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MIXERS – EDUCATION SUPPLEMENT

ALESIS IMULTIMIX 9R

RACKMOUNT MIXER WITH

IPOD DOCK The iMultiMix-9R

is a one-of-a-kind, rackmounted

tool for mixing and audio/video

playback directly from an iPod. Seven 60mm slide faders mix 9 audio input

channels consisting of 5 mic/line inputs and 2 stereo inputs, each with

3-band/channel EQ. One fader has a push-button to select direct iPod audio

playback. You can play musical backing tracks and video from the iPod and

mix your live performances instantly with iPod 5th generation (video) and

iPod Nano 2nd generation (aluminium).

ITEM DESCRIPTION LIST

I-MULTIMIX-9R ......... Rack mixer with iPod dock ..........................................399.00

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FOSTEX LR16 LIVE RECORDING

MIXER

An integrated 16-input/4-

bus/1 master fader multi-track

recorder that records signals with

better-than-audio CD quality to its built-in, USB-ready 80GB hard drive

(good for 16hrs of audio). Also records WAV files of individual tracks

and simultaneous stereo mixdown. Works well in both Front of House

and onstage applications. Each channel features 3-band EQ and digitally

controlled trim with limiter. The LR16’s connector box and controller can

be separated via Cat5, eliminating the need for a heavy snake run. Recorder

panel features 10-key panel for instant playback.

ITEM DESCRIPTION LIST

LR16.......................... 16-track live recording mixer (16 mic/line inputs) ....2199.00

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SOUNDCRAFT GIGRAC GigRac com-

bines a fully-featured 8-channel mixer

with studio-quality digital effects and

potent power amplification (300W-800W) in a portable package that sets

up in minutes. Eight input channels, each with XLR mic inputs and 48V

phantom power, 1/4" line inputs. Two channels have stereo RCA jacks also

and 2 channels have stereo 1/4" jacks. Each channel has bass and treble

controls, effects and monitor mix controls and main level control. A 7-band

output EQ, digital effects processor with footswitch jack are standard. The

1000ST model is a more powerful full stereo version at 500W/channel @

4ohms, featuring expanded 3-band EQ on the inputs, two 7-band graphic

equalizers and 10 high-quality preset digital effects. With a tough protec-

tive case with shoulder strap, and the option to be rack-mounted.

ITEM DESCRIPTION LIST

GIG-RAC600 .............. With two 300W/4-ohm amplifiers, 4RU .......................499.99

GIG-RAC1000ST ........ Stereo, with two 500W amps, 5RU ..............................636.29

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PRESONUS STUDIOLIVE 16.4.2.

16-CHANNEL LIVE/STUDIO DIGITAL

MIXER Features 16 XMX mic preamps, built-

in 22x18 FireWire recording/playback engine,

4-band EQ, 2 32bit stereo DSP effects engines,

6 aux buses, 4 sub-groups, LED metering, com-

pressors, limiters and gates, mixer save and

recall, and talkback. StudioLive’s “QuickTouch”

design grants quick access to parameters and effects which are processed

with 32bit floating point precision. “Fat Channel” provides extensive equal-

ization & dynamics for every input channel, aux, subgroup and main outputs.

Ships with Capture multi-track recording software which is compatible with

ProTools, Cubase, Nuendo, Logic, Sonar, etc.

ITEM DESCRIPTION LIST

STUDIO-LIVE-16.4.2 .. 16-channel live/studio digital mixer .........................2499.95

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RSS V-MIXER DIGITAL

MIXING SYSTEM RSS

V-MIXER DIGITAL MIXING

SYSTEM A digital 48-channel live mixer that

uses REAC (Roland Ethernet Audio Communication)

technology and standard Cat5e cable for up to 48 channels of 24bit digital

audio from remote-controlled mic preamps on stage to the mixing console.

Supports up to 24 returns to stage. The M-400 V-Mixer features 25x 100mm

motorized, touch-sensitive faders, a bright 800x480 color screen, dedicated

effects knobs for EQ, pan and gain, and fully-recallable scene settings.

Includes 16 buses, channel and bus DSP, 4 stereo FX processors, 4 graphic

EQs (switchable to parametric), built-in stereo recording/playback, left-

center-right support, real-time analyzer, and multi-channel split port. Up

to 40 channels of multi-track audio can be recorded by connecting a Cat5e

cable from the REAC Split port to a gigabit network port on a PC running

Cakewalk's SONAR. Systems do not include Cat5e cable and uses compo-

nents of the Roland S-4000 series digital snake for stage I/O. See Networked

Digital Audio Systems section for complete details of the S-4000.

