FINE TUNE CONTROL SWITCH INDICATOR ♭ MAX MIN 8. 8. 3 STORE (EXECUTE) EFF1 2 MIN MAX 4 1/2 GROUP.BANK MIN U :USER P :PRESET .
Thank you for selecting the ZOOM SUPER PLAYER 8080 (hereafter simply called the "8080"). The 8080 is a sophisticated multi-effect device with the following features and functions: • 47 types of high-quality single effects produced by two new-generation Zoom DSP ZFx-2 chips. Up to 10 effects can be combined for simultaneous use, with flexible patching arrangements. Virtually unlimited possibilities let you create your ultimate guitar sound.
Organization of This Manual The pages explaining operation steps are organized as follows. Function described on this page Selecting a patch In Play mode, you can select from among 100 patches (one PRESET group A-C with 50 patches and the USER group with 50 patches). 8080 Basic Operation Operation key or foot switch Beacon FINE TUNE CONTROL SWITCH INDICATOR ♭ MAX MIN MAX 1 MIN MAX 3 2 MIN MAX 4 1/2 GROUP.BANK U :USER P :PRESET .
USAGE AND SAFETY PRECAUTIONS Safety Precautions In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows: This symbol indicates explanations about extremely dangerous matters. If Warning users ignore this symbol and handle the device the wrong way, serious injury or death could result. ！ ！ Caution This symbol indicates explanations about dangerous matters.
Contents Basic Operation Names of Parts • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 6 Top Panel View • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 6 Rear Panel View • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 6 Connection Examples ••••••••••••••••••••••••••••••••••••••••••• 7 Outline of the 8080 • • • • • • • • • •
Basic Operation Names of Parts Top Panel View ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Rear Panel View ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••
Names of Parts Top Panel View Tuning meter Basic Operation Enlarged Operation Panel View Data entry knobs 1-4 Display FINE TUNE ♭ CONTROL SWITCH INDICATOR ＃ MAX MAX 1 MIN U0 Beacon 3 M O D E L 8 0 8 0 > ZOOM Corporation < 2 MIN MAX CONTROL SWITCH INDICATOR 4 1/2 GROUP. BANK MIN U :USER P :PRESET .
Connection Examples When using only one guitar amplifier, connect the L/MONO OUTPUT jack of the 8080 to the input of the guitar amplifier. In this case, the L and R signals of stereo effects will be combined in the output. When using two guitar amplifiers, connect the L and R OUTPUT jacks of the 8080 to the inputs of the guitar amplifiers.
Outline of the 8080 This section explains what the 8080 is and what it can do. You will also find explanations of some important terms here. Basic Operation Effect module configuration The 8080 is a multi-effect device made up of eight different effect modules (effect blocks). Each effect module acts like a single compact effect.
Modes The 8080 has the following three main operation modes: •••••••••••• • Edit mode •••••••••••• • Utility mode ••••••••• In this mode, you select patches and use them for playing. You can also temporarily turn effects off, tune your instrument, and perform some other functions. In this mode, you can edit (change) the parameters of the effect modules in the currently selected patch. In this mode, you can make amp simulator, MIDI, and other settings which affect all patches.
Trying Out a Patch (Play Mode Operation) Basic Operation The Play mode is the basic operation mode of the 8080, in which you select patches and use them while playing your instrument. When the 8080 is turned on, the Play mode is automatically activated and patch number 1 of the USER group/bank 0 is selected. Indications in Play mode In Play mode, the beacon, display, and effect keys show the following information. Beacon Bank Group U0 GROUP.BANK U :USER Display P :PRESET .
Selecting a patch In Play mode, you can select from among 100 patches (one PRESET group A-C with 50 patches and the USER group with 50 patches). FINE TUNE Basic Operation Beacon CONTROL SWITCH INDICATOR ♭ MAX MIN MAX 1 3 2 MIN MAX 4 1/2 GROUP.BANK MIN U :USER P :PRESET .
Effect Module On/Off Switching Each patch of the 8080 is made up of several effect modules. Use the effect keys to switch the desired modules on and off.
Using the bypass/mute function Basic Operation In the bypass condition, all effects of the 8080 are temporarily disabled, so that only the original sound is heard. This is useful for example to check the overall sonic character of a patch. In the mute condition, the effects of the 8080 as well as the original sound are disabled, so that the output is muted. This is convenient for using the auto tuner function ( p. 14) without letting others hear the sound.
