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The Team and the Technology Behind the Sound “Modeling is a means to an end, not the final goal.” Mr. Toshifumi Kunimoto, the central figure of Yamaha’s physical modeling technology team, has a fine track record when it comes to meeting some very challenging goals.
D I G I T A L P R O D U C T I O N Dedicated DSP LSIs Deliver Unprecedented 24-bit, 96 kHz Performance Unlike equipment that achieves operation in 96K mode with reduced number of tracks, the DM2000 imposes no such limitations — whether running at 44.1kHz, 48kHz, 88.2kHz or 96kHz. In the DM2000, 96kHz with 32-bit internal processing is the standard.
1. Fader & Encoder Mode 3. Selected Channel Section The FADER MODE keys allow the DM2000’s faders to be instantaneously switched between fader and auxiliary/matrix level control, while the ENCODER MODE keys assign the console’s rotary encoders for pan, send level, and other assignable control functions. This flexible system lets you set up the controls for the most efficient operation according to the signal flow and mixing task at hand.
D I G I T A L P R O D U C T I O N C O N S O L E D M 2 0 0 0 D I G I T A L P R O D U C T I O N C O N S O L E D M 2 0 0 0 5. Scene Memory 7. User Defined Keys 8-3. Track Arming 11. Data Entry This although simple and concise, the DM2000’s SCENE MEMORY section will undoubtedly see a lot of use. It’s here that you can store all console parameters as a new scene, or instantly recall previously-stored scenes.
D I G I T A L P R O D U C T I O N insert send and return, each input channel features independent balanced send and return jacks (insert switches are provided on the console). Then there are balanced analog studio, stereo, control room, and monitor outputs as well as eight balanced “omni” bus outputs. Two analog 2-track inputs are also provided — one balanced and one unbalanced. Other connectors. Digital I/O is provided via digital 2-track inputs and outputs featuring both AES/EBU and coaxial connectors.
D I G I T A L P R O D U C T I O N C O N S O L E D M 2 0 0 0 D I G I T A L Extraordinary New Effects CHANNEL STRIP Compressor 260 (mono), Compressor 260S (stereo) Featuring faithful modeling of the solid-state voltage-controlled amplifier and RMS detection circuitry of the late 70’s, these effects bring back the sound of classic comp / limiters used primarily for live sound reinforcement applications.
D I G I T A L P R O D U C T I O N C O N S O L E D M 2 0 0 0 Studio Manager Version 2 Yamaha Digital consoles DM2000VCM, DM1000V2 & 02R96V2 are the worlds first digital consoles equipped with complete surround monitoring facilities built-in, eliminating the need to connect and feed the signal to external monitoring equipment and offer perfect solution used in combination with the Powered Monitor Speaker MSP10 STUDIO.
D I G I T A L P R O D U C T I O N C O N S O L E D M 2 0 0 0 Nuendo® Setting (24tr 96 kHz Recording) Mini-YGDAI Cards MY16-AE x 2 or MY16-AT x 2 Steinberg’s Nuendo® software is designed to handle 96 kHz audio, so it is an ideal companion for the DM2000. While the DM2000 functions as a basic controller for the Nuendo® software in this 24 track, 96 kHz system (full Nuendo® support is currently under development), it also handles extra mixing and processing of the outputs from high-end audio cards.
D I G I T A L P R O D U C T I O N C O N S O L E D M 2 0 0 0 DVD Authoring (6.1 Surround Monitoring) Effect List Both the DM2000 and Yamaha’s MSP10 STUDIO powered monitor speakers have been officially approved for use in THX pm3™ Certified Studios, and are thus ideal choices for the most advanced DVD authoring applications. In the system shown here the 6.
D I G I T A L P R O D U C T I O N C O N S O L E D I G I T A L D M 2 0 0 0 DM2000VCM Specifications General Specifications . () * ! "#$ !+, "#$-', . "#$ !+, &' "#$-', 3 # 1# * . 23 3(4(5 523 > 8 ? 23 + "#$ 6-! 9< 23 '++ = 6 . 4 '++ = ) : # @ * : A 0 '++ = !+ 9< .-.
32 126 12 RCA R 8 12 INPUT PATCH BUS1-8 AUX1-12 2TRA2 L/R 2TRA1 L/R 2TRD3 L/R 2TRD2 L/R 2TRD1 L/R COMP METER 31BAND GEQ METER STEREO R STEREO L INSERT OUT DIRECT OUT 1-96 MTRX1L-4R BUS1-8 AUX1-12 126 96 16 16 16 16 16 16 AD DA DA TB SLATE CASCADE OUT IN SLOT5 SLOT6 DITHER SLOT4 SLOT3 SLOT2 SLOT1 DITHER DITHER DITHER DITHER DITHER DA DA DA DA DA DA DA DA off isolate To CASCADE OUTPUT CASCADE LEVEL USE AD IN (1-24) AS TALKBACK SINE 100Hz SINE 1kHz
