Waves Guitar Tool Rack Designed in association with Paul Reed Smith™ Guitars THANK YOU! Thank you for purchasing the Waves GTR™ system. We hope that you thoroughly enjoy the creativity and convenience that this can bring to your music. Please read through the information below and begin working with your new GTR™ system. If you have any questions or comments, please feel free to contact Waves Tech Support. We’d love to hear from you! www.waves.com Waves Guitar Tool Rack User Guide.
Introduction The Waves Guitar Tool Rack is a software and hardware package that achieves real professional guitar sounds in the virtual world. It offers a comprehensive selection of guitar amp sounds, a complete set of guitar Stomp effects, a precision tuner and the hardware WPGI (Waves/Paul Reed Smith Guitar Interface). The Waves GTR™ is similar to a typical suite of guitar gear, designed with both the guitar player and DAW (Digital Audio Workstation) user in mind.
For best results: Use the Stomps together with the Waves Amp!!! The Waves Amp gives you access to a series of premium high-end virtual guitar amplifiers ranging from clean vintage tube amps to modern hard rocking amp sounds. They sound as if they have been recorded with your choice of high end and popular microphones and mic placements. As with any plug-in, you can use as many instances of these effects as your workstation can handle.
Stomp2 go to the factory presets under the load menu and select the first preset from the PostAmps group called – AmpComplement. Now you have a perfectly playable setup and you can use your skill and inspiration to experiment from here on as you like. Useful Tips ORDER OF PROCESSORS AND EFFECTS Typical electric guitar sound setups usually include different types of effects such as Dynamics, EQ, Modulation effects, Distortions or Non Linear Amplification and Delays, Reverbs or other dimension enhancers.
are added to the input signal. This corresponds with the mix settings of 0 – 50 on the GTR™ dimension stomp effects. Auxiliary Send effects – These effects are inserted on an auxiliary bus and usually output just the effect rather then a mix of the effect over the direct signal. Here you can insert any effect that can have an effect only output such as a 100% wet Reverb, Delay, Doubler. This corresponds to using these GTR™ stomps at a mix value of 100.
SETTING UP GTR™ FOR STEINBERG - NUENDO OR CUBASE When using Cubase or NUENDO for playing live through the GTR software, all you need to do is – 1. Open a track that takes input from the physical input that the WPGI – Waves PRS Guitar Interface is connected to. 2. Launch the plug-ins that you would like to play through. 3. Press the little speaker icon on that track.
-Open the Channel Settings window by clicking the "e" symbol. -On the Audio Channel Settings window, go to the inserts column and switch the view to routing. -Cancel the right bypass input by double clicking the grey area on the insert point in the VST Audio channel settings window on the selected slot. This will open the Routing Editor Slot. -In the Routing Editor Slot, click the line on the right channel to "disconnect" it. Waves Guitar Tool Rack User Guide.
Now you can safely insert a Mono To Stereo Stomp Pedalboard plug-in and after it you can insert more Stereo Plug-Ins such as a Stereo WavesAmp and more Effects as needed. TDM USAGE NOTES Digidesign TDM systems allow using the Waves GTR™ Plug-Ins on the TDM DSP hardware. This allows zero latency functionality for both live input and mixing. The Waves GTR is designed to work with ProTools HD and HD Accel hardware in sample rates up to 96kHz.
the other bundle components will be available as HTDM or native RTAS or AudioSuite plug-ins. On Digi HD Accel process cards working in sample rates up to 48kHz will allow running all bundle components. In 96kHz the only amp available will be the Waves Amp mono, but you can launch it in MultiMono in order to get a stereo amp substitute in true TDM.
Waves Amp Introduction and overview The Waves Amp is an essential part of the Waves Guitar Tool Rack. It offers different guitar amplifier types that play through mic’d speaker cabinets. The Waves Amp plug-in is generally intended to be used for electric guitar. However, the Amp plug-in is also useful for re-amping drum or vocal tracks. Bass can also sound great through some of these settings. The Waves Amp plug-in comes in Mono, Mono Dual Cabinet, Mono-to-Stereo, and Stereo channel configurations.
A Quick Start As soon as you bring the Waves Amp up on your track insert, the amp is ready to go. The default Amp Type is a Clean amplifier that recreates the behavior of a vintage tube amp built circa 1959. It simulates playing through an open back speaker cabinet equipped with four 10” Alnico magnet speakers. It is an appropriate setup for any Stomp PedalBoard and its chain of effects. The Drive control lets you crank up the gain for more intensity without changing your output volume.