Using the Auto tuner function The 8080 incorporates an auto-chromatic tuner which makes it easy to tune your guitar. This function can be used when the 8080 is in the bypass/mute condition.
Calibrating the tuner reference pitch The reference pitch of the auto tuner in the 8080 can be adjusted as follows.
Adjusting the patch level You can set the level independently for each patch. This is useful for example to differentiate between lead sound and rhythm sound.
Advanced Operation Editing a Patch (Edit Mode Operation) ••••••••••••••••••••••••••••••• 18 Activating the Edit mode •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 18 Indications in Edit mode ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 19 Switching modules on and off ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 20 Changing the parameter settings ••••••••••••••••••••••••••••••••••••••••••••••••••••••• 21 Comparing an edited
Editing a Patch (Edit Mode Operation) In the Edit mode, you can change the parameters of the various effects, to create your own sound effects.
Indications in Edit mode In Edit mode, display, and effect keys show the following information. Display Effect type Parameter q Parameter w PIT PtL=+12 BIL=50 é PtR=+24 BIR=50 Parameter e Parameter r Effect keys エフェクトキー Currently active effect module (lit) Currently selected effect module (flashing) COMP DIST EFF3 DLY REV Advanced Operation Currently inactive effect module (out) In Edit mode, each effect module except for the TOTAL module has two pages of parameter indications.
Switching modules on and off The most simple form of editing is switching effect modules on and off. This is performed with the effect keys.
Changing the parameter settings 1 Display FINE TUNE MAX MIN MAX 1 3 2 MIN STORE (EXECUTE) DIST GROUP COMPARE EQ EFF2 EDIT EXIT EFF3 UTILITY PAGE ADVANCED GUITAR EFFECTS PROCESSOR DLY REV – 3, 5 MAX 4 1/2 MIN EFF1 EFF1 DIST EQ MAX MIN MAX INCREASE TYPE CONTROL SWITCH MIN + MIN r Supe PRESENCE OUTPUT 3 MIN – UTILITY/PAGE key TYPE -/+ keys When effect modules are switched, the corresponding parameter on the display also changes.
Comparing an edited patch with its original condition During editing, you can temporarily revert to the original condition of the patch, to quickly evaluate the changes you have made. This is called the Compare function.
Storing an edited patch If an edited patch is not stored in the USER group, all changes will be lost when you select a different patch. If you like the changes you have made, do not forget to store the patch.
Using the RTM Function The 8080 incorporates a so-called RTM (real-time modulation) function which lets the user change effect parameters in real time. During a performance, the CONTROL pedals 1 and 2 and the CONTROL switches can be used to change previously determined effect module parameters. HINT In the factory default condition, CONTROL pedal 1 is set to adjust the volume of each patch and CONTROL pedal 2 can be assigned to various parameters with the CONTROL switches.
5 6 7 9 UTILITY/PAGE key once to display the RTM parameter. Except for the TOTAL and EQ modules, page 2 of every effect module includes the RTM parameter. FLG é RTM=SPD DIR=NML "RTM" (RTM destination) stands for the parameter to be controlled by RTM. "DIR" (RTM direction) stands for the direction in which the parameter is to be controlled. Data entry knob FLG é Use 3 to select the parameter (only for effect types where the RTM destination can be selected).
Using the CONTROL switches for RTM The CONTROL switches can be used with the RTM function to alter parameters in discrete steps. This lets you easily and quickly adjust distortion or overdrive intensity, flanger speed etc. during a performance. To use the CONTROL switches for adjusting effect parameters, the following steps are required. • In the TOTAL module, select the effect module to be assigned to the CONTROL switches.
4 If desired, store the patch. ("Storing an edited patch" p. 23). 5 Operate the CONTROL switches while Pressing the INCREASE switch increases the parameter value in discrete steps, and pressing the DECREASE switch decreases it. The current setting can be verified with the CONTROL SWITCH INDICATOR. playing the instrument.
Tapping input of delay time The DECREASE CONTROL switch can be used to set the delay time of the delay module by tapping. To do this, the following steps are required. • In the TOTAL module, select the DLY effect module to be assigned to the CONTROL switches. • Within the DLY effect module, set the CSW parameter to "Tap".
6 7 Data entry knob DLY é Use 4 to set the CSW parameter to "Tap". If desired, store the patch. In Play mode, if a patch for which tap input is possible is selected, the panel indicators flash as follows. HiD= 0 SEL=MN RTM=Mix CSW=Tap ("Storing an edited patch" p. 23).
