calculated result might differ from the actual BPM. If this occurs, use the following procedures to adjust the BPM.
Sampler functions Changing audio tempo without changing pitch Changing audio tempo without changing pitch When an audio file is assigned to a track, you can change the tempo of audio without changing its pitch (time-stretching). You can change all tracks at once or individual tracks. Be aware that this operation will overwrite the original audio file. 1 6 Press Select BPM and the new tempo after time-stretching. Change menu 2 To change one track at a time, select a track.
Changing audio tempo without changing pitch NOTE • STRETCH operations cannot be undone (UNDO). • STRETCH operations overwrite the original audio files. If you want to save the original files, make a copy of the project and files in advance (Ref. P93). • The BPM of each track is automatically calculated when an audio file is assigned. Depending on the file material, however, the calculated result might differ from the actual BPM. Set the BPM of each track (TRACK > BPM) if this occurs (Ref. P60).
Sampler functions Trimming unnecessary parts of audio files Trimming unnecessary parts of audio files By trimming, you can delete audio data that is outside bounds that you set to change the starting and stopping points of the file. This operation overwrites the original audio file. 1 2 Press Select the track that you want to trim. 7 8 Press beneath . Select YES. Move cursor Select track 3 Press Select EDIT. Change menu • The TRIM operation cannot be undone (UNDO).
Sampler functions Setting fade-ins and fade-outs 1 Press 2 Select the track for which you want to change the fade settings. 3 Select FADE and set it to Off if you want to disable it. Select track Setting fade-ins and fade-outs When playing normal audio files, short fade-ins and fade-outs are applied to their beginnings and ends. You can turn these off, however, for rhythm tracks and other sounds where the attack is important.
Rhythm functions Overview of rhythm functions Overview of rhythm functions With the R24, you can select a pre-installed rhythm pattern that you like and play along. You can also add accents in real-time as you play the pads. The following settings related to playing the rhythms can be made. • Change the drum kit and pad sounds • Set pads to roll (keep playing while pressed) • Set pad sensitivity Moreover, you can create original rhythm patterns with the R24.
Rhythm functions Playing rhythm patterns Selecting the drum kit Select a rhythm pattern and play it. 1 2 Select the drum kit sounds. 1 Press Press beneath . Playing rhythm patterns Selecting a rhythm pattern Select the rhythm pattern. Select pattern Rhythm pattern name 3 Press to play 2 Select the drum kit. Select kit Press to stop Press and hold and press to return to the beginning. HINT You can change the pattern order.
Rhythm functions Playing pad sounds You can add accents in real-time as you play the pads below the track faders. Playing pad sounds 1 2 3 Press If you release REPEAT/STOP before the pad, that sound continues rolling after the pad is released. Press the pad again to stop the roll. Play the pads Switch banks Pad sensitivity You can change the sounds of the pads. Press 1-8Tr to use the bank of drum kit sounds, and press 9-16Tr to use the bank of percussion sounds.
Rhythm functions Creating a rhythm pattern Prepare to create a rhythm pattern Select an empty rhythm pattern and set the number of bars, time signature and quantization. You can also check the memory remaining for rhythm patterns. 1 2 5 Set number of bars and time signature. Change menu Change setting Press Creating a rhythm pattern You can create your own original rhythm patterns. After preparing, you can create a rhythm pattern using real-time or step input.
Rhythm functions Creating a rhythm pattern Creating a rhythm pattern NOTE Create a rhythm pattern using real-time input After preparing, play the pads along with the rhythm (metronome) to create a rhythm pattern with real-time input. 1 Start input. While pressing and holding press , . 2 Play the pads in time with the rhythm to input data. 3 Delete input. Press and hold under and press a pad. While that pad is being pressed, data that has already been input on that track while be erased.
4 beneath Press an input note. After preparing, you can input notes one at a time (step input) to create a rhythm pattern. 1 Delete a note or change its volume. to delete Turn to change the volume of the note at that position. Start input. Creating a rhythm pattern Create a rhythm pattern using step input Loud (high velocity) Press Quiet (low velocity) 2 5 End input. Move the cursor to the position where you want to input or delete notes.
