Datasheet

ManualsBrandsWiley ManualsSoftware978-0-470-22450-2

contents at a glance

about the author v

foreword ix

preface xi

acknowledgments xiii

Part I On the Job Editing Techniques 1

chapter 1 What Every Editor Should Know Before a Shoot 3

chapter 2 Editing to the Beat with Efficiency 21

chapter 3 Accelerating the Editing Process 55

Part II Achieving Popular Industry Effects 73

chapter 4 Popular Dramatic Effects 75

chapter 5 Creating Dynamic Text and Effects with

Apple Motion 119

chapter 6 Using Photoshop with Final Cut Pro 149

chapter 7 Flexibility with LiveType 169

Part III Bringing It All Together 193

chapter 8 Getting the Audio Right 195

chapter 9 Keeping Your Media Organized 221

chapter 10 Transcoding and Outputting 245

appendix What’s on the DVD 273

pro glossary 277

end-user license agreement 287

index 291

04_224502 ftoc.qxp 11/14/07 6:25 PM Page xv

COPYRIGHTED MATERIAL

Summary of content (12 pages)

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contents at a glance RI AL about the author v foreword ix preface xi acknowledgments xiii 1 TE Part I On the Job Editing Techniques MA chapter 1 What Every Editor Should Know Before a Shoot chapter 2 Editing to the Beat with Efficiency 21 chapter 3 Accelerating the Editing Process 55 73 D Part II Achieving Popular Industry Effects RI GH TE chapter 4 Popular Dramatic Effects 75 chapter 5 Creating Dynamic Text and Effects with Apple Motion 119 chapter 6 Using Photoshop with Final Cut Pro 149 ch
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contents about the author foreword preface v ix xi acknowledgments xiii Part I On The Job Editing Techniques 1 chapter 1 What Every Editor Should Know Before a Shoot 3 System Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Configure the Mouse. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 The Mac OS X Menu Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 The Mac OS X Toolbar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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Contents Creating an easy setup . . . . . . . . Audio Sample Rates . . . . . . . . . Previewing your video . . . . . . . . Fix Poor-Quality QuickTime Movies . Q&A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . chapter 2 Editing to the Beat with Efficiency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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chapter 3 Accelerating the Editing Process 55 Methods of Deletion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56 Performing a Lift Delete . . . . . . . . . . . . . . . . . . . . . . . . . 56 Performing a Ripple Delete . . . . . . . . . . . . . . . . . . . . . . . 56 Closing a Gap with Three-Point Editing . . . . . . . . . . . . . . . . . . . . 57 Performing a Fit to Fill Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . 58 Backtiming a Clip . . . . . . . . . . . . . . . . . . . . .
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Part II Achieving Popular Industry Effects Contents chapter 4 Popular Dramatic Effects 73 75 Unlimited Real-Time Settings . . . . . . . . . . . . . . . . . . . . . . . . . 76 Render status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Creating the Pleasantville effect . . . . . . . . . . . . . . . . . . . . . 78 The Ken Burns effect . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 Achieving the film look with video . . . . . . . . . . . . . . . . . . . .
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chapter 6 Using Photoshop with Final Cut Pro 149 Using Document Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . 150 Accessing the Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150 Creating Graphics in Earlier Versions of Photoshop . . . . . . . . . . . . 151 Using Effect Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 Preparing the Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 Minding your color space . . . . . . . . . . . . .
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chapter 7 Flexibility with LiveType 169 Contents The LiveType II Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 The Canvas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 The Inspector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172 Media Browser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173 Timeline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174 Your LiveType Project’s Workflow . . . . . . . . . . . . . . . . .
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chapter 9 Keeping Your Media Organized 221 Importing Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222 Capturing from a DVD . . . . . . . . . . . . . . . . . . . . . . . . . 223 24p capture setting . . . . . . . . . . . . . . . . . . . . . . . . . . . 224 Making Subclips with DV Start/Stop . . . . . . . . . . . . . . . . . . . . . 225 Making subclips independent . . . . . . . . . . . . . . . . . . . . . . 226 Using DV Start Stop . . . . . . . . . . . . . . . . . . . . . . . . . .
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Contents Logging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232 Deck Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235 Clip Duration box . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235 Log Clip button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 236 Capture buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237 Creating Bins and Organizing Clips in the Browser Window . . . . . . . . 237 Column headings . . . . . . . . . .
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appendix What’s on the DVD 273 Contents System Requirements. . . . Installing the Book Files . . What’s on the DVD. . . . . . Reconnecting Offline Media Customer Care. . . . . . . . pro glossary . . . . . . . . . . . . . . . 291 . . . . . . . . . . . . . . . . . . . . 277 end-user license agreement index . . . . . 287 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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