User guide

2.7. Stereo Modulated Delay Tab
Since a reverb effect is fundamentally a very long delay line with millions of taps simulating
reflections upon reflections in a room, many high end reverbs provide tempo delays as additional
effects to add a sense of rhythm to the reverb. Ranging from the almost imperceptible to bold and
striking, the use of delays can add real depth and character to a reverb.
To bring additional life to the delay, the analogue nature of tape delays (where the delay time is not
absolutely constant) can be recreated within Reverberate via two independently controllable delays
with delay tap line modulation and rate control (see controls mod and rate). The delays in
Reverberate can also be used to create ping-pong type effects using the cross-feed controls (R-Feed
/ L-Feed).
The input to the left and right delay lines can be turned on and off using the green radio buttons. If
one delay input is on and the other input is off, the cross-feed control can still be used to send audio
into the left or right unit without an active input. For example if the L Input is on and R Input is off,
using the R-Feed control on the left delay channel will input audio into the right delay unit.
The stereo delay is completely bypassed when both of these input buttons is turned off.
Three stereo delay modules are provided and are arranged as follows:
• Post: Connected in series after mix of IR1 and IR2.
• IR1: Connected to the outputs of IR1 (after the mix of IR1-A and IR1-B, if applicable).
• IR2: Connected to the outputs of IR2 (after the mix of IR2-A and IR2-B, if applicable).