Rhythm functions Copying rhythm patterns You can copy a rhythm pattern to create a new one based on it, for example. Copying rhythm patterns 1 2 6 Press Select EXECUTE. Change menu Select the rhythm pattern that you want to copy. Press beneath . Press Select pattern 3 Select COPY. Change menu Press 4 Select COPY TO. Change menu Press 5 Select the copy destination. Select the pattern Press 71 HINT In step 5, you can change the order of the pattern list.
Rhythm functions Deleting rhythm patterns You can delete rhythm patterns. 2 Press Select the rhythm pattern that you want to delete. Press beneath . Deleting rhythm patterns 1 Select pattern 3 Select DELETE. Change menu Press 4 Select YES.
Rhythm functions Changing rhythm pattern names You can change the names of rhythm patterns. Changing rhythm pattern names 1 2 Press Select the rhythm pattern that you want to change the name of. Press beneath . Select pattern 3 Select RENAME. Change menu Press 4 Change the name.
Rhythm functions Import rhythm patterns 1 2 7 Press Press beneath Select NEXT. Change menu . Press 8 Import rhythm patterns You can import rhythm patterns from other projects. You can import all the rhythm patterns (All) at once or one at a time (Each). Select the rhythm pattern to import (when set to Each). Select project 3 Select IMPORT. Change menu Press Press 4 9 Select the destination rhythm pattern to import (when set to Each). Select project Select MODE and set it to All or Each.
Rhythm functions Setting volume and stereo placement You can change the volume of a rhythm pattern and the stereo placement of the drum kit. Setting volume and stereo placement 1 2 Press Select the rhythm pattern that you want to make settings for. Press beneath . Select pattern 3 Select a menu item and change the setting.
Rhythm functions Assigning rhythm patterns to tracks The rhythm pattern displayed on the screen can also be assigned to a track. 2 Assigning rhythm patterns to tracks 1 Press Select the rhythm pattern to assign. Select pattern 3 While pressing beneath , press the pad of the track where you want to assign it.
Effects Effect and patch overview Effect and patch overview You can select R24 preset patches, and easily apply effects. You can also edit and save patches, making fine adjustments and processing tracks to suit specific songs. Effect and patch operations can only be conducted when the project sample rate is set to 44.1 kHz.
The insert effects in one project include 330 patches classified into 9 algorithms. You can select algorithms and the patches that they contain to suit your purposes and choose where to insert those patches. Two types of send/return effects, which are connected internally in the mixer section, can be adjusted using mixer send levels (amount of signal sent to the effect) and can be used together.
Effects Input and output of insert and send-return effects Input and output of insert and send-return effects The R24's two types of built-in effects—insert effects and send-return effects—can be used at the same time. INPUT 1~8 TRACK 1~24 Insert effects Send-return effect These effects are applied to specified channels. These effects are internally connected in the mixer's send-return bus.
Patches are selected and adjusted the same way for both insert and send-return effects. Select suitable modules from algorithms, edit patch types and parameters, and save them for use later. Select effect and patch Effect 1 Select effect type There are some major differences between making settings for the two types of effects. For insert effects, you must select patches and set insertion points. For send-return effects, you must adjust the send level of signals using the mixer.
Effects Setting the insert effect position Setting the insert effect position You can set the insert effect position. This menu item only appears for the insert effect. 1 4 Press Select INPUT SRC. Change menu Select effect type Press beneath select an insert effect. 2 to Select ON/OFF and set it to ON. Change menu 5 Select the input source. Select input source Change setting 3 Display Input1~Input8 Select an algorithm and patch.
Inserting the insert effect on 2 mono inputs (Dual Mic algorithm) Setting the insert effect position Setting the insert effect position Inserting the insert effect on a stereo input (Stereo, Mastering algorithms) Inserting the insert effect on 8 inputs (8xComp EQ algorithm) 82
Effects Patch editing (insert and send-return effects) Patch editing (insert and send-return effects) You can create patches that combine effects together, change effect types in patches, or change processing as you like by adjusting effects using their parameters. 1 Edit effect modules Press 5 Select effect type Press beneath select an insert effect. Select TYPE. Effect module OFF to beneath to Press select a reverb send-return effect.