Amps and Cabinets AMP TYPES The Amp Types offered are inspired by famous, rare and vintage guitar amplifiers. The Amp Types selector allows you to select the amp model. The types are categorized by sound and increasing levels of Drive. They offer a limited range of gain adjustment using the Drive control. Each Amp Type loads with presets for cabinet, microphone, and mic placement settings. The Drive stages are normalized to maintain relative loudness.
Hot – Hot produces passionate high gain sounds, perfect for power chords and stinging solos. Boutique and modern tube amp lead channels were the role models here. Its default cabinet is the closed back cabinet with two 12” speakers. Since the Hot amp has a very high gain input, single coil pickup inputs are prone to noise disturbance (just as with real amplifiers).
AMP: On/Bypass, default – On. This control allows bypassing or activating the Amp. If set on Bypass, it will bypass the Amp part only and play directly through the cabinet and mic. To bypass the cabinet, select No Cabinet in the cabinet selector control. For full bypass use the plug-in bypass provided by the host application. TYPE: DIRECT/CLEAN/EDGY/DRIVE/CRUNCH/HOT/MODERN; Default – Clean. Use the Amp Type Selector to choose the amp sound.
All cabinets were close mic’d in order to raise the quality and accuracy of the cabinet filters, and to reduce simulated distance and room effects. We recommend using the best Room Reverb possible (such as Waves IR-1 or the included Reverb Stomp) in the Aux Send setup. VOL: 0 to 10; Default 5. There is one Volume control for each Cab/Mic located below their selector control. PAN: In Mono-to-Stereo or Stereo amps, each cabinet will have a Pan knob for panning left and right.
AMP PLUG-IN COMPONENTS Mono Amp The Mono Amp is the simplest Amp plug-in component. It inputs and outputs a Mono signal, running the output through a single Amp module and then into a single cabinet/microphone filter. The Mono Amp is also the least CPU-intensive of the Amp components. Mono DualCab The Mono DualCab Amp is similar to the Mono amp in that it inputs and outputs a Mono signal. Additionally, the DualCab configuration lets you play the Amp’s sound through two separate cabinets.
Mono-to-Stereo and Stereo Mono-to-Stereo Stereo The Mono-to-Stereo and Stereo Amps share the same controls and graphic user interface, but their input and processing specifications are different. Mono-to-Stereo is very similar to the Mono DualCab component, but outputs a Stereo signal. So, rather than adding each cabinet’s output to a single path you can flexibly pan them to create a Stereo image from the Mono input. The Stereo Amp component is actually a dual-Mono configuration.
Waves Stomp PedalBoard The 23 Virtual Stomp Boxes can be launched in any of 3 of the PedalBoard plugIns (“Stomp 2”, “Stomp 4” and “Stomp 6”). These allow chaining 2, 4 or 6 stomps respectively. Choose your Stomp effects by clicking on the space assignment button below the slot or by right clicking in an empty Stomp slot. WAVES STOMP - VIRTUAL PEDALBOARD PLUG-IN The Waves Stomp PedalBoard Plug-In is a single plug-in that hosts multiple Stomp plug-ins.
• • • 2 Stomp Spaces PedalBoard: Stomp 2 Mono, Stomp 2 m>s (Mono-toStereo) and Stomp 2 Stereo. 4 Stomp Spaces PedalBoard: Stomp 4 Mono, Stomp 4 m>s (Mono-toStereo) and Stomp 4 Stereo. 6 Stomp Spaces PedalBoard: Stomp 6 Mono, Stomp 6 m>s (Mono-toStereo) and Stomp 6 Stereo. Stomp assignment is flexible, allowing placement of the Stomps in any order. Multiple instances of the same Stomp can even be chained together.
Automation The Stomp PedalBoard Plug-in features a bypass and 7 Expression elements per Stomp Space, totaling 48 automatable elements. The Expression elements automate the controls of any assigned Stomp. The Expression elements are expressed as control numbers within Stomp spaces (e.g. Stomp 1 Bypass, Stomp 1 Control 1, Stomp 1 Control 2, etc.) After the bypass, the next expression element will be assigned to the upper left hand control of the stomp.
