User Manual
Table Of Contents
- How to Use This Reference Manual
- Contents
- Function Tree
- SELECTED CHANNEL section
- Channel Strip section
- Input and output patching
- Input channels
- Signal flow for input channels
- Specifying the channel name, icon, and channel color
- Making HA (Head Amp) settings
- Sending the signal from an input channel to the STEREO/MONO bus
- Added pan function (Monaural input channels only)
- Sending a signal from an input channel to a MIX/ MATRIX bus
- Channel name display indication
- Correcting delay between channels (Input Delay)
- Surround output for input channels
- Channel library operations
- OUTPUT channels
- Signal flow for output channels
- Specifying the channel name, icon, and channel color
- Sending signals from MIX channels to the STEREO/ MONO bus
- Sending signals from MIX channels and STEREO/ MONO channels to MATRIX buses
- Correcting delay between channels (Output Delay)
- Using the PORT TO PORT function
- Channel library operations
- EQ and Dynamics
- Channel Job
- Scene memory
- Monitor and Cue functions
- Talkback and Oscillator
- Meters
- Graphic EQ, Parametric EQ, effects, and Premium Rack
- I/O devices and external head amps
- MIDI
- Recorder
- AFC IMAGE Control
- Setup
- About the SETUP screen
- User settings
- Preferences
- USER DEFINED keys
- Functions that can be assigned to USER DEFINED keys
- USER DEFINED knobs
- Functions that can be assigned to USER DEFINED knobs
- Custom fader bank
- Console Lock
- Saving and loading setup data to and from a USB flash drive
- Remount function to USB flash drives
- Word clock and slot settings
- Using cascade connections
- Basic settings for MIX buses and MATRIX buses
- Switching the entire phantom power supply on/ off
- Specifying the brightness of the touch screen, LEDs, channel name displays, and lamps
- Setting the date and time of the internal clock
- Setting the network address
- Setting up the Dante audio network
- Dante Device Lock
- Support for Dante Domain Manager
- Using GPI (General Purpose Interface)
- Help function
- Other functions
- Initializing the unit to factory default settings
- Adjusting the detection point of the touch screen (Calibration function)
- Adjusting the faders (Calibration function)
- Fine-tuning the input and output gain (Calibration function)
- Adjusting the LED color (Calibration function)
- Adjusting the brightness of the channel name display
- Adjusting the contrast of the channel name display
- Initializing the Dante audio network settings
- Update procedure for NAME SUB CPU firmware
- Update function to Dante firmware
- Warning/Error Messages
- Index
- Data List
- Table of Contents
- EQ Library List
- DYNAMICS Library List
- Dynamics Parameters
- Effect Type List
- Effects Parameters
- Premium Rack Processor Parameters
- Parameters That Can Be Assigned to Control Changes
- NRPN Parameter Assignments
- Mixing Parameter Operation Applicability
- MIDI Data Format
- Input/Output Characteristics
- Electrical Characteristics
- Mixer Basic Parameters
- Pin Assignment
- MIDI Implementation Chart
Graphic EQ, Parametric EQ, effects, and Premium Rack
V5.8 Reference Manual
143
Editing the internal effects
The internal effects of the QL series console can be mounted in EFFECT racks 1–8, and
patched to an output channel’s output or input channel’s input, or inserted into a channel. For
each effect mounted in a rack, you can choose one of 54 types of effect.
With the default settings, the signals from MIX channels 13–16 are input to racks 5–8, and
from the racks are then output to ST IN 1–4 (L/R). There are no assignments to racks 1–4.
NOTE
Some effect types can be mounted only in racks 1, 3, 5 or 7.
To use an internal effect via send and return, assign the output of a MIX channel to the input
of the effect, and assign the output of the effect to an input channel. In this case, the
corresponding output channel is used as a master channel for the effect send, and the input
channel is used as an effect return channel.
Alternatively, you can assign the input and output of the internal effect to the insert-out/in of a
desired channel (except for a ST IN channel), so that the effect is inserted into that channel.
The internal effects fall into two categories; “STEREO type” (2-in/2-out) effects that process
the L/R channel input signals independently, and “MIX type” (1-in/2-out) effects that mix the
two channels before processing them.
If signals are assigned to both the L and R inputs of an effect, the way in which the L/R
channels are processed will depend on whether a Stereo effect type or a Mix effect type is
selected, as follows.
STEREO type effects
MIX type effects
If a signal is assigned to only one input of a two-input effect, it will be processed as mono-in/
stereo-out regardless of whether a Stereo effect type or Mix effect type is selected. However,
please note that this will not apply to COMP276, COMP276S, COMP260, COMP260S,
EQUALIZER601, and OPENDECK.
Using an internal effect via send and return
This section explains how to use a MIX bus as an effect send bus and a ST IN channel as an
effect return channel, so that the effect can be used in a send and return configuration.
NOTE
• If you want to use a MIX bus as an effect send bus, select “VARI” as the bus type. This will allow
you to adjust the send level separately for each input channel.
• If you want to use the input to an effect in stereo, it is convenient to assign the send-destination
MIX bus to stereo. (For details on bus assignments, refer to “Basic settings for MIX buses and
MATRIX buses” on page 245.)
OUTPUT PATCH
INPUT PATCH
EFFECT
EFFECT
EFFECT
EFFECT
Rack 2
Rack 7
Rack 8
Output of the
output channel
Input of the input
channel
Rack 1
EFFECT
Insert-out of a
desired channel*
Insert-in of a
desired channel*
* Excluding a ST IN channel
STEP
1. Follow steps 1–3 described in “Virtual rack operations” on page 130, to mount an
effect in a rack.
2. Press the INPUT PATCH L button in the VIRTUAL RACK window, and select a MIX
channel as the input source for the rack (page 130).
3. Press the OUTPUT PATCH L button in the VIRTUAL RACK window, and select the L
input of a ST IN channel as the output destination for the rack (page 130).
4. Adjust the send level from each channel in the SEND field in the SELECTED
CHANNEL VIEW screen.
5. Adjust the master level of the effect send of the MIX channel you selected as the
input source for the rack.
6. Adjust the effect return level of the ST IN channel you selected as the output
destination for the rack.
INPUT L EFFECT L L RETURN
INPUT R EFFECT R R RETURN
INPUT L L RETURN
INPUT R
EFFECT
R RETURN
L RETURN
EFFECT
R RETURN
INPUT L
or R