Jam and Practice Tool for Guitar Effect guide 3
Table of contents A. AMP Models .....................................................1 17. UK MODERN2 ........................................................... 7 Controlling Factors ............................................................1 18. BOUTIQUE METAL ..................................................... 7 About the Gain and Volume knobs ....................................2 19. MODDED OD ............................................................ 7 Virtual Valve Reactor ................
Table of contents C. Pedal Effects ...................................................12 E. Modulation Effects ...........................................25 1. TUBE OD ...................................................................12 1. CLASSIC CHORUS ..................................................... 25 2. SUPER OD .................................................................12 2. MULTI TAP CHORUS .................................................. 26 3. ORANGE DIST .......................
JamVOX Effect guide F. Delay Effects ....................................................37 G. Reverb Effects .................................................48 1. STEREO DELAY ..........................................................37 1. SLAP ......................................................................... 48 2. CROSS DELAY ...........................................................38 2. GATE ........................................................................ 49 3. 2TAP DELAY ......
A. AMP Models A. AMP Models Which amps did we painstakingly model for our exquisite selection of 19? Believe us when we say it wasn’t easy ‘cos, as I’m sure you know, there’s a plethora of great sounding amps out there. After countless hours of soul searching, earnest discussions, calls to tone-wise friends (some professional players, some not...but all blessed with great ears) plus, of course, listening and playing, a top 19 list was finally drawn up.
JamVOX Effect guide About the Gain and Volume knobs JamVOX’s amp models provide three programmable knobs that affect the volume (gain); GAIN, VR GAIN, and OUTPUT. Each control has its own specific job, and the sound of a particular amp model can vary over an amazingly wide range just depending on the settings of these knobs.
A. AMP Models Tube Talk Us Brits call ‘em valves while our US cousins call ‘em tubes...as the saying goes: England and America are merely two countries divided by a common language! Anyway, call ‘em what you will, these wondrous glass bottles lie at the tonal heart of each of our 19 models.
JamVOX Effect guide 2. VOX AC15TB The AC15TB is a modern-day amp which combines the tonal characteristics of the AC15’s low Wattage power stage, with the increased tonal flexibility that the Top Boost (TB) channel of an AC30 has to offer. Then, to sweeten the pot even further, a 12¨ Celestion “Blue” speaker, Reverb and a Master Volume control were thrown in too. The original has two tone controls—Treble and Bass.
A. AMP Models 6. UK 68P This is based on the “High Treble” channel of a 4 input, 1968, 50 Watt, all-valve head. It doesn’t feature a Master Volume control so the best way to set it up is to max out the volume! To achieve the same response as the original, remember to turn the VR GAIN control to maximum. The JamVOX works EXACTLY like the original.
JamVOX Effect guide 11. TWEED 1X12 The TWEED 1x12, 18 Watt, all-tube combo is the very essence of simplicity with a Volume knob and a single Tone control. This Tone control is merely a treble cut and boost, and its behavior can be mimicked by using the JamVOX’s TREBLE, MIDDLE and BASS EQ network as follows: Original Tone control turned all the way down (off) = BASS on full; TREBLE and MIDDLE at 9 o’clock (PRESENCE “off”).
A. AMP Models 15. US MODERN This is based on the “Modern High Gain” channel of a 100 Watt, head from California. Its deep, dark, loose low-end, some what “fizzy” top and Monster-like gain has made this amp a mainstay for many modern, acts. At low GAIN settings, it produces a distinctive, bright clean sound bolstered by some rich, upper harmonics that add fullness and dimension. Original’s tube compliment: 5 x 12AX7s in the preamp, 2 x 5U4G rectifier tubes, 4 x 6L6s in the power amp. 16.
JamVOX Effect guide B. Cabinet Models Now let’s look at the CABINET models: Cabinet and speaker accuracy There’s not much point in having incredibly accurate amp models if the speaker cabinet models on offer aren’t of the same exacting standards. As you may know, in real life, the output stage of a tube amp works in close harmony with the varying impedance curve of the speaker(s) it is driving.
B. Cabinet Models 5. UK H30 4X12 This heavy-duty cabinet with 30 Watt speakers, from the late ’60s is made by the same famous UK amp company as the UK T75 4x12. 6. UK T75 4X12 This 4x12" closed-back cabinet is loaded with modern, 75 Watt British speakers. 7. BLACK 2X10 These speakers are based on an open backed 2x10" ceramic magnet 35 Watt combo. 8. BLACK 2X12 This speaker system features two 12" Ceramic magnet speakers. They are 8 Ohm units wired in parallel for a 4 Ohm total load. 9.
JamVOX Effect guide What goes with what? Basically, with your JamVOX you can mix any amp model to any cabinet model, and create many varied tones. But to give you a starting point, here is a listing of historically correct matches. You can select these combinations from the amp/cabinet combination catalog that appears when you click the amp/cabinet name located above the effect routing.