Delay hold Using the CONTROL switches, you can cause the 8080 to sample and hold a guitar phrase. To do this, the following steps are required. • In the TOTAL module, select the DLY effect module to be assigned to the CONTROL switches. • Within the DLY effect module, set the effect type to "HLD".
6 Adjust other delay parameters as required. 7 If desired, store the patch. The TAP indicator of the DECREASE CONTROL switch will go out. CONTROL SWITCH DECREASE –(TAP/HOLD) ("Storing an edited patch" p. 23). TAP/HOLD LED 8 While playing your instrument, press the DECREASE CONTROL switches at the start of the phrase to be sampled. The phrase is sampled for the length of the preset delay time and then repeated.
Utility Mode In Utility mode, you can set parameters which apply to all patches.
Amp simulator settings: pages 1, 2 The 8080 incorporates an amp simulator that is separate from the effect modules in the patches. Using the amp simulator yields realistic guitar amp sound also when listening through headphones or audio speakers. Pages 1 and 2 of the Utility mode serve for setting amp simulator parameters.
MIDI settings: pages 4 - 6 The pedals and foot switches of the 8080 can be used to send MIDI control change messages from the MIDI OUT jack. Pages 4 through 6 of the Utility mode serve to make MIDI settings, such as selecting the MIDI channel and control change numbers. Parameters PAGE 4 MIDI CTRLchg CH= q 4 CP1= w CP2= e q MIN MAX 1 3 2 MIN MAX 4 w e MIN MAX MIN MAX UTILITY PAGE q CH (Channel) MAX 1 3 2 MIN e CP2 (Control Pedal 2) Sets the control change number for CONTROL pedal 2.
Foot switch settings: pages 7, 8 When the 8080 is in Manual mode or Edit mode, foot switches 1-5 can be used to switch effect modules on and off. Pages 7 and 8 of the Utility mode serve to assign modules to the various switches. Parameters Comment Values PAGE 7 Fsw ASSIGN: SW1= q 7 SW2= w SW3= e q MIN MAX 1 3 2 MIN w e MIN MAX MIN PAGE 8 MIN MAX 1 3 2 MIN MAX 4 r CMP, EF1, DST, EQ EF2, EF3, DLY, REV w SW1 (Switch 2) Sets the effect module to be controlled by foot switch 2.
Using the USER FUNCTION Switch The USER FUNCTION switch can be programmed by the user to perform a desired function. The following four functions are available: switch between Play mode and Manual mode, call up a predefined bank number, call up a predefined patch number, switch between PRESET groups A/B/C. In the factory default condition, the switch is set to select PRESET groups.
4 5 6 7 Data entry knobs UTILITY/PAGE key Press the once more to call up the page shown below. Use 3 and 4 to select effect modules for Foot switches 4 and 5. Press the STORE/EXECUTE key two Fsw ASSIGN: 8 SW4=EF3 SW5=DLY USER FUNCTION switch while Fsw ASSIGN: SW1=CMP 8 SW4=DLY SW5=REV The Utility mode settings are stored and the unit returns to the Play mode. This will activate Manual mode, and the effect modules that can be switched by foot switches 1-5 are shown on the display.
Using the USER FUNCTION switch to call up a bank or patch The USER FUNCTION switch can be used to call up a predefined bank or patch during a performance. This is convenient for example for frequently needed patches in a song. To do this, the following steps are required. • In Utility mode, set the USER FUNCTION switch parameter to "BANK" (bank number) or "PATCH" (patch number). • In Utility mode, set the predefined bank number or patch number.
3' If "PATCH" was USER FUNCTION= PATCH 3 PAT=U09 selected, use Data entry knob 3 to set the desired patch number in the "PAT=" item. 4 Press the STORE/EXECUTE key two times. 5 Press the USER FUNCTION switch while The Utility mode settings are stored and the unit returns to the Play mode. 01 8080LEAD LVL=100 AMP ¡VOL ™OFF ßHLD The preset bank number or patch number will be called up. playing the instrument in Play mode.
Using the USER FUNCTION switch to select PRESET A/B/C The USER FUNCTION switch can be used to select a group among PRESET groups A, B, C. To do this, the function of the USER FUNCTION switch must be set to "PRESET" in Utility mode.
