User Manual

Multichannel Monitoring Tutorial Booklet (M2TB) rev. 3.5.2
Masataka Nakahara : SONA Corporation
©2005 YAMAHA Corporation, ©2005 SONA Corporation
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3-1-3. Center speaker placement
Rec. ITU-R BS. 775-1 recommends that the L, C, and R speakers all be placed at the same height (ear
level). Thus, if the playback environment includes video, an acoustically transparent screen is
recommended. If an acoustically transparent screen is not used, it is stated that the center speaker should
be placed immediately above or below the screen (CRT).
3-1-4. LFE (sub-woofer) placement
Rec. ITU-R BS. 775-1 mentions systems that include an added LFE system (optional), but does not
specify the placement of the sub-woofer speaker for playback. However, the playback bandwidth is
specified as 20 Hz--120 Hz (Annex 7). Also, while the playback level is said to be under consideration, it
is stated that it is useful to provide gain in the range of +10--+12 dB as with film.
3-1-5. Monitoring distance
The distance from the listening point to each speaker (the monitoring distance) is not explicitly stated in
Rec. ITU-R BS. 775-1, but the Rec. ITU-R BS. 1116-1
[2]
cited as a reference does recommend a
monitoring distance of two to three meters for a multi-channel playback environment.
Rec. ITU-R BS. 775-1 is the basis of a surround monitoring environment, but in cases such as the
following, it may be better to consider other speaker placements.
1. When dynamic surround panning such as fly-overs are an important means of acoustical expression,
such as in films.
2. When many of the target end-uses for your productions are at variance with the ITU-R placement, and
you want to give consideration to compatibility with these end-users.
3. When it is difficult to implement the ITU-R configuration in the room (studio). Or, in cases in which
forcibly implementing the ITU-R configuration produces an unnatural sound field. For example if you
implement the ITU-R configuration in an extremely narrow room, the surround speakers would be
placed directly beside your ears, producing an unnatural-feeling surround playback.
The ideal speaker placement will depend on the size of the room, the monitoring radius (the distance from
the speakers to the listening point), and the acoustical treatment of the room (absorption, diffuseness,
etc.).
Thus, decisions regarding speaker placement must take into account both the character of the media
produced in the studio and the physical environment of the studio (the size of the space, the monitoring
radius).
It is important for the production people to have an understanding of his or her own surround playback
environment. In particular if you are considering a configuration other than the ITU-R (which is often
called the standard for the playback environment), it is important to understand the characteristics of your
particular playback environment.
Speaker placement is determined largely by two factors; the angle of L-R separation, and the placement of
the surround speakers.