Change the name (insert effect) Select a parameter and set it. Select parameter 1 Select RENAME. Change menu Change value Press 2 Change the name. Move cursor Patch editing (insert and send-return effects) Adjust effect parameters Change character Press Delete character Insert character NOTE HINT • None of the modules in “Empty” patches have been set yet. • The level of the ZNR module can be adjusted on the TOTAL module screen.
Effects Patch saving (insert and send-return effects) Patch saving (insert and send-return effects) Once you have edited a patch, always save it if you want to keep the changes. You can save a patch at any patch number within the same algorithm. 1 Continued on the next page Press 6 Select effect type Press beneath select an insert effect. to Select EXECUTE. Press beneath to Press select a reverb send-return effect. beneath to Press select a chorus/delay send-return effect.
Effects Patch importing (insert and send-return effects) 3 Select IMPORT. Import one patch IMPORT>Each Change menu 1 Select PROJECT. Change menu Press 4 Select MODE and set it to All or Each. Change menu Press 2 Select the project to import from.
Effects Using the insert effect only for monitoring Using the insert effect only for monitoring By applying an insert effect only to monitoring, input signals can be recorded unprocessed to tracks. 1 3 Press Select REC SIG and set it. Change menu Select effect type Press beneath select an insert effect. 2 to Change setting Select algorithm/patch. Wet Input signals are recorded to tracks after being processed by the insert effect.
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Projects Project overview & project protection Project overview & project protection A project stores data and settings necessary for music playback. The “PROTECT” function allows you to prevent the alteration of a completed project. All elements of a piece of music, including audio files, information about track assignments, and mixer, effect, metronome and tuner settings are stored in a project as one unit. A maximum of 1000 projects can be stored on a single card.
Projects Creating a new project 1 2 NOTE Press • You can use the settings and values of the last project in the new one. Select NEW. Change menu Settings carried over with Continue • BIT LENGTH settings • INSERT EFFECT settings Press 3 Select NAME. Change menu Creating a new project With the R24 you can create up to 1000 projects on a single card. You can also transfer the settings of the previous project to a new project.
Projects Selecting projects and files Selecting projects and files You can select a project to use for recording, playback and editing from the Top Screen. You can also select files for playback, copying, deletion and other operations. Select a project Select a file PROJECT>SELECT 1 2 PROJECT>FILE 1 Press Select SELECT. Change menu 2 Press 3 Press Select FILE. Change menu Press 3 Select the project. Select the file.
Projects Project and file information Project information File information PROJECT>INFO 1 2 PROJECT>FILE>INFO Follow these procedures after opening the project which has the information that you want to see. 1 2 Press Press Select FILE. Change menu Project and file information You can display information about the currently loaded project, file names, creation dates, sizes, recording times and other information. Select INFO. Change menu Press 3 Press 3 Select the file.
Projects Copying projects and files Copying projects and files You can copy a saved project and use it as a new project. Within the same project, you can change the names of files and make copies of them. Copy a project Copy a file PROJECT>COPY 1 2 PROJECT>FILE>COPY Follow these procedures after opening the project that you want to copy. Press Press Select FILE. Change menu Select COPY. Change menu Press 3 Press 3 1 2 Select the file to copy. Change file Select NAME.
Projects Changing project and file names You can change the names of the currently loaded project and files. Changing a file name PROJECT>RENAME 1 2 PROJECT>FILE>RENAME Open the project that you want to change the name of and follow these procedures. 1 2 Press Select RENAME. Press Select FILE. Change menu Change menu Changing project and file names Changing a project name Press 3 Press 3 Change the characters. Select the file name.
Projects Deleting projects and files Delete selected projects and files. Deleting projects and files Delete a project Delete a file PROJECT>DELETE 1 2 PROJECT>FILE>DELETE 1 Press Select DELETE. Change menu 2 Press 3 Press Select FILE. Change menu Press 3 Select the project to delete. Select the file name. Change file Change project Press Press 4 Select YES. Move cursor 4 Select DELETE. Change menu Press Press 5 Select YES.
Projects Dividing files 1 2 You can use the following keys to listen to a file and to set the division point. Press Select FILE. Dividing files You can divide a file at any point to make two files. Do this to delete unnecessary portions of recordings or to divide long recordings. Press to start playback Change menu Press to stop playback Press 3 Press to fast forward Select the file.