The first line in the menu will display the control name – e.g. “Drive”. The second line displays the currently assigned MIDI controller. When no control is assigned it will show the Learn option. When Learn is selected, the menu will disappear but the control will wait for the first MIDI event that it detects. Once you change any control in your MIDI controller, this control will be assigned to the corresponding Stomp control.
Virtual Stomp Boxes The Waves Virtual Stomp Boxes are audio signal processing plug-Ins especially designed for electric guitar. As with the Waves Amp, while these stomps are intended for electric guitar they can sound great for many other applications as well. Most Waves Virtual Stomp boxes have Mono, Mono-to-Stereo and Stereo components. Certain Stomps that specialize in Stereo processing (such as the Panner) have only Mono-to-Stereo or Stereo components.
Many Stomps have time based controls such as LFO rate or Delay time. Some of these Stomps can sync to the host BPM using a musical note duration to represent the rate or time of the parameter. Manual Rate or Time is set in milliseconds or seconds. Sync Rate is expressed using note durations from 2 whole notes to 1/32nd note triplets as shown in this diagram: Waves Guitar Tool Rack User Guide.
Distortion Stomps From warm creamy OverDrive to scorching Metal madness, the GTR™ System offers a selection of five different distortion algorithms. Inspired by classic Stomp boxes, each of these effects delivers a different kind of distortion and provides a selection that will fulfill all of your distortion needs. OVERDRIVE OverDrive is a classic Stomp effect which delivers everything from a gentle growl to screaming highs. Perfect for playing the blues, it’s great for chords and solos alike.
DISTORTION The Distortion Stomp takes you a step further than Overdrive, giving you even more crunch and bite. Hot and spicy, it comes in Mono and Stereo Channel configurations. The Distortion Stomp offers 4 controls: DRIVE: 0 – 100; Default: 50 Drive sets the amount of distortion driven over the input signal. The drive control is a loudness normalized control that allows you to hear the amount of drive without an extreme boost in level. LEVEL: 0 – 100; Default: 50 This sets the output level.
FUZZ Fuzz is a classic distortion effect that’s been popular since the ‘60’s. Big and brutal, it’s terrific for solo licks and riffs as well as muted low string power chords. Available in Mono and Stereo, the Fuzz offers 3 controls: SUSTAIN: 0 – 100; Default 50 Similar to the Drive control in the previous Stomps, this will ultimately give your fuzz sound longer sustain. LEVEL: 0 – 100; Default: 50 This control will boost or pad the output level of the Fuzz.
BUZZ Buzz offers a unique tone with a resonant peak at the high pass cutoff frequency. Using an expression pedal to control the tone transforms Buzz into a distortion/wah-wah hybrid. Buzz comes in Mono or Stereo. It has the following controls: DRIVE: 0 – 100; Default 50 Drive sets the amount of distortion driven over the input signal. The drive control is a loudness normalized control that allows you to hear the amount of drive without extreme level boost.
METAL The Metal Stomp has a dual distortion engine which can be driven very hard while maintaining resolution for chords and solos. The Metal Stomp offers enhanced EQ control offering a full set of Low, Mid and High tone controls with a variable cutoff for the mid bell filter. If you need to go beyond what the other distortion Stomps have to offer, this is it. It comes in Mono or Stereo. The Metal tone controls are: DIST: 0 – 100; Default 50 Dist controls the amount of distortion effect.
Modulation Effects Inspired by vintage hardware units as well as Waves legendary software plugins, most of the GTR™’s Modulation effects feature both manual and sync-tohost rate control. FLANGER The Flanger is a versatile effect that can go from subtle and feathery to extreme jet swooshes with the flip of a switch. This effect is achieved by replicating the signal, adding delay, modulating its pitch and mixing it back with the original signal.
SYNC RATE: 2 to 1/32t (double whole note to 1/32nd note triplet); Default: ½ (1/2 note). When Sync is set to On, Sync Rate determines how the plug-in interprets the beat. A shorter duration note will give a quick flange while a longer duration will make for a longer, slower flange effect. DELAY: 0.1 to 25ms; Default: 2.2 This is the length of the Delay added to the signal. FEEDBACK: 0 to 100; Default: 0 This controls the amount of resonance in the Flanger.
