Datasheet

390
Index
tonal adjustments (continued)
for JPEG images, 113–115
Photo Filters for, 319–324
for photos taken with insufficient flash, 213–217
setting white and black points, 97–99
Shadow/Highlight command for, 116–121
smooth transitions with Curves dialog box, 100–101
for uneven exposure, 230, 232
tonal banding, 49
transfer functions, 184, 185, 186
transparencies, copying (slide duping), 267–271, 281
Triten 50 full-spectrum tubes, 28
12-bit images, 12
U
underexposure
beyond-repair photos, working with, 208–212
colorcasts from, 140, 149, 244
correcting colorcast problems, 149–150, 151
from insufficient flash, 212–217
multiple duplicate layers technique for, 210–212
in snapshots, correcting, 217–221
in snapshots taken at dusk or indoors, 217–221
Unsharp Mask filter
for aerial photography, double pass of, 182
Amount slider, 124–126
applying to mask created from edge pixels, 130–134
formula for calculating Amount setting, 124
grain accentuated by, 129–130
image content and, 125
ISO speed and, 125, 126
moiré pattern correction using, 264–265
output sources and, 124, 138
Radius slider, 127
for snapshots, 240–241
Threshold slider, 127–129
upsampling images, 9–10, 375
V
Variations command, 145
viewing booth, building, 29
viewing compensation layers, 357–360
vignettes, correcting, 329
W
Web sites. See Internet resources
white and black points
for aerial photography, 177, 178
AutoLevels versus AutoContrast for setting, 178
for black-and-white negative photocopies, 272–273
in Camera Raw dialog box, 71
checking for neutral tone, 160
checking noise after tonal adjustment, 209
in Curves dialog box, 100
eyedropper for setting, 160–161, 162
for photos taken with insufficient flash, 216
remapping for 8-bit images, 113–114
setting with Auto Levels, 97–99
Shadow/Highlight command for adjusting, 121
white balance
in Camera Raw dialog box, 71
for color negative photocopies, 275–277, 278
colorcasts, 147–148, 244
Curves dialog box for correcting, 147–148
for duped slides, 270
indoor lighting and, 140
White, Margaret Bourke (photographer), 92
wildlife photography, camera movement and, 206
Windows computers
calibrating monitors, 31–32
color engines, 36–37
installing output profiles, 34
working-space profiles. See color working profiles
X
XMP sidecar files, 58, 88
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