Projects Sequential playback of projects Sequential playback of projects The playback order of multiple projects can be registered and managed in playlists. Use these to play songs consecutively, for live performance accompaniment and when outputting to an external recorder, for example. Playback a playlist 1 2 Edit a playlist PROJECT>SEQ PLAY>EDIT 4 Press Select SEQ PLAY. Press Select the playlist.
PROJECT>SEQ PLAY>DELETE 4 Remove a project from a list 5 Select DELETE. Change menu Select a project to remove. Change tracks Press 6 Press beneath 5 . Sequential playback of projects Delete a playlist Select YES. Move cursor Press Insert a project into a list 5 Select the track number to insert to. Change tracks 6 Press beneath . This inserts the current project. Use the dial to change to a different project.
Projects Recording settings Recording settings The R24 can record at 24-bit, which is higher quality than the 16-bit format used for audio CDs. When recording, the unit can overwrite previous recordings or save them and create new ones. This is useful for bands and drums and when you want to record multiple takes. Setting/changing the bit rate Setting/changing recording mode PROJECT>REC>BIT LEN 1 2 PROJECT>REC>REC MODE 1 Press Select REC. Change menu 2 Press 3 4 Press Select REC.
System Adjusting the display You can adjust the backlight and contrast of the display. Adjusting the contrast TOOL>SYSTEM>LIGHT 1 2 TOOL>SYSTEM>CONTRAST 1 Press Select SYSTEM. Change menu 2 Press Select SYSTEM. Change menu Press 3 4 Press Select LIGHT. Change menu 3 4 Set the value. Select CONTRAST. Change menu Set the value.
SD cards Changing the SD card while the power is on Changing the SD card while the power is on You can change the SD card while the power is on. Do this if the remaining capacity of the inserted card is low or if you need to import previously recorded data from the SD card. 1 2 Load data from the new SD card Press Select SD CARD. Change menu 6 Change menu Press Press 3 Select LOAD. Select EXCHANGE. Change menu Save R24 data to the new SD card 6 Select SAVE.
SD cards Formatting SD cards/Checking card capacities Format SD card/delete all data TOOL>SD CARD>FORMAT 1 2 Press Select SD CARD. Change menu Check SD card remaining capacity TOOL>SD CARD>REMAIN 1 2 Press 3 Select SD CARD Change menu Press Select FORMAT. Change menu Press 4 Press 3 Select REMAIN. Change menu Formatting SD cards/Checking card capacities You can format an SD card for use with the R24, delete all the data on it, and check its capacity (remaining space). Press Select YES.
System Checking the system version/Setting the battery type Checking the system version/Setting the battery type You can check the current version of the system software. Set the battery type to make display of the remaining battery charge more accurate. Checking the system version TOOL>SYSTEM>VERSION 1 2 Setting the battery type TOOL>SYSTEM>BATTERY 1 Press Select SYSTEM. Change menu 2 Press 3 Press Select SYSTEM. Change menu Press Select VERSION. Change menu 3 Select BATTERY.
System Phantom power settings Setting phantom power TOOL>SYSTEM>PHANTOM 1 2 Press Select SYSTEM. Change menu Phantom power settings Set the PHANTOM switch to ON to supply phantom power to INPUTS 3~8. To conserve batteries, you can turn it off for input pairs 3/4 and 7/8 and reduce the voltage to 24 V. Press 3 Select PHANTOM. Change menu Press 4 Select VOLTAGE and set the value. 5 Select 3/4ch or 7/8ch and set it to On or Off.
USB Connecting with a computer Use USB to connect an R24 to a computer (Windows or Macintosh OS). Connecting with a computer For details about use with a computer, refer to the Audio Interface Manual (PDF) on the CD-ROM included with the unit.
USB Card reader Using the unit as an SD card reader USB>READER 1 2 3 Connect the R24 with a computer by USB (DEVICE port) Press Select READER. Change menu Press Disconnecting 1 2 3 Eject the R24 volume icon from your computer to end the connection. or Card reader You can access the R24 SD card using a computer to backup, read and import various data, projects and files. Press to disconnect the R24 Select YES.