VIBROLO The Vibrolo is a combined Vibrato and Tremolo. It utilizes amplitude modulation for Vibrato and Frequency Modulation for Tremolo. This effect is great for recreating classic amp Vibrato (tremolo) and vibrant pitch bends like a tremolo arm (vibrato) The Vibrolo comes in Mono or Stereo. WAVEFORM: Sine, Triangle, SawUp, SawDown, Square; Default: Sine This is the shape of the waveform of the vibrolo.
TREMOLO = AMDepth: 1 to 100; Default: 0 This is the depth of the tremolo effect. Waves Guitar Tool Rack User Guide.
PANNER Based on the acclaimed Waves MondoMod, the Panner enhances and expands your spatial image, giving you precision control over waveform, width and sync. The Vibrolo moves the guitar phantom image from left to right based on the selected waveform and modulation rate. It comes in Mono-to-Stereo and Stereo. The Panner Controls are: WAVEFORM: Sine, Triangle, SawUp, SawDown, Square; Default: Sine This is the shape of the waveform of the Panner.
This is the width of the panning effect, in degrees. PHASER The Phaser Stomp, modeled after a classic vintage phaser, modulates the cutoff frequency of a filter with multiple notches. It has a continuous depth control that goes from gentle to extreme. The Stereo phaser has a great Stereo spread control that shifts the phase of the modulation between left and right. It is offered in Mono, Mono-to-Stereo and Stereo. The Controls are: MANUAL RATE: 0.
This sets a different phase for the LFO (Low Frequency Oscillator) for the left and right channels. This is essentially a time delay in the oscillation. A setting of 100 equals 180 degrees. Waves Guitar Tool Rack User Guide.
OCTAVER The Octaver generates two octaves below your input source, plus gives you control over gain and panning of each octave independently. The Octaves below the original note are synthesized using a square wave generator. Like the classic Stomp box effect, the Octaver works best with a monophonic input. Polyphonic input can create random sounding square wave “bleeps”. DIRECT: -inf. to 0dBfs; Default: -6dB This is the volume of the direct signal. OCT1: -inf.
WAHWAH The WahWah offers both an AutoWah that reacts to your input guitar signal as well as a Manual Mode that lets you control the effect using an external MIDI control or workstation automation. WahWah provides both classic WahWah sounds as well as Mutron type filter effects. The WahWah Stomp has 5 controls: SENSITIVITY: 0 to 100; Default 50 Sensitivity controls the sensitivity of the envelope follower. High sensitivity will make even weak input excite the filter’s frequency modulator.
CHORUS From a gentle touch to serious mangling, Chorus functions as both a tone and space enhancer, also offering Leslie pan and pitch modulations. The same Chorus engine is used for Mono, Mono-to-Stereo and Stereo but it is recommended to use the Stereo output chorus for the best most spacious effects and Leslie style pan and pitch modulations. Chorus has only two controls: DEPTH: 0 to100; Default: 10 This controls how deep the overall detune of the chorusing effect will be. RATE: 0.10 to 10; Default 0.
DOUBLER The Doubler replicates the input in another 2 voices and adds some detune, delay and feedback for the generated replicas. This creates rich chorus type effects as well as stereo enhancing and harmonic enriching effects. The Doubler is offered in Mono, Mono-to-Stereo and Stereo. It can go from very subtle to extreme effects. MIX: Range: 0 to 100; Default 50 This sets the balance between Wet and Dry. A 0 setting gives a 100% Dry signal 100 gives a 100% Wet signal.
PITCHER The Pitcher creates automatic harmonies and performs real time pitch shifting. It produces effects ranging from subtle to strange. The controls define a range for pitch change by defining the maximum and minimum possible shift. The pitched and direct signals can be mixed together for a harmonizing effect and the pitch can be used to specify the musical interval between the direct and pitched sounds. The Pitcher comes in Mono and Stereo.
Space and Ambience Effects The GTR™ system features a stunning array of reverb and delay effects designed to take your sound to another dimension. DELAY The Delay pedal is an analog-sounding effect that gives you up to 2 seconds of delay time. From traditional Mono delay to polyrhythmic ping pong effects, the Delay also lets you synchronize to your host BPM. This is a classic effect that can go from traditional Mono delay to full ping pong in the Stereo versions.