ITEM DESCRIPTION LIST

M400 ......................... 48-channel digital mixing console w/10 local ins,

8 analog and 2 digital outs.......................................9795.00

V-MIXSYS-BAS .......... Basic V-Mixing system with 10 local, 16 stage inputs

and 8 returns (includes a S-1608 and a M-400) ....11395.00

V-MIXSYS-STD........... Standard V-Mixing system with 10 local,

32 stage inputs and 16 returns

(includes two S-1608 and one M-400) ....................12995.00

V-MIXSYS-EXP .......... Expanded V-Mixing system with 10 local,

48 stage inputs and 16 returns (includes one S-1608

and one S-4000S-3208, and one M-400) ................16395.00

WE’LL MATCH OR BEAT ANY PRICE

SHURE SCM410/SCM800/SCM810 AUTO-MIXER Easy to use, pro-

fessional, single rack space 8-chan nel automatic mix er. This unit dra mat i cal ly

im proves audio quality and pro vides a seam less mix au to mat i cal ly with Shure’s

Noise Adaptive Thresh old, Max Bus Cir cuit ry and Defeatable Last Mi cro phone

iLock-On. Each of the SCM810’s 8 channels fea tures header type microphone

in puts, 1/4" di rect-out phone jacks, ad just able low frequency cut and high fre-

quen cy boost or cut, recessed switch to set mic/line input level and 48V phan-

tom pow er. Each chan nel can be ad just ed with mute, over ride and gate-out

log ic ter mi nals. Rear link jacks allow for linking of up to 50 SCM810 mixers.

ITEM DESCRIPTION LIST

SCM410..................... 4-channel auto mixer ..................................................974.10

SCM800..................... 8-channel manual mixer .............................................790.30

SCM810..................... 8-channel auto mixer ................................................1750.32

RKC800 ..................... Rackmount XLR connector panel .................................238.68

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SONY SRP-X500 Sony

SRP-X500 powered 5X1

A/V matrix mixer offers an

“all-in-one” solution for multi-media presentations which combines the

functions of a high quality audio mixer, wireless microphone receiver slots,

RGB/video switcher, equalizer, active feedback reducer and power ampli-

fier in a single, compact unit. It has 2 RGB/component video inputs and 3

composite video inputs, each with stereo audio, plus 4 microphone and 1

stereo line input. Includes a 4-channel power amplifier (low impedance

and also 70V outputs) and mounting slots for two optional UTX-M1 diversity

wireless receiver modules. Ideal for conference rooms and lecture the-

atres as well as a wide range of other presentation applications.

ITEM DESCRIPTION LIST

SRP-X500P ............... Powered multi-media mixer .......................................1785.00

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MIXERS Audio mixing consoles blend multiple

sound sources together into a single program.

Mixers may be general purpose, or offer spe-

cialized features for theatre, live music, studio

recording, field recording, or multi-media produc-

tions. Most are designed for live control but there are

also “auto-mixers” designed to provide unattended automatic microphone

mixing. There are also multi-media mixers that control video sources as

well as audio, making them ideal for meetings or classroom presentations.

Besides creating a main program output, mixers may also simultane-

ously create auxilliary mixes for musician monitors, special effects devices,

broadcasters, or telephone conferencing.

Choosing a mixer requires thinking about the number of sources you will

have, the type of input sources, any unique outputs that might be required,

and the level of signal processing desired. Most mixers provide some form

of tone control equalization, and many now also offer advanced processing

of dynamics, delays, reverberation, and digital special effects.

Mixers may be all analog devices, or be fully digital with a choice of analog

or digital inputs and outputs. Digital mixers use digital signal processing

(DSP) and generally offer a greater range and abundance of processing

tools than analog consoles at similar price points. Digital consoles may

offer direct digital interface to, or control of digital audio workstation

platforms for recording, and many have motorized faders which can move

under automated computer control. One of the most exciting aspects of

digital mixers is the capability of some to use lightweight digital network

cable or fiber to connect the microphone to the mixer. This “digital snake”

simplifies installation and permits easy mobility without the expense and

bulk of analog snake cable systems.

For more information, call a Sales Pro at 800-356-5844!

NEW!