USB Using USB memory to save and import data Using USB memory to save and import data By connecting USB memory directly to the R24, you can save and import files. This is convenient for exchanging files with band members. When using USB memory with the unit for the first time, you must create a folder especially for the R24 on that USB memory. 8 Saving files to USB memory USB>STORAGE>FILE SAVE 1 2 3 Move cursor Connect the USB memory to the R24 USB HOST port.
Select the file. Saving projects to USB memory USB>STORAGE>PRJ SAVE Change file Press 7 1 2 Select where to save it . Press Select STORAGE. Change menu Change project Press Press 8 3 Change the file name as necessary. Move cursor Select PRJ SAVE. Change menu Delete character Press Insert Change character character Press 4 Select the project. Select YES. Change project Move cursor Press Press 5 Change the project name as necessary.
Loading projects from USB memory Creating an R24 folder on the USB memory Using USB memory to save and import data USB>STORAGE>PRJ LOAD 1 2 USB>STORAGE>INIT 1 Press Select STORAGE. Change menu 3 Press 3 2 Select PRJ LOAD. Connect the USB memory to the R24 USB HOST port. Press Select STORAGE. Change menu Change menu Press 4 Press 4 Select the project. Select INIT. Change menu Press Change project Press 5 Change the project name as necessary. Move cursor Select YES.
USB Audio interface/control surface Connecting the unit as an audio interface/control surface ❶ Audio interface The R24 can be used as an interface between a computer and instruments and other audio equipment, allowing audio signals to be recorded directly into DAW software, for example. You can connect instruments and microphones that require Hi-Z or phantom power when used as an audio interface. ❷ Control surface 1 Install the ZOOM R16/R24 Audio Driver on the computer.
Connecting and setting the R24 Audio interface/control surface Follow these procedures after the first time 1 2 Disconnecting 1 Press Press Press the Select AUDIO I/F. Change menu 2 below . Select YES. Move cursor Press 3 4 Select whether or not to use the settings of the previous project. Change menu Change setting Select EXECUTE. Change menu Press 3 Disconnect the USB cable NOTE Select CONTINUE to use the same settings as last time.
Interface: Controller 112
Rhythm pattern list Patterns 35~234 are typical patterns and fills for various genres. Rhythm pattern list No.
1 281 FUS04 2 333 HIP14 2 385 BALD09 2 437 2 282 FUS05 2 334 HIP15 2 386 BALD10 2 438 BOSSA01 LATN12 2 4 233 MidEs1Vb 1 283 FUS06 2 335 HIP16 2 387 BALD11 4 439 BOSSA02 4 234 MidEs1FB 1 284 FUS07 2 336 HIP17 2 388 BLUS01 2 440 SAMBA01 4 Name Beats No.
Effect types and parameters 1 Effect parameters R24 Effect types and parameters Insert effects Clean/Crunch, Distortion, Aco/Bass SIM algorithms • COMP/LIMITER module Type Compressor Rack Comp Limiter Level Level Level Parameter descriptions Parameter Sense Attack Tone Level Threshold Ratio Release 115 Parameters/Descriptions Sense Attack Tone MXR Dynacomp type compressor. Threshold Ratio Attack Compressor with more detailed adjustments.
Effect types and parameters 2 • EFX module Tremolo Phaser Ring Modulator Slow Attack Fix-Wah Booster Parameters/Descriptions Position Sense Resonance Level Auto wah dependent on dynamics of input signal. Depth Rate Wave Level Periodically varies the volume level. Position Rate Color Level Produces a swooshing sound. Position Frequency Balance Level Produces a metallic ringing sound. Adjusting the Frequency parameter results in a drastic change of sound character.