FEEDBACK: 0 to 10; Default: 5 This is the gain of the feedback loop. If you want more regenerations and a longer delay effect, turn up the Feedback. Turning the feedback above 9 can result in unruly effects! HI CUT: 0 to 100; Default: 75 The Hi Cut control will shut out high frequencies. It has a resonant overshoot so setting feedback above 87 may create a peak growth that can result in a clipping, shrieking feedback. STEREO: 0 to 100; Default 50 At 0, this is a Mono sounding effect.
LAY – D Lay-D delivers both traditional delay EFFECTS as well as mind-bending Reverse & Pitch Shift modes. The Reverse feature creates backwards guitar effects, even in live performance. The Pitch change can create extreme warping effects. MIX: Range: 0 to 100; Default 50 This sets the balance between Wet and Dry. A 0 setting gives a 100% Dry signal 100 gives a 100% Wet signal. At 50, the Wet and Dry paths mixed are mixed evenly at -3dB. MANUAL TIME: 0.01 to 2sec; Default 0.
PITCH: -12.00 to +12.00; Default 0 This represents the amount of pitch shifting that will take place on the first regeneration of the delay. The decimal represents cents. So, a setting of 5.77 would mean 5 semitones (5 half-steps) and 77 cents. Consecutive regenerations will shift by the same amount, resulting in ever ascending or descending regenerations. FEEDBACK: 0 to 100; Default 30 This is the gain of the feedback loop. If you want more regenerations and a longer delay effect, turn up the Feedback.
REVERB The Reverb Stomp is a high quality room emulator that uses a sleek, streamlined interface. We recommend using this effect after the amp. The Reverb can also be inserted on a bus and have signals sent to it for reverberation. (In this case, the mix should be all the way at 100% indicating all effect and no direct signal.) MIX: Range: 0 to 100; Default 12 This sets the balance between Wet and Dry. A 0 setting gives a 100% Dry signal 100 gives a 100% Wet signal.
SPRING Spring Reverb is a common feature of many classic amplifiers. This Stomp fulfills that critical function. Spring, along with Vibrolo, is recommended as a post amp complement within a 2 space Stomp PedalBoard. MIX: Range: 0 to 100; Default: 12 The Spring Reverb effect is added to the direct signal using the MIX control. MIX sets the balance between Wet and Dry. A 0 setting gives a 100% Dry signal. 100 gives a 100% Wet signal. At 50, the Wet and Dry paths mixed are mixed evenly at -3dB. TIME: 0.
Basic Effects The GTR™ system also includes an essential toolkit of basic effects that are a part of every guitar player’s basic rig. These gates, compressors and equalizers give you the power to custom contour your sound for any musical situation. GATE/COMP The Gate/Comp puts two essential applications in one convenient Stomp. It works well as the first in a chain of effects.
COMPRESSOR The Compressor Stomp pumps up your sound and keeps your dynamics in check. The compressor can add depth and sustain to your sound while helping you cut through a mix. It is offered in Mono and Stereo. COMP: 0 to 100; Default: 25 Most of the compressor intensity is set by the Input gain value of the Comp control. The higher the setting, the more compression is added. ATTACK: 1 to 50; Default: 4.99 The lower the attack setting, the quicker the compression kicks in.
GATE The Gate Stomp is great for eliminating noise and weak signals while letting the music pass through. The Gate is offered in Mono and Stereo. THRESHOLD: 0 to -80dB; Default: -56 This sets the sensitivity of the gate. The lower the setting, the louder a signal will have to be to pass through. ATTACK: 0.01 to 10; Default: 0.05 This controls how quickly the gate should open when energy goes above the threshold. A shorter attack time opens the gate more quickly. RELEASE: 0.
TONE A Simple 3 band EQ with LowCut and HiCut controls for band limiting Tone gives you control over bass, treble, mid boost and cut. The Tone Stomp is offered in Mono and Stereo. LOW: -/+18dB Low Shelf @ 310Hz; Default: 0dB This gives control over the low frequencies of the guitar signal. MID: -/+18dB Mid Bell @ 1kHz; Default: 0dB This gives control over the mid frequencies of the guitar signal. HIGH: -/+18dB Hi Shelf @ 4kHz; Default: 0dB This gives control over the high frequencies of the guitar signal.
EQ The EQ plug-in is a 6 band graphic equalizer which has a hidden low frequency attenuator for shutting out unwanted rumble. It is offered in Mono and Stereo. Each band allows a +/- 12dB Boost or cut with a Q of 10 and a fixed frequency. Waves Guitar Tool Rack User Guide.
