Specifications

Audio Plug-Ins Guide398
This control is adjustable from a low of 0.0 cents
(no velocity-sensitive detuning) to a high of
50.0 cents (maximum velocity-sensitive detun-
ing).
If Detune Velocity is set to 0.0 cents, detuning
will not change no matter how hard or soft you
strike a key on your MIDI controller. Con-
versely, if you set Detune Velocity to 50.0 cents,
a hard strike will detune voices a maximum of
50.0 cents.
Reso LPF/Voice Controls
Reso LPF (Low Pass Filter) Controls
Reso’s Low Pass Filter is a single resonant filter
that is applied to all of Reso’s voices.
Frequency The Frequency control sets the cut-
off frequency of the Low Pass Filter in Hertz. All
frequencies above the selected cutoff frequency
will be attenuated.
The range of this control is from 20 Hz to
20 kHz.
Q Sometimes referred to as resonance on synthe-
sizers, Q adjusts the height of the resonant peak
that occurs at the filter’s cutoff frequency.
Increasing the Q increases the volume of fre-
quencies near the filter’s cutoff frequency (sup-
pressing the more remote frequencies) and adds
a nasal quality to the audio. High Q settings let
you create wah-wah type effects, particularly
when the filter is swept with the Follower.
The range of this control is from 0 to 10.
Follower The Follower is an envelope follower
that lets the filter cutoff frequency dynamically
follow the amplitude of the source audio signal.
The range of this control is from a low of –10 to
a high of +10. With positive values, the louder
the source audio, the higher the cutoff frequency
and the wider the filter will open for a brighter
sound. With negative values, the louder the
source audio, the lower the cutoff frequency and
the more the filter will close for a duller sound.
The effectiveness of the Follower depends on the
filter’s Frequency setting. For example, setting
the Follower to +10 and selecting a low Fre-
quency setting will sweep the filter wide on loud
passages. However, if the cutoff frequency is at
its maximum, setting the Follower to +10 will
not sweep the filter at all since it is already com-
pletely open.
When used with high Q settings and a relatively
low cutoff frequency, the Follower can be used
to produce an automatic wah-wah-type effect.
Mono (Monophonic)
In this mode, Reso responds monophonically,
producing a single note even if more than one is
played simultaneously (though multiple voices
can be stacked on the same note using the Voice
Stacking control). Monophonic mode gives
voice priority to the most recently played note.
Detune Velocity only has an effect when you
play Reso with a velocity-sensitive MIDI
keyboard controller.
LPF and Voice controls