B. Cabinet Models Some recommendations As some of the manufacturers of the original amps that we modelled also used similar amps with different speaker configurations to make other models, so can you with your JamVOX to approximate these other amps.
JamVOX Effect guide C. Pedal Effects These are a variety of pedal effects such as distortion, modulation, and ring modulator. You can choose one of eighteen types. Parameters marked with can be controlled by an optional Korg EXP-2 foot controller connected to the JamVOX monitor. For details on how to assign a parameter to the foot controller, refer to “Option pedal/switch settings” (☞JamVOX owner’s manual p. 32). 1.
C. Pedal Effects 3. ORANGE DIST This models a classic distortion unit manufactured in Japan and packaged in an orange box. The parameters are the same as for TUBE OD (See “TUBE OD” on page 12). 4. METAL DIST This distortion model is perfect for the “metal head” in you! DRIVE [1.0...10.0] Adjusts the amount of distortion. LEVEL [0.0...10.0] Adjusts the output level. TREBLE [0.0...10.0] Adjusts the high-range volume level. MIDDLE [0.0...10.0] Adjusts the mid-range volume level. BASS [0.0...10.
JamVOX Effect guide 5. FAT DIST Based on a pedal named after one of the most disliked rodents to ever walk the planet! The result is a smooth distortion rich in harmonics...nasty but nice. The parameters are the same as for TUBE OD (See “TUBE OD” on page 12). 6. FUZZ Retro, rude “n” raw...get the picture!? The name says it all. The parameters are the same as for TUBE OD (See “TUBE OD” on page 12). 7. OCTAFUZZ This models a legendary fuzz unit that adds a pitch one octave above the original.
C. Pedal Effects 8. TREBLE BOOST This pedal effect is modelled after a built-in treble booster that was designed with the VOX VBM-1 specifically in mind. It is a great way of adding “teeth” to an overdriven sound. The parameters are the same as for TUBE OD (See “TUBE OD” on page 12). 9. BOUTIQUE This models an overdrive unit named after a half-human half-horse creature appearing in Greek fables.
JamVOX Effect guide 11. VOX WAH This effect is modeled on two legendary VOX wah pedals; the V847 and the V848 Clyde McCoy model. Thanks to their unique “throaty” tone, these are the only wah pedals many professionals will consider stepping on. CLOSE [1.0...10.0] Adjusts the tone when the wah pedal is closed. OPEN [1.0...10.0] Adjusts the tone when the wah pedal is open. MANUAL [1.0...10.0] Adjusts the openness (position) of the wah.
C. Pedal Effects 12. AUTO WAH The lazy man’s Wah pedal! Only kidding...this quirky but useful effect allows you to create an automatic Wah effect that varies with your picking dynamics (i.e. how hard or soft you hit the strings). As in VOX WAH, you can select either V847 or V848 as the wah type. SENS [0.0...10.0] Adjusts the sensitivity with which the wah responds to the volume of the guitar. POLARITY [UP, DOWN] Sets the direction in which the auto wah will operate. ATTACK [1.0...10.
JamVOX Effect guide 13. COMP Gotta play a clean passage that needs to be nice, smooth and even? Need a hair more sustain on a lead line? Then, look no further; COMP is the pedal for you. Modelled on a compressor pedal that is hugely popular due to the percussive clean sound it can produce — making it perfect for ’80s and ’90s pop and funk rhythm work. It can also add a singing, mellow sustain to lead lines — clean or dirty. SENS [1.0...10.0] Adjusts the sensitivity of the compressor (i.e.
C. Pedal Effects 14. ACOUSTIC Wanna go “unplugged” without the hassle of switching guitars and amps? Enter the acoustic guitar simulator — a clever effect that magically converts an electric guitar’s sound into that of an acoustic. It works best with a single coil (read: low output) pickup in the neck position, especially when paired with the BLACK 2x12 amp model. BODY [1.0...10.0] Adjusts the resonance of the body selected via the “TYPE” parameter. BASS [0.0...10.0] Adjusts the bass. TREBLE [0.0..
JamVOX Effect guide 15. OCTAVE This effect generates a note one or two octaves lower than the one you’re playing, adding thickness and “weight” to single note lines. DIRECT [0.0...1.0] Adjusts the level of the original note. 1 OCTAVE [0.0...1.0] Adjusts the mix level of the note one octave below. 2 OCTAVE [0.0...1.0] Adjusts the mix level of the note two octaves below. WARNING! Like all pedals of this type, OCTAVE only works with single notes...
C. Pedal Effects 16. BLK/ORG PHASE This models three models of phaser; a wide-range four-stage phaser that was made in Denmark and packaged in a black box, a popular four-stage phaser that came in a banana-colored box, and a mild-sounding ten-stage phaser that was likewise banana-colored. Use the TYPE knob to select the model. SPEED [0.100...10.00 Hz] Adjusts the modulation speed. DEPTH [0.0...10.0] Adjusts the modulation depth. RESONANCE [0.0...10.0] Adjusts the amount of resonance. MANUAL [1.