Other Functions This section explains how to use the 8080 for controlling an external effect device or amplifier, and how to use the Initialize mode to reset the 8080 to the factory default condition. Controlling an external effect device SERIAL NO. INPUT GAIN INPUT H M L DC9V1.
Controlling an external amplifier Some guitar amplifiers allow channel switching or on/off switching of built-in effects by an external foot switch. By connecting the foot switch jack of such an amplifier with the EXTERNAL CONTROL jack on the 8080, the amplifier can be controlled within a patch of the 8080. SERIAL NO. DC9V1.
5 Use the to select one of the four combinations shown below. 6 Store the patch as required. TYPE -/+ keys Display R(s) T(s) R(o) T(o) R(o) T(s) R(s) T(o) Ring Short Open Open Short Tip Short Open Short Open ("Storing an edited patch" p. 23). When this patch is selected, channel selection or effect on/off switching can be performed for the external amplifier. Advanced Operation HINT ✎ Foot switch specifications may differ for various amplifiers.
Returning the 8080 to the factory default condition You can return all settings of the 8080 including all USER group patches to the factory default condition. This is useful for example if you have inadvertently erased the contents of a USER group patch.
Effect Types and Parameters Effect Modules of the 8080 CMP (Compressor) Module EFF1 Module •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• DIST (Distortion) Module EQ Module •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• ••••••••••••••••••••••••
Effect Modules of the 8080 This section describes all effect types and parameters contained in the various effect modules. The 8080 has eight effect modules, comprising the effect types shown in the table below.
CMP (Compressor) Module COMP EFF1 DIST EQ EFF2 EFF3 DLY REV TOTAL This module provides compression of the input signal to allow sustain effects without overload and to make the sound more uniform. CMP: Compressor 1 A standard compressor with natural-sounding sustain. Parameters CMP SNS= q EQ= e ATK= w LoC= r PAGE 1 q w MIN MAX 1 3 2 MIN MAX 4 e r MIN MAX MIN q SNS (Sensitivity) Sets the depth of the compression effect.
COMP EFF1 Module EFF1 DIST EQ EFF2 EFF3 DLY REV TOTAL This module contains equalizer effects and wah/modulation effects with strong characteristics. It can be inserted before or after the DIST module. PEQ: 1-Band Parametric EQ Parametric equalizer with high-range enhancer. Parameters PEQ FRQ= q Q= e G= w POS= r q w MIN MAX 1 3 2 MIN r MIN MAX MIN MAX t PAGE 2 PEQ EhF= t SNS= y y MIN MAX 1 3 MIN Sets the boost/cut frequency. 63, 160, 400, 1.0, 2.
AWA: Auto-Wah 2 Standard auto-wah effect where wah depends on picking intensity. Parameters AWA SNS= q SEL= e DMx= w POS= r q w MIN MAX 1 3 2 MIN MAX 4 e PAGE 1 r MIN MAX MIN MAX UTILITY PAGE t PAGE 2 AWA OFS= t RTM` y MIN MAX 1 3 DIR= u 2 MIN MAX 4 y u MIN q SNS (Sensitivity) w DRY (Dry Mix) MAX MIN MAX Comment Sets the wah effect sensitivity. Sets the balance between effect sound and dry sound (original sound). When set to 0, no original sound is output.
DIST (Distortion) Module COMP EFF1 DIST EQ EFF2 EFF3 DLY REV TOTAL This module contains ten different distortion and overdrive effects, including one for control of external distortion devices and a unique "Acoustic" effect that turns the sound of an electric guitar into that of an acoustic guitar. ZNR (Zoom Noise Reduction) is also available in this module. HINT ZNR can be used also when the DIST module is off.
RHY: Rhythm Effect with a crunch type sound that is well suited to rhythm guitar. Parameters RHY DRV= q LVL= e EQ= w ZNR= r q w MIN MAX 1 3 2 MIN MAX 4 e PAGE 1 r MIN MAX MIN MAX 1 q DRV (Drive) w EQ (EQ) MIN MAX 2 MIN MAX UTILITY PAGE e LVL (Level) r ZNR (ZNR) PAGE 2 RHY 3 RTM` t DIR= y 4 t y MIN MAX MIN MAX Comment Values Sets the distortion type. 1 – 30 Sets the tonal quality. Higher values emphasize the treble range. -10 – +10 Sets the output level.
