Datasheet

384
Index
D
depth of field, adding with Lens Blur filter, 333–336
detail
in Camera Raw dialog box, 72
Camera Raw file preferences for, 60
Camera Raw versus JPEG and, 49
developer profiles, 19, 33, 42
digital cameras
antialiasing filter, moiré patterns from, 263
Camera Raw format and, 46
color profiles, 18
determining image sizes from, 341–343
DSLR, histogram display, 68
DSLR, manual exposure controls, 228–229
DSLR, near-infrared sensitivity of, 297
dynamic range and cost of, 13
filters, 236–237, 263, 280, 316
lens aberrations and, 338
for photocopying, scanners versus, 250, 268, 281
resolution, printing and, 340–341
16-bit images not produced by, 26
Digital Negative (DNG) format, 52–55, 87
discount photo centers, 371–372
dot gain, 184–185
downsampling images, 8–9, 241–243, 265
Dry Creek Photo
Custom ICC Profile page, 34
custom profiles from, 42
ICC Profile Converter, 35
Ole No Moire file, 200
Dust and Scratches filter, 264
dye based inks, 370
dynamic range
improving by adding more data, 13–14, 322
improving for captured images, 14–16
overview, 13
warning for Merge to HDR command, 26
E
earth tones. See memory colors
8-bit images. See also JPEG format
converting to 16-bit images, 114–115, 137
overview, 12
remapping the white point for, 113–114
Eisenstaedt, Alfred (photographer), 176
Embed Profile Mismatch dialog box, 22
embedding color profiles in images
color working profiles, 20–21, 26
output profiles, 36–38
EPS Options dialog box, 185, 186
exposure
colorcast problems from, 140
controlling manually, 228–229
overexposure, 140, 150–155
strong contrast in lighting and, 228
Threshold dialog box for analyzing, 150–151,
229–230
underexposure, 140, 149–150, 151, 217–221
uneven, correcting, 228–233
Eye-One Display 2 profiling tool (GretagMacbeth), 30
Eye-One Photo system (GretagMacbeth), 33
Eye-One Proof system (GretagMacbeth), 33
F
Fade command, 220, 223
film duping
black-and-white negatives, 271–273
color negatives, 274–280
filters (camera)
antialiasing, moiré patterns from, 263
for color negative photocopies, 280
for fluorescent lighting, 236–237
Photoshop filters versus, 316
filters (Photoshop). See specific filters
Find Edges filter, 132
flash shots
beyond-repair photos, working with, 208–212
fluorescent lighting and, 236–237
insufficient flash, 212–217
red-eye correction, 226–228
flat art copying. See print copying
flattening layers, 295
flesh tones. See also memory colors; portraiture
in color negative photocopies, 279
determining values for, 173
enhancing for portraits, 187–198
gradient picker for, 199–205
Hue/Saturation dialog box for correcting, 169–171,
322–323
pleasing, creating, 166–171
preferences versus reality, 166
saving files as references for, 200
fluorescent lighting
colorcasts from, 140, 233–234
correcting colorcast problems, 234–237
filters for, 236–237
with flash, 236–237
focal point, changing with Lens Blur filter, 333–336
full-spectrum lighting, 28
G
gamut. See color gamut
Gaussian Blur filter
for Hide Edges mask, 193, 194
for high-key images, 304
moiré pattern correction using, 264, 265
sharpening method using, 133
for softening facial skin using a mask, 197
Genuine Fractals Print Pro (onOne Software), 9, 182
gradient picker for flesh tones, 200–205
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