Specifications

Audio Plug-Ins Guide592
Gain Mode
The Gain effect provides three different modes:
Volume, Distortion, and Saturation.
Volume Applies linear gain with a range of –96
to +24 dB.
Distortion Applies a non-linear distortion curve
to clip the signal. Distortion is most pronounced
from 0 to +24 dB.
Saturation Applies a warmer, fuzzier distortion
than regular Distortion. Unlike Volume and
Distortion, when Saturation is selected, lower
BEG and END values do not result in attenuating
the signal. A lower setting (–96 dB) results in a
cleaner, less saturated signal, and a higher set-
ting (+24 dB) results in a more saturated signal.
Synchronic Noise Effect
Noise modulates the post-Gain signal with a
noise source. There are three different Noise
modes: Dark, White, and Brite, each with two
variations (Osc or AM).
BEG and END Range (0–100%) Use the BEG and
END parameters to control the amount of mod-
ulation by noise. At 0%, there is no modulation.
At 100%, the input signal is 100% modulated by
the selected noise (mode), such that only the
amplitude envelope of the input signal remains.
Use the Range controls to set the amount of
Noise effect that will be modulated by the LFO1
and LFO2 waveshapes.
LFO Set the Waveshape and Duration for dy-
namic Noise effects. For static noise effects, set
to Off.
Selecting Gain Mode
Noise effect
LFO Waveshapes and Durations options are
the same as those provided in the Playback
module. See “Low Frequency Oscillator
(LFO)” on page 589.
Noise Enable
Noise Select
button
LFO Waveshap
selector
Beginning Noise
amount (%)
End Noise
amount (%)
LFO Duration
selector
button
Noise Mode