VDSP: Vintage Distortion P Recreates a popular vintage distortion effect with wild character. Parameters VDSP DST= q LVL= w q ZNR= e MIN MAX 1 3 2 MIN MAX 4 w PAGE 1 e MIN MAX MIN MAX 1 MIN MAX 2 MIN MAX Sets the distortion type. 1 – 30 w LVL (Level) Sets the output level. 1 – 16 e ZNR (ZNR) Sets the activation threshold for Zoom Noise Reduction which suppresses noise during no-signal passages.
VFzF: Vintage Fuzz F Recreates a popular, solid-sounding fuzz effect. Parameters VFzF FUZ= q LVL= w q ZNR= e MIN MAX 1 3 2 MIN e MIN MAX MIN MAX 1 MIN MAX 2 MIN MAX UTILITY PAGE q FUZ (Fuzz) Sets the distortion type. 1 – 30 w LVL (Level) Sets the output level. 1 – 16 e ZNR (ZNR) Sets the activation threshold for Zoom Noise Reduction which suppresses noise during no-signal passages.
COMP EQ Module EFF1 DIST EQ EFF2 EFF3 DLY REV TOTAL This is an equalizer module for providing tonal compensation. 3-EQ: 3-Band Equalizer This parametric equalizer allows boost and cut in three bands (high, mid, low). Q is fixed for each band. Parameters 3-EQ HiG= q MdG= e Hif= w Mdf= r q MIN MAX 1 3 2 MIN MIN MAX MIN Provides boost/cut for the high frequency range. w w Hif (High Frequency) Sets the boost/cut frequency for the high frequency range.
COMP EFF2 Module EFF1 DIST EQ EFF2 EFF3 DLY REV TOTAL This module contains modulation-type effects for changing the pitch and creating special effects. PPIT: Pedal Pitch Shifter Allows changing the pitch in real time with a pedal. There are 16 pitch change patterns. PPIT SEL= q Parameters q MIN MAX 1 2 MIN 3 MAX q SEL (Type Select) 4 PAGE 1 MIN MAX MIN Comment Values Allows selection of pitch change pattern from 16 possibilities.
PitD: Pitch Shifter-Delay This special effect adds a predelay to the pitch shifter, with the repeated sound being gradually shifted in pitch. Parameters PitD PIT= q FB= e TIM= w BAL= r q w MIN MAX 1 3 2 MIN 4 r MIN MAX MIN MAX UTILITY PAGE q PIT (Pitch) Controls the pitch shift within ± 1 octaves. w TIM (Time x10ms) Sets the predelay time in 10-ms steps. e FB (Feedback) Sets the predelay repeat amount. r BAL (Balance) Sets the balance between original sound and effect sound.
PBND: Pitch Bender This effect detects the picking intensity and accordingly bends the pitch up or down. Parameters PBND BFR= q AFT= e SPD= w BAL= r q MAX 1 3 2 MIN Sets the pitch at the start of the effect. Setting range is ± 1 or ± 2 octaves, in 1-semitone steps. -24, -12, -11, ･･0, ･･, +11, +12, +24 w SPD (Speed) Sets the pitch bend rate. e AFT (After Pitch) Sets the pitch at the end of the effect. Setting range is ± 1 or ± 2 octaves, in 1-semitone steps.
COMP EFF3 Module EFF1 DIST EQ EFF2 EFF3 DLY REV TOTAL This module contains conventional modulation-type effects such as flanger and chorus. FLG: Flanger 1 Characteristic flanger effect indispensable for jet sound. Parameters FLG DPT= q FB= e SPD= w MAN= r q MIN MAX 1 2 MIN 3 MIN MAX MIN q DPT (Depth) Sets the depth of the flanging effect 0 – 50 r w SPD (Speed) Sets the speed of the flanging effect.
VCHO: Vintage Chorus 2 Recreates a traditional guitar chorus effect. Parameters Comment q CHO (Chorus Intensity) Sets the chorus depth when the SEL parameter is set to "CHO". VCHO CHO= q VbD= e VbS= w SEL= r q w MIN MAX 1 3 2 MIN r MIN MAX MIN MAX UTILITY PAGE 1 – 100 e VbD (Vibrato Depth) Sets the vibrato depth when the SEL parameter is set to "VIB".
COMP DLY (Delay) Module EFF1 DIST EQ EFF2 EFF3 DLY REV TOTAL This module provides four types of delay effects including ultra-long delay of up to 4 seconds and an analog-type delay. DLY: Normal Delay This is a traditional delay effect with delay times up to 4 seconds. You can select monaural delay or ping-pong delay. Using one of the CONTROL switches, tapping input of delay time is possible.
