Specifications

Audio Plug-Ins Guide594
Filter Mode
The Filter effect provides seven different types
of filters: Lowpass Filter (1–5), High pass Filter,
and Ring Modulation.
LPF1 Is a 6 dB per octave low pass comb filter.
LPF2 Is a 12 dB per octave low pass filter with no
resonance.
LPF3 Is a 12 dB per octave low pass filter with a
small amount of resonance.
LPF4 Is a 12 dB per octave low pass filter with a
moderate amount of resonance.
LPF5 Is a 12 dB per octave low pass filter with a
high amount of resonance.
HPF Is a 12 dB per octave high pass filter.
Ring Mod Is a ring modulator. Ring Modulation,
also known as Amplitude Modulation (AM), re-
sults in the sum and difference tones between
the input signal and the modulating signal.
Synchronic Delay Effect
The Delay effect processes the post-Filter signal
with modulating delay that synchronizes to the
Pro Tools MIDI Beat Clock.
BEG and END Range (0–100%) Use the BEG and
END parameters to control the amount of delay
(which is a combination of delay level and feed-
back level). At 0% there is no delay. At 100% the
delay forms and “infinite” feedback loop. Use
the Range controls to set the amount of delay ef-
fect that will be modulated by the LFO1 and
LFO2 waveshapes.
LFO Set the Waveshape and Duration for dy-
namic delay effects. For static delay effects, set
to Off.
Selecting Filter Mode
Delay effect
LFO Waveshapes and Durations options are
the same as those provided in the Playback
module. See “Low Frequency Oscillator
(LFO)” on page 589.
Delay Enable
Delay Select
button
LFO Waveshap
selector
Beginning Delay
amount (%)
End Delay
amount (%)
LFO Duration
selector
button
Delay Mode