Datasheet

382
Index
blend modes. See also specific modes
for eliminating artifacts, 136
for improving dynamic range, 13–14
Mason Pat Pending Mixed Mode Image Save,
210–212
overview, 24–25
Bresson-Cartier, Henri (photographer), 28
Bridge. See Adobe Bridge
brightness adjustments. See also dynamic range
basic curve shapes for, 107–113
in Camera Raw dialog box, 93–96
multiple duplicate layers technique for, 210–212
Screen mode for, 214, 322
Shadow/Highlight command limitations for, 117
for uneven exposure, 230, 232
White Point slider for, 218
C
cache for Camera Raw files, 59
Calculations dialog box, 193
calibrating Camera Raw color, 76–83
calibrating monitors
for color profiles, 16
color viewing and, 4
embedding color profiles and, 26
hardware devices for, 30
Macintosh displays, 31
viewing compensation layers and, 357–360
Windows displays, 31–32
Calumet Photographic Web site, 236
camera movement, decreasing, 206
Camera Raw database files, 59, 88
Camera Raw dialog box
in Adobe Bridge and Photoshop, 87
for black-and-white negative photocopies, 271–273
brightness adjustments in, 93–96
for color negative photocopies, 275–279
Curves pane, 272–273, 275
for duped slides, 268–270
histogram, 61–62, 66
processing images in, 70–72
turning off auto settings, 137
turning off sharpening in, 72, 87, 122
use before opening images in Photoshop, 70–72
white and black points in, 97
Camera Raw format
Adobe Bridge with, 55–72
in Adobe Open dialog box, 72–74
applying last settings to selected images, 86
bit depth and, 12
calibrations for copy work, 259–262
changing settings for, 85–86
clearing settings for an image, 72
color calibration, 76–83
conversion tool, 48
defined, 46
digital cameras and, 46
DNG standard for, 52–55, 87
further information, 46
histogram for, 61–69
JPEG versus, 48–52
opening in Photoshop CS2, 72–76
overview, 46–48
removing settings, 85–86
resolution and, 6
setting preferences for, 58–60
settings for batch processing, 84–85
speeding work with, 50, 52
Camera Raw Preferences dialog box, 58–60
cameras. See digital cameras
Cameron, Julia Margaret (photographer), 46
Canvas Size dialog box, 369
Capa, Robert (photographer), 250
Channel Mixer dialog box, 227, 288–292
chromatic aberrations, correcting, 328–329
chromatic noise, 222. See also noise
Chromoholics Web site, 259
clipping
in Camera Raw histogram, 61, 93
to decrease noise, 219–220
Shadow/Highlight command for adjusting, 121
by Variations command, 145
CMYK color mode
assuming a profile, 36, 39–40
CMYK inks and, 376
color gamut and, 10–11, 26, 43
embedding output profiles and, 36
offset press printing and, 367
overview, 10–11
printers and, 26
soft-proofing and, 40–41
Color Balance command, 144
color channels
for Camera Raw format, 64–66
in Curves dialog box, 145
duplicating to create a working channel, 131
Enhance Per Channel Contrast option, 219
gray levels in, 12
in Grayscale color mode, 11
in Lab color mode, 11
moiré pattern correction using, 264–266
in RGB color mode, 10, 64–66
white balance correction using, 147–148
Color Checker chart (GretagMacbeth), 259
color crossover correction, 360–364
color engines, 36–37
color gamut
bit depth and, 12
RGB versus CMYK and, 10–11, 26, 43
soft-proofing for out-of-gamut colors, 40
sRGB color working profile and, 18
color matching, photocopying art prints and, 254
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