Effect types and parameters 3 • PREAMP module R24 Effect types and parameters Type FD Combo Parameters Modeled sound of Fender Twin Reverb ('65 model) favored by guitarists of many music styles VX Combo US Blues Modeled sound of combo amp VOX AC-30 operating in class A Crunch sound of FENDER Tweed BASSMAN Crunch sound of Mesa Boogie MkIII combo amp BG Crunch HW Stack MS Crunch MS Drive PV Drive DZ Drive BG Drive OverDrive T Scream Governor Dist + Dist 1 Squeak FuzzSmile GreatMuff MetalWRLD HotBox Z Cle
Effect types and parameters 4 • MOD/DELAY module Ensemble Flanger Pitch Vibe Step Cry Exciter Air Delay Analog Delay Reverse Delay ARRM Pitch Parameters Depth Rate Tone Mixes a variable pitch-shifted component with the original sound, resulting in full-bodied resonating tone Depth Rate Tone Chorus ensemble features three-dimensional movement Depth Rate Resonance Produces a resonating and strongly undulating sound Shift Tone Fine Balance Shifts the pitch up or down.
Effect types and parameters 5 • REVERB module R24 Effect types and parameters Type Hall Room Spring Arena TiledRoom Parameters Decay PreDelay Tone Mix Simulates the acoustics of a concert hall Decay PreDelay Tone Mix Simulates the acoustics of a room Decay PreDelay Tone Mix Simulates a spring reverb Decay PreDelay Tone Mix Simulates the acoustics of an arena-sized venue Decay PreDelay Tone Mix Simulates the acoustics of a tiled room Parameter descriptions Parameter Decay Setting range
Effect types and parameters 6 Setting range 0~100 Tone Cabinet Balance Level Explanation Adjusts preamp gain (distortion depth). 0~30 0~2 0~100 Adjusts tonal quality of effect. Adjusts intensity of speaker cabinet sound. Adjusts mix balance of signal before and after module. 1~100 Adjusts signal level after passing through module. • 3BAND EQ module Type 3Band EQ Parameters Bass This equalizer has three bands.
Effect types and parameters 7 • 3BAND EQ module R24 Effect types and parameters Type 3Band EQ Parameters For an explanation of types and parameters, see the BASS algorithm. • MOD/DELAY module Type Parameters Chorus Ensemble Flanger Pitch Vibe Step Cry For an explanation of types and parameters, see CLEAN, DISTORTION, ACO/BASS SIM algorithms.
Effect types and parameters 8 • COMP/LIMITER R module Parameters R24 Effect types and parameters Type Compressor Limiter For an explanation of types and parameters, see COMP/LIMITER L algorithm. • MIC PREAMP R module Type Mic Pre Parameters For an explanation of types and parameters, see MIC algorithm. • 3BAND EQ R module Type 3Band EQ Parameters For an explanation of types and parameters, see BASS algorithm.
Effect types and parameters 9 R24 Effect types and parameters • 3BAND EQ module Type 3Band EQ Parameters For an explanation of types and parameters, see BASS algorithm. • MOD/DELAY module Type Chorus Flanger Phaser Tremolo Auto Pan Parameters Depth Rate Mix Mixes a variable pitch-shifted component with the original sound, resulting in full-bodied resonating tone. Depth Rate Resonance Produces a resonating and strongly undulating sound. Rate Color LFO Shift Produces a swooshing sound.
Effect types and parameters 10 Parameters marked with allow values to be set in note units, using the song/pattern tempo as reference. The note durations for the setting values are shown below. Table 1 Dotted 16th note Dotted 8th note 8th note Quarter note Quarter note triplet Half note triplet Dotted quarter note : Delay, Analog Delay and Echo can use up to x8. Reverse Delay can use up to x4. NOTE • The note range actually available depends on the parameter.
Effect types and parameters 11 • NORMALIZER module R24 Effect types and parameters Type Normalizer Parameters Gain Adjusts COMP/Lo-Fi module input level.. Parameter descriptions Parameter Gain Setting range −12~12 Explanation Adjusts level. • 3BAND EQ module Type 3Band EQ Parameters For an explanation of types and parameters, see BASS algorithm. • DIMENSION/RESO module Type Dimension Resonance Parameters For an explanation of types and parameters, see the STEREO algorithm..
Effect patch list 1 Effect patch list Clean/Crunch algorithm No.
