User Guide
CHAPTER 5
Modules
66
The principle behind low frequency oscillation as a means of modulating a signal, as opposed to
adding to it, is that its frequency is lower than the audible frequency of the human ear (20Hz–
20kHz) i.e., the frequency is low enough so that it isn‘t heard as a tone.
A low frequency oscillator can be routed to control a variety of different parameters, for example
the frequency of the audio oscillator, the phase, panning, filter frequency, or the velocity of the
synthesizer’s output. For instance, when routed to pitch, an LFO serves to simulate vibrato, and
when an LFO modulates amplitude (volume), it creates tremolo.
On most synthesizers and sound modules, there are several different ways in which the user can alter
the effect produced by the LFO. These may include a variety of different waveforms, a rate control,
routing options (as described above), a tempo sync feature, and an option to control the amount by
which the LFO will modulate the audio signal.
Electronic musicians use LFO for a variety of applications, ranging from adding simple vibrato or
tremolo to a melody, to more complex applications such as triggering gate envelopes. Differences
between LFO rates also account for a number of commonly heard effects in modern music
- for instance, a very low rate can be used to modulate filter frequency, thereby providing the
characteristic gradual sensation of the sound becoming clearer or closer to the listener. Alternatively,
a high rate can be used for bizarre ‚rippling‘ sound effects (indeed, another important use of LFO
would be for various sound effects used in films). However, these effects are difficult to describe,
instead they are more understandable simply when heard.
You can choose between the following waveforms: sine, triangle, square, saw and random.
The „retr.“ (retrigger) button lets you select if you want to start the LFO progression always from
the beginning for each newly played note.
The LFO parameters in detail:
Frequency:
Here you can assign the number of waveform repetitions per second and thus the tempo of the LFO
in hertz. 1.00 Hz = one complete waveform repetition per second.
Sync:
Use this option to synchronize the tempo of your LFO to your host application or to Independence
internally. If activated, the frequency input field will change into a pull-down menu where you can
specifically select the kind of synchronization.
Delay:
Here you can assign a delay to your LFO. Combine this option with an additional AHDSR curve to
create a fade-in of your LFO.










