Datasheet

6
c h a p t e r 1: DIGITAL IMAGING BASICS, WORKFLOW, AND CALIBRATION ■
If you are concerned with the best possible quality, then you probably will pre-
fer to record the camera’s RAW signal and process this data using your computer soft-
ware in a RAW file workflow. Doing so complicates the process slightly by adding an
additional post-processing step to your photography workflow. The main advantage
to a RAW file workflow is that you can postpone final decisions on color rendering,
tone, and contrast until after the shoot, when you have fewer distractions and you can
concentrate on basic photo elements such as lighting, composition, and exposure. You
also gain a considerable amount of control over color rendering, tone, and contrast.
The disadvantage is that you have to take extra time after the shoot to process your
RAW files into a useable format.
Your Monitor and Calibrator
After pixels are captured and assembled into images, those images need to be viewed
and interpreted. Every image-creation system must include a monitor to view the cap-
tured images. A good monitor is an absolute necessity for any serious photographer.
However, a good hardware calibrator is even more important (Figure 1.3). You’ll need
to purchase a calibrator with the necessary software and use it regularly to keep your
display in good working order. Even a mediocre display can be serviceable if it is prop-
erly calibrated, but an expensive display is almost useless if it lies to you! Calibrate
your display every two weeks to be on the safe side.
Note: Many hardware calibration devices are on the market. Some popular systems are the i1Dis-
play (X-Rite), the ColorEyes Display Pro (Integrated Color), and the BasICColor Display (Color Solutions).
Figure 1.3 Monitor calibration
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