User Manual

PSR-I500 Data List
23
Effect Type List
Reverb Type List
Chorus Type List
DSP Type List
No. Reverb Type Description
01–04 Hall 1–4 Concert hall reverb.
05 Cathedral Rich reverb simulating the acoustics of a cathedral. Good for pipe organ sounds.
06–08 Room 1–3 Small room reverb.
09–10 Stage 1–2 Reverb for solo instruments.
11–12 Plate 1–2 Simulated steel plate reverb.
13 Off No effect.
No. Chorus Type Description
1–3 Chorus 1–3 Conventional chorus program with rich, warm chorusing.
4–5 Flanger 1–2 This produces a rich, animated wavering effect in the sound.
6Off No effect.
No. DSP Type Description
01 Rotar y Speaker
Simulates the characteristic effect of a rotary speaker. This effect can be used mainly for Organ Voices. Turn
Knob A to change the rotating speed of the rotary speaker, and turn Knob B to control the degree of distortion.
02 Distortion1 Adds an “edgy” distortion to the sound. For powerful guitar sound of Rock and Blues, it is an indispensable
effect. There are two different types (Distortion 1 and 2). Turn Knob A to adjust the degree of the distortion
effect, and turn Knob B to adjust the effect output level.
03 Distortion2
04 Chorus
Adds warm modulation to the sound. Turn Knob A to change the modulation speed, and turn Knob B to adjust
the depth of the modulation.
05 Flanger
Creates a swirling, metallic sound similar to that of a jet airplane. Turn Knob A to change the modulation
speed, and turn Knob B to adjust the depth of the modulation.
06 Phaser
Cyclically modulates the phase to add modulation to the sound. Turn Knob A to adjust the the modulation
speed, and turn Knob B to adjust the depth of the modulation.
07 Tremolo
Rich Tremolo effect with volume modulation. Turn Knob A to adjust the the modulation speed, and turn Knob
B to adjust the depth of the modulation.
08 Auto Pan
An effect which cyclically moves the sound left and right. Turn Knob A to adjust the pan change speed, and
turn Knob B to adjust the spread the sound further to the left/right.
09 Low Pass Filter
Modifies the tonal color of the sound by cutting the signals above the Cutoff Frequency. Increasing the
resonance emphasizes the frequencies at the cutoff frequency, and thus “strengthens” the perceived effect of
the filter. Turn Knob A to adjust the cutoff frequency, and turn Knob B to adjust the resonance.
10 High Pass Filter
Modifies the tonal color of the sound by cutting the signals below the Cutoff Frequency. Increasing the
resonance emphasizes the frequencies at the cutoff frequency, and thus “strengthens” the perceived effect of
the filter. Turn Knob A to adjust the cutoff frequency, and turn Knob B to adjust the resonance.
Manual Development Group
© 2019 Yamaha Corporation
Published 04/2019 PO-A0