input rapacity 310mV rms, ARIA deviation £0.2 A thanks to four stage direct NFB equalizer amp e specious input impedance making switch Ultra-low distortion pure complementary all-stage direst-coupled OCL main amp. Continuous loudness content lets vou math the response 1 any volume level. A pair of 4,700uF capacitors assure constant voltage supply ot all times Transistorized relay type speaker protector elitists.
o R There ave two sets of speaker terminal on the retie gang {A and B This lets you connect two sots of stern speakers in different parts of your home, and then switch them on and off in any combination using the front panel speaker selector.
Hers are two chats of Phonon inputs, permitting connection of two record players with movie magnet partridges. 1o addition, the Phonon 1 terminals cart be switched viz the input imp. selector w0 accept signals from a record player with a moving magnet (MM, an induced magnet (M) or & moving iron (M) cartridge, {30050k 0 or 100Kk~Bee Fig) Mote: Be sure to carefully read the resort player owner's manual, s well a5 that for the carriageways, therefor connecting the player fo the Phone 1 sucks.
s %M’ Hers are two sets of flap Out and PR jacks, permitting you to connect and use two tape decks at once. This lets you record on both decks at once, as well s dubbing from one deck te the other Conn est the rer panel Tape A Rec Qut jacks and the wipe deck’s Line in jacks. Then connect the sack's Line Qut jacks to the QUANGO rear panel Taps goth cases be careful not to mix levy and right jacks it 2 second deck s used, connect 1o the Tape B jacks i1 the same way.
TAPE DUBBING When two decks are connected i s possible to retard from one 1o the other via the CASCARA. To overlord from the deck connected to the 8 jacks to the deck connected to the A jacks, set the first for play, the second for recording, Then set the tape switch to Dub 8 » & and the signal will pass from the B deck to the A deck. To record in the opposite direction revers the deck settings and set the tape switch o Dub A » B See Fig. Mot The function switch setting has no effect here.
of 120mY and input impedance of 40kL2, for divest connection af all signal sources which do requirement equalization. Use these jacks 1o connect two tuners for listening comparison, an eight track cartridge deck, microphone mixing anp, etc. To listen to the sound source connected to either of these Jacks, set the Trent pans Function switch o the appropriate setting: Awx 1 or Aux 2 {Bes Figs, 7 % 8. Note: To listen to a monophonic input signal, be surety set the Mode switch 1o Mono L ooy R, or Mon LiR.
To use a microphone, first plug its cord into the mike jack wn the rear panel, Then set the function switch to MIC to sepal through the scrapheaps. I the voluble is set too high at this time {especially if you are in front of one or more speakers) howling cans weest, To use only ore microphone, set the W Mode switch to Mona (See Fig.10).
& FOR REAR PANEL TYPE E MODEL TAPE DECK B TAPE DECK A SPEAKER SYSTEM TURNTABLE TURNTABLE MICROPHONE SPEAKER SYSTEM B
@ NABS Control Adjusts the bass tones, From the O position turn te the right to strengthen Bess tones, furn o the left to diminish them. For normal Hastening, fave the knob set at O, DEFEAT Switch Set wis switch to the Defeat position to cancel tong control settings, providing Hat response. Her. the switch is sat to Normal the tone contrails ke effect. TREBLE Contradict Adjusts the weblog tones. From the O position T o the bight fo strengthen treble tones, e to the left to diminish them.
« TYPE A MODEL AUX 2 docks ko) ALK T Jacks See p. & for connection and function of auxiliary inputs, TUNER Jacks Bes p. B for details & PONG 2 Jacks PONG 1 Jacksonian IMP Switch Seep. & o for details, TAPE B Seep. & for details, REC QUT Jacks THE PB Jacks RAVE A Sep. B for details. REC OUT Jacks TAPE P8 Jocks PARE TWAIN I See p. § for details, PRE OUT Jacks MAIN H Jacks COUPLET Switch SPEAKERS A B Terminals details.
« TYPE B MODEL AL? Jacks ALK T Jacks See p. § for connection and function of auxiliary inputs. TUNER Jacks Seep. B for details. FOND 2 Jacks PONG T Jacks/INPUT IMP Switch Seep. § for details. TAPE B Seep. 6 for details. REC DUT Jacks TAPE PB Jacks TAPE A Seep. & for details, FEC OUT Jacks TAPE PB Jacks @ k@ PRE KT-MAIN IN Seep. § for details. PRE QUT Jacks BASIN 1N COUPLET Switch SPEAKERS A B Terminals See p.
& TYPE ¢ MODEL Jacks AUX 1 Jacks See p. 8 for connection and function of sanitary inputs. TUNER Jacks See p. B for details. PONG 2 Jacks PONG 1 Jacks/ UNFIT IMP Switch Beep. 8 for detains. TAPE E Seep. B for details, REC OUT Jacks TAPE P8 Jacks TAPE & Seep. 8 for devils. REC OUT Jacks TAPE PEB Jacks FRE TRAINING Sep. 8 for details, PRE QUT Jacks MAIN IN Jacks COUPLET Switch SPEAKERS A 8 Terminals See p. 4 for details.
* TYPE I} MODEL i AUR 2 sacks AT damasks for connection and auxiliary inputs, TUNER Jacks Seep. 8 for details, PHENOM 2 Jacks PONG T Jocks/INPUT IMP witch Seep. § TAPE 8 Seep. B for details. REC DUT Jacks TAPE PB Jacks TAPE & Seep. § for devils. REC QUT Jacks TAPE PB Jacks PRE CUT-MAIN IM Seep. 8 for details. PRE QUT Jacks MAIN IN Jacks COUPLET Swill SPEAKERS A B Terminals See p. 4 for details. W @ @ PRIMARY FUSE a0 @ Protects the amplifier cir sultry.
s TYPE E MODEL & AU 2 Connector BUX 1 Connector See p. B for connection and function of auxiliary inputs. .5 for defile. & PONG 2 Connector TUNER Connector Sep p. 7 for details. PHONON 1 Connector/INPUT IMP Switch Ses TAPE B Seep. § for details REC OUT Connector TAPE PB Connector TAPE A Sep. B for derails REC QUT Connemara TAPE PB Connector PRE KT-MAIN IN See p. 9 for details.
T i The ear's sensitivity to extreme high and low sounds is noticeably reduced at law volume levels The fondness control has been included to compensate for this fact. With conventional loudness controls, wens the control is switched on it works mechanically in conjunction with the volumes control setting angle. But such g system does not take into consideration the varying efficiency of speaker systems, and can thus give rise 1o unnatural frequency response.
A TR This switch permits instant reductions in volume feed without touching and then later readjusting the volume control. When flicked to s B position the per-amp gain & reduced 2048 (1/10) tha original level. This is ideal for temporary volume reductions, such as & telephone call in the middle of & overlord, et 1 you listen at the 2008 feel and Yen reals the volume, returning the swi 1o Normal mey st in an excessive surge of power which can derange your speakers.
Use the filters to cut out annoying noise or inter ferryman in the low or high tone ranges. For high noise, such as that caused by scratched retards, switch on the High filter and all frequencies abuse KHz will be cut, Far fow noise, such as turntable hum, eta, the Low Filter will cut all sounds below 50Hz. in L'Oreal Glistening conditions, when noise in that sound range s not a problem, the filter should be switched Pals: Lie the pads when another amp, record player, et is placed on top of the CAGNEY.