DIGIDESIGN VENUE SC48 LIVE PERFORMANCE MIXING CONSOLE

Get the amazing sound quality, performance, and reliability of VENUE

all in one compact console. The new VENUE SC48 combines all I/O, DSP

processing, and tactile mix control into a single console that's perfectly

sized for a wide variety of applications, from small- to mid-sized clubs and

theaters to houses of worship and corporate events. SC48 directly supports

professional audio plug-ins, enabling engineers to re-create an artist's

studio sound live, and features a built-in Pro Tools LE interface for Virtual

Soundcheck and live show recording. But don't let its size fool you - it can

handle complex productions with up to 48 analog mic/line inputs and 32

analog outputs easily. And with the introduction of several innovative new

workflows, including Channel Control and Flex Channel, VENUE SC48 allows

engineers to concentrate on what matters the most - the mix. Systems

include the SC48 console, cable mounting brackets for trackball and video

monitor, D-Show® software, Pro Tools LE software, SC48 plug-in bundle

and preauthorized USB Smart Key. Computer, trackball, and monitor are

not included.

ITEM DESCRIPTION LIST

SC48-SINGLE-PSU .... SC48 System with single power supply ...................26495.00

SC48-DUAL-PSU........ SC48 System with dual power supply......................27995.00

AI16-VENUE .............. 16-channel analog mic/line XLR input card..............2495.00

AO16-VENUE ............. 16-channel analog balanced XLR output card ..........2495.00

AT16-VENUE .............. A-Net output card with 16 channels

of Aviom Pro-16 networked audio ..............................2495.00

XO16-VENUE ............. Analog/digital output card with 8 analog

and 8 AES outputs on XLR ........................................2495.00

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YAMAHA LS9 DIGITAL

CONSOLES

Expandable

digital live mixing consoles

in a compact and lightweight

frame with 16 mono-input/4

stereo-input configuration

(LS9-16) or in the larger

frame, high-input capacity (LS9-32). With 32

input head amps for mic or line level inputs

plus 4 stereo inputs, the LS9-32 can comfortably

handle the complex and varied source require-

ments for live sound applications. Both models

can double the mono input capacity, expanding

to 32 (LS9-16) or 64 (LS9-32) just by adding

external preamps and Mini-YGDAI interface

cards. They have motorized 100mm long-throw

faders and a versatile bus architecture with comprehensive digital patch-

ing capability: 16 mix buses, 8 matrix buses, and a stereo and mono bus

that can be used in LCR mode. A built-in virtual GEQ and effect rack offers

easy access to extensive graphic equalization and effects. An internal USB

memory recorder/player eliminates the need for an external device for

simple off-board recording, and can supply background music and sound

effects as required. Have full-console scene store and recall. They come

ready-to-use out-of-the-box with pre-patched effects and pre-fader aux

mixes for monitor sends.

ITEM DESCRIPTION LIST

LS9-16 ...................... Small frame, 17-fader digital console

w/ 16 input head amps ................................................... CALL

LS9-32 ...................... Large frame, 33-fader digital console

w/ 32 input head amps ................................................... CALL

CALL FOR BEST PRICE

LS9-32

LS9-16

ALLEN & HEATH ILIVE-T SERIES

DIGITAL MIXING SYSTEM

A compact,

more affordable choice in the iLive family, the

T Series features audio distribution and control, an analog-style user

interface, and includes the same great-sounding Rack DSP mix engine but

without the modular format I/O. Choose either the 20-fader iLive-T80 or

the 28-fader iLive-T112 control surfaces. Couple these with the iDR-32,

32-input/16-output DSP unit or the iDR-48 with 48-input/24-output. These

remote DSP engine/stage racks use compact construction with propri-

etary audio control via Ethernet with the latest dual core DSP technology.

Includes a slot for optional plug-in cards to interface with popular audio

networking standards as well as a host of control options.

ITEM DESCRIPTION LIST

Components

ILIVE-T80 .................. 20 faders, 8-in/8-out and Network I/O, 6RU .............9999.00

ILIVE-T112 ................ 28 faders, 16-in/12-out and Network I/O, 8RU .......11999.00

IDR32 ........................ 32-in/16-out remote DSP engine/rack .......................6999.00

IDR48 ........................ 48-in/24-out remote DSP engine/rack .......................9999.00

Optional Accessories

PL-6 .......................... Remote fader commanderw/8 faders &16 switches ....549.00

PI-10......................... Remote fader commander w/8 rotary encoders

& 16 switches .............................................................549.00

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FYI