Waves Tuner The Waves Tuner is an essential part of the Waves Guitar Tool Rack. It is a straightforward chromatic tuner that can be set to Auto Chromatic, Guitar and also different open tunings or single notes. For ideal results, pluck your string about once per second while tuning. Since a plucked guitar string has a pitch envelope, it is recommended to tune the string by monitoring its sustained part.
The Dot lights up whenever the pitch is -6 to +6 cents from the desired pitch. Thus, whenever the tune is between -6 to -3 cents both the Dot and the Left arrow are lit and when the tune is +3-+6 cents both the dot and the right arrow are lit. REFERENCE TUNE To the left of the arrows and dot is the reference tune that defaults to 440 and can be adjusted +/- 6 cents. MODE POP-UP.
Waves/PRS Guitar Interface Introduction and Quick Start Guide The Waves PRS Guitar Interface (WPGI) is a device that delivers the Direct Signal of your guitar to another audio device. It is an ideal solution for recording a direct guitar signal to a DAW (Digital Audio Workstation). It guarantees that the recorded signal captures the original guitar tone at its best, making it perfect for further processing or re-amping.
Please note – This device is essentially an impedance matching microphone preamp for guitar. For best results, we recommend plugging into line level console inputs, or better yet, line level inputs in an A to D (Analog to Digital) converter. Through our research, we have discovered that this type of device is necessary to get the best possible guitar tone in your DAW. This Users Manual contains all the information required for you to make the most of your WGPI.
The 3 LEDs on the front panel are there to help with this adjustment. These LEDs signify the following: 1. The green “Sig” LED indicates the existence of signal and should be lit as long as you are playing into the device. 2. The orange “Nom” LED indicates healthy nominal levels and should be lit occasionally according to the dynamics of your playing. If it is mostly off and only turns on for the very peaks f your performance, you may want to boost the trim a little.
REAR PANEL: 1. +12VDC: DC jack connector 2. Power On/Off switch 3. GND/Lift: This switch allows you to eliminate ground loops. “Lift” disconnects XLR ground DIN. 4. Balanced: An XLR balanced signal output 5. Line/Mic: This switch toggles the XLR output between +4dBV line level and mic level -40 dB pad. 6. Unbalanced -10dBV: An unbalanced signal output jack. Connecting The WPGI The WPGI is designed for one or more audio inputs.
Using the Balanced +4dBU Line level via XLR is the definitive best choice for getting the highest quality results when recording an electric guitar using the WPGI. Applications The WPGI has 3 main applications: 1. Impedance matching: The guitar output is a high impedance signal. Most audio input loads are incompatible with a guitar directly plugged in. Therefore the WPGI transforms the signal suitable for most common audio input stages.
Technical Specifications INPUT TRS: Input impedance : >1Mohm unbalanced Max input level: 1.1 VRMS OUTPUT BALANCED XLR: *All measurements were preformed with volume at a nominal setting. Output impedance: 50 ohm S/N: >105 @ line level, >70 @ mic level (S measured at 1%, 1 Khz, A Weighted) Response: 20-20Khz , -3dB @11Khz, -5dB @ 20Khz THD+N: <0.005 (< -90dB) @ -10dB below max sensitivity level Sensitivity: 1.1Vrms @ line level, 2.5 Vrms @ mic Level Gain: 11dB @ line level, -28dB @ mic level. ±1.
Warranty ONE YEAR LIMITED WARRANTY Waves Audio Ltd. ("Waves") warrants that the Product conforms substantially to the specifications contained in the Product documentation for a period of one (1) year from the date of original purchase from Waves or its authorized resellers.
THIS WARRANTY IS IN LIEU OF ALL WARRANTIES, WHETHER ORAL OR WRITTEN, EXPRESS, IMPLIED OR STATUTORY. WAVES MAKES NO OTHER WARRANTY, EITHER EXPRESS OR IMPLIED, INCLUDING, WITHOUT LIMITATION, ANY IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR NONINFRINGEMENT. PURCHASER’S SOLE AND EXCLUSIVE REMEDY UNDER THIS WARRANTY SHALL BE REPAIR OR REPLACEMENT AS SPECIFIED HEREIN.
