Specifications

Audio Plug-Ins Guide388
Typically, a rhythm track such as a drum kit is
used to trigger these controls and create rhyth-
mic timbral changes that match the groove of
the key input.
To use a key input for side-chain processing:
1 Click the Key Input selector and choose the in-
put or bus with the audio you want to use to trig-
ger the plug-in.
2 Click the Key Input button (the button with the
key icon above it) to activate external side-chain
processing.
3 Begin playback. The plug-in uses the input or
bus that you chose as a side-chain input to trig-
ger the effect.
4 To hear the audio source you have selected to
control side-chain input, click the Key Listen
button (the button below the Ear icon).
5 Adjust other controls to create the desired ef-
fect.
Bruno Controls
Bruno uses time-slicing for tone generation, ex-
tracting timbres from the audio track during
playback and cross-fading them together at a
user-selectable rate.
This crossfading can create a rhythmic pulse in
the sound as the timbre changes. This makes
Bruno ideal for creating tonal effects with a con-
tinuously shifting timbre—similar to the wave
sequencing found on synthesizers such as the
PPG, Prophet VS, Korg Wavestation, and
Waldorf XT.
By carefully choosing the type of source audio,
the crossfade length, and the type of switching,
you can create unique and complex sound
textures.
Selecting a Key Input
Remember to disable Key Listen to resume
normal plug-in monitoring.
Bruno