HOLD: Hold Delay This delay effect samples a phrase and repeats it. When the CONTROL switch is pressed once, the sound is sampled for the preset delay time. Pressing the CONTROL switch again causes the phrase to be repeated. Parameters HOLD TIM= q w (mS) FB= e Mix= r q MIN MAX 1 3 2 MIN MIN MAX MIN q TIM (Time) Set the delay time in 100-ms steps. r w (mS) (Time Fine) Fine adjusts the delay time in 1-ms steps. 0 – 99 e FB (Feedback) Sets the feedback amount.
COMP REV (Reverb) Module EFF1 DIST EQ EFF2 EFF3 DLY REV TOTAL This effect module contains three types of stereo reverberation effects. HALL: Reverb Hall This effect recreates the reverberation of a concert hall. Parameters HALL TIM= q HiC= e PDl= w Mix= r q w MIN MAX 1 3 2 MIN MAX 4 e PAGE 1 MAX MIN MAX Sets the reverb duration. w PDl (Pre Delay) Sets the time interval until the early reflections. Higher values result in a larger simulated space.
COMP TOTAL Module EFF1 DIST EQ EFF2 EFF3 DLY REV TOTAL Strictly speaking, this module is not an effect module, but it serves for setting various parameters for the CONTROL pedals and CONTROL switches. It also contains settings for the seamless function, for editing patch names and for other parameters that affect all patches. The module has five pages which are switched with the UTILITY/PAGE key.
Page 4: External control output settings The control output can be used to switch channels at a guitar amplifier. Use the TYPE -/+ keys to switch the settings, as shown below. PAGE 4 EXT CONTROL OUT: 4 TYPE=R(s) T(s) Display R(s) R(o) R(o) R(s) T(s) T(o) T(s) T(o) Ring Short Open Open Short Tip Short Open Short Open – TYPE + The selected ring and tip configuration is shown on the display.
APPENDIX MIDI Implementation Specifications •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Troubleshooting •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• MIDI Implementation Char
MIDI Implementation 8080 MIDI IMPLEMENTATION 1. TRANSMITTED DATA 1) CHANNEL VOICE MESSAGES STATUS SECOND THIRD 1011 nnnn 0ccc cccc 0vvv vvvv 0ccc cccc 0vvv vvvv 0ccc cccc 0vvv vvvv 0ccc cccc 0vvv vvvv 0ccc cccc 0vvv vvvv 0ccc cccc 0vvv vvvv 0ppp pppp ---- ---- 1100 nnnn DESCRIPTION CONTROL CHANGE CONTROL PEDAL 1 ccc cccc : Control No. 1-31 (Selectable, memorized. Default 7) vvv vvvv : Control Value (0-127) CONTROL PEDAL 2 ccc cccc : Control No. 1-31 (Selectable, memorized.
Specifications • Effect programs 47 (45 effect types + amp simulator + ZNR) • Effect modules 8 + AMP + ZNR • Patch memory capacity USER: 0 banks x 5 = 50 (read and write) PRESET: 3 groups (A,B,C) x 10 banks x 5 = 150 (read only) Total 200 patches • Sampling frequency 44.
Troubleshooting Symptom No sound or very low volume Check • Are shielded cables connected properly? Make connections as described in "Connections" and then turn the unit on. • Is the guitar connected properly to the INPUT jack of the 8080 and the amplifier to the OUTPUT jack of the 8080? Make connections as described in "Connections" and then turn the unit on. • Is a shielded cable defective? Try replacing the cable. • Is the connected guitar amplifier turned on? Turn amplifier on.
MIDI Implementation Chart [ MULTI EFFECTOR ] [ Model 8080 ] Transmitted Function ・・・ Recognized Basic Channel Default Change 1 − 16 1 − 16 × × Mode Default Messages Altered 3 × × × Note Number × ***************** Note ON Note OFF × × × × After Touch Key's Ch's × × × × × × ○ 1 − 31 1 − 31 64 − 95 64 − 95 64 − 95 64 − 95 64 − 95 64 − 95 64 − 95 × Change Prog Change ○ ( 0 − 99) True ＃ System Exclusive CONTROL PEDAL 1 CONTROL PEDAL 2 Foot Switch1 ON/OFF Foot Switch2 ON/OFF Foot Swi
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