User Manual

Phaser
Rate – Allows you to set the sweep rate. This parameter can be synchronized to the project
tempo.
Width – Determines the width of the modulation effect between higher and lower frequencies.
Flanger
Rate – Allows you to set the sweep rate. This parameter can be synchronized to the project
tempo.
Feedback – Determines the character of the flanger effect. Higher settings produce a more
metallic sounding sweep.
Mix – Sets the level balance between the dry signal and the wet signal.
Tremolo
Rate – Allows you to set the modulation speed. This parameter can be synchronized to the
project tempo.
Depth – Governs the depth of the amplitude modulation.
Octaver
Direct – Adjusts the mix of the original signal and the generated voices. A value of 0 means only
the generated and transposed signal is heard. By raising this value, more of the original signal is
heard.
Octave 1 – Adjusts the level of the signal that is generated one octave below the original pitch.
A setting of 0 means that the voice is muted.
Octave 2 – Adjusts the level of the signal that is generated two octaves below the original
pitch. A setting of 0 means that the voice is muted.
Delay
Delay – Sets the delay time in milliseconds. This parameter can be synchronized to the project
tempo.
Feedback – Sets the number of repeats for the delay.
Mix – Sets the level balance between the dry signal and the wet signal.
Tape Delay
Delay – Tape Delay creates a delay effect known from tape machines. Sets the delay time in
milliseconds. This parameter can be synchronized to the project tempo.
Feedback – Sets the number of repeats for the delay.
Mix – Sets the level balance between the dry signal and the wet signal.
Tape Ducking Delay
Delay – Tape Ducking Delay creates a delay effect known from tape machines with a ducking
parameter. The Delay parameter sets the delay time in milliseconds. This parameter can be
synchronized to the project tempo.
Feedback – Sets the number of repeats for the delay.
Duck – Works like an automatic mix parameter. If the level of the input signal is high, the
portion of the effect signal is lowered, or ducked (low internal mix value). If the level of the
input signal is low, the portion of the effect signal is raised (high internal mix value). This way
the delayed signal stays rather dry during loud or intensely played passages.
Overdrive
Drive – Overdrive creates a tube-like overdrive effect. The higher this value, the more
harmonics are added to the output signal of this effect.
Tone – Works as a filter effect on the added harmonics.
Level – Adjusts the output level.
Distortion Plug-ins
14 | VST Rack Pro Plug-in Reference