JamVOX Effect guide 17. U-VIBE Modeled on the famous phase/vibrato pedal effect unit. This effect simulates a rotating speaker and produces a wonderfully seductive and “watery” tone. Interestingly enough, the guy responsible for this great pedal is also responsible for the birth of the remarkable Valve Reactor Technology. SPEED [1.00...10.00 Hz] Adjusts the speed of the Uni-Vibe effect. DEPTH [0.0...10.0] Adjusts the depth of the Uni-Vibe effect. MIX [0.0...10.
C. Pedal Effects 18. RING MOD A ring modulator is an effect that uses an oscillator to generate a sine wave which is then multiplied with the signal from your guitar to produce harmonics above and below the frequencies originally produced by your guitar. This creates complex and unpredictable pitches. A filter is built into the output of this effect to let you extract just the lower frequencies if desired, and this can generate low sounds that could not otherwise be produced by a guitar. DIRECT [0.0...
JamVOX Effect guide D. Noise Reduction 1. NOISE REDUCTION SENSITIVITY [OFF, 0.2…10.0] Adjusts the sensitivity of the noise reduction. Increasing this value will produce more noise reduction. Normally you will adjust this so that you do not hear obtrusive noise when the strings are lightly muted. NOTE: If the value is raised excessively, the notes may be cut off unnaturally. If this occurs, reduce the value.
E. Modulation Effects E. Modulation Effects Here you can make settings for a modulation effect. You can choose one of twelve types. Parameters marked with can be controlled by an optional Korg EXP-2 foot controller connected to the JamVOX monitor. Parameters marked with can be controlled by an optional VOX VFS-2 foot switch connected to the JamVOX monitor.
JamVOX Effect guide 2. MULTI TAP CHORUS Stereo in/Stereo out 1 This model features independent chorus taps for each of the left, center and right outputs, producing a feeling of depth and spaciousness. SPEED [0.100…10.00 Hz] Adjusts the modulation speed. DEPTH [0.0…10.0] Adjusts the modulation depth. TIME [0.0…10.0] Adjusts the delay time. MIX Adjusts the mix amount of the effect. 26 [0.0…10.
E. Modulation Effects 3. STEREO CHORUS Mono in/Stereo out 1 A stereo chorus in a yellow case. A sense of stereo is created by inverting the phase of the effect sound for the right output, producing a feeling of spaciousness that is somewhat different than the stereo effect of CLASSIC CHORUS. SPEED [0.100…10.00 Hz] Adjusts the modulation speed. DEPTH [0.0…10.0] Adjusts the modulation depth. MANUAL [1.0…10.0] Adjusts the center frequency of the sweep. “MANUAL” has no effect if “DEPTH” is set to 10.
JamVOX Effect guide 4. BI CHORUS Mono in/Mono out 1 (Mode=SERIAL), Stereo in/Stereo out 1 (Mode=PARA1, PARA2, PARA3) This is a chorus model unique to VOX. It provides two chorus units, CHORUS 1 and CHORUS 2, and lets you connect the two units not only in series or in parallel, but also to synchronize or de-synchronize the two LFOs. It produces a variety of tones that cover a range from wonderfully spacious sounds to bizarre flanger-like sounds with complex modulation. SPEED1 [0.100...10.
E. Modulation Effects 5. CLASSIC FLANGER Mono in/Mono out 1 A model of a truly classic analogue flanger that “unchained” a highly influential modern guitarist who many hail as the “godfather of two handed tapping.” SPEED [0.100...10.00 Hz] Adjusts the modulation speed. DEPTH [0.0...10.0] Adjusts the modulation depth. RESONANCE [0.0...10.0] Adjusts the amount of resonance. MANUAL [1.0...10.0] Adjusts the center frequency of the sweep. “MANUAL” has no effect if “DEPTH” is set to 10.0.
JamVOX Effect guide 6. DUO PHASE Mono in/Mono out 2 (Mode=SERIAL1, SERIAL2), Stereo in/Stereo out 2 (Mode=PARA1, PARA2, PARA3) This is an amazing phaser that provides two six-stage phasers; PHASER 1 and PHASER 2. They can be connected in series (to make a pseudotwelve-stage phaser!) or in parallel, and you can also synchronize or de-synchronize the two LFOs. SPEED1 [0.100...10.00 Hz] Adjusts the modulation speed of PHASER 1. DEPTH [0.0...10.0] Adjusts the modulation depth of PHASER 1/2.
E. Modulation Effects 7. FILTRON Stereo in/Stereo out 2 This is an envelope controlled filter — a filter that opens and closes according to the guitar input. ATTACK [1.0...10.0] Adjusts the speed of response. DEPTH [0.0