Effect patch list 2 R24 Effect types and parameters 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45-49 Every BG EVH1959 BrianDrv RitchStd Carlos PeteHW JW Talk Kstone RR Mtl SV LEAD Monster FatMs SlowFlg DmgFuzz Recti Wah Empty Buddy Guy’s blues sound is dry and overdriven and adds color to any blues lick Early Eddie Van Halen sound Brian May drive sound recreated using "Z Neos” Sound that Deep Purple’s Ritchie Blackmore used recording “Machine Head” Smooth sound used by Carlos Santana in album recording
Effect patch list 3 Long DLY InTheBOX Limiter AG MIC AG Dub 12st Cho AG-Jumbo AG-Small AG Lead Live AMB Tunnel Filter BrethCmp Vib MOD Duet Cho Ensemble VocalDub Sweep VoiceFlg PH Voice VibVoice FutureVo M to F F to M WaReWaRe Hangul Empty Long delay sound for vocals (2-beat at 120 bpm) This effect seems to put the entire sound into a small box R24 Effect types and parameters 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30-49 Limiter effect that is very useful for recording Pr
Effect patch list 4 Stereo algorithm R24 Effect types and parameters No.
Effect patch list 5 1ManBand StdDrum Standard sounds for recording each drum in a kit 5 VtgDrum 1970s drum sound with enhanced hi-hat EhcdDrum Bass 4 Keyboard For self-production 4 6 Guitar 3 5 Vocal 6 Chorus 7-8 Sequencer 1 Bass drum Punchy compressed drum sound 2 Snare drum 3 Hi-hat 4 High tom 5 Mid tom 6 Low tom 7-8 7 Percus Suitable for recording individual percussion sounds 8 CompLtr Versatile, mellow sound 9 A Capla For a cappella groups 10-19 Overhead mics
Effect patch list 6 Send-return effects R24 Effect types and parameters REVERB No. 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 Patch name TightHal BrgtRoom SoftHall LargeHal SmallHal LiveHous TrStudio DarkRoom VcxRev Tunnel BigRoom PowerSt.
Error message list Message Meaning Response Messages that indicate something is missing No Card There is no card inserted. Make sure that an SD card is inserted correctly. No Project There is no project. Check that the project has not been deleted or moved to a different place. No File There is no file in the project. Check that the file has not been deleted or stored in a different place. No USB Device There is no USB connection.
Specifications Section R24 Specifications Track count 24 (mono) Maximum number of simulta8 neous recording tracks Maximum number of simulta24 audio +metronome neous playback tracks Recorder Audio Interface Mixer Effect Rhythm Sampler Recording data format Maximum recording time Projects 44.1/48 kHz, 16/24bit WAV format 200 minutes/1 GB (44.
Troubleshooting If you think there is a problem with the operation of the R24, check the following tips first. ◆ No sound, or sound is very weak • Check the connections with the monitoring system and its volume settings. • Make sure that status indicators in the mixer section are lit green and that their faders are raised. If a track's indicator is not green, press its key repeatedly until it lights green. • Make sure that the [MASTER] status key is not lit and that the [MASTER] fader is raised.
Upgrading the firmware Upgrade the firmware as necessary. Upgrading the firmware 1 2 3 Copy the firmware upgrade file to the root directory of an SD card. Insert the SD card with the firmware upgrade software file into the R24 (if it is not already in the unit). While pressing and holding turn the POWER switch ON. , The upgrade screen opens. 4 5 Select "OK" and press upgrading. to start When the screen shows that upgrading has completed, turn the R24 power OFF once and then turn it on again.
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Index Index A A-B repeat function . . . . . . . . . . . . . . . . . . . 32 A point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 B point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 F Fade in/out . . . . . . . . . . . . . . . . . . . . . . . . . 64 Files Assigning to tracks. . . . . . . . . . . . . . . . . . . . . Changing file names . . . . . . . . . . . . . . . . . . . Copying . . . . . . . . . . . . . . . . . . . . . . . . . . . . Deleting . . . . . . . . . . . .
PDF: Audio Interface Manual on the included CD. Rhythm functions . . . . . . . . . . . . . . . . . 65-76 Rhythm patterns Changing rhythm pattern names . . . . . . . . . . 73 Copying . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71 Deleting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 Creating. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 Importing . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 Assigning to tracks. . . . . . . . . . . . . . . . . .
FCC regulation warning (for U.S.A.) This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.
