User Manual
035
Mode overview
7-1  Mode overview
Mode overview
The H4n Pro has four operation modes: STEREO, STAMINA, 4CH (4-channel) and MTR (multitrack). 
Choose the mode according to your need.
• STEREO mode
You can easily create a stereo recording 
using  the  built-in  microphones  or  an 
external microphone.
The  STEREO  mode  is  convenient  for 
recording  live  band  performances, 
acoustic  instruments,  voices,  lectures, 
and subtle soundscapes. You can  then 
use  it  to  play  stereo  WAV  and  MP3 
les. 
• STAMINA mode
This  mode  enables  longer  battery  life. 
STAMINA mode is similar to STEREO 
mode, but has less functions.
The continuous usage time with alkaline 
batteries is approximately 11 hours (but 
could be less depending on usage). 
When  in  STAMINA  mode,  the  H4n 
Pro can only record/playback in WAV 
44.1kHz/16-bit and MP3 formats. 
To  enable  STAMINA 
mode when using batteries, 
set  the  STAMINA  switch 
before turning the power on. 
P015
•Fieldrecording
•Liveoutdoorrecording
•Atconferencesandinothersituations
whenchangingbatteriesisdicult
• 4CH mode
In  4CH  mode,  you  can  record  two 
stereo  signals  simultaneously.  You 
can  capture  live  sounds  via  the  built-
in  mics  and  direct  instruments  via 
external inputs at the same time. 
•Simultaneous recording with both
line input and mics
•Surroundrecordingviafrontandrear
microphone placement
•Simultaneous recording of both
ambient and direct sound sources
•Recording both ambient and direct
sounds to add a live feel to recorded 
performances
• MTR mode
You  can  record  using  effects  in  this 
mode.  You  can  also  overdub  record
-
ings  and  use  sound  les  previously 
recorded using the other modes. 
When creating a demo, you can record 
backing  tracks  at  home  and  record 
instrumental tracks in the studio while 
listening to the backing tracks.
•Recordingpartsonetrackatatime
•Overdubbing
•Recordingusingeects
•Mixingtracklevelsafterrecording
•Indoorandoutdoorrehearsals
•One-pass stereo recording of live
performances and rehearsals
•Directrecordingofasingleinstrument
•Fieldrecording
•Voicememos
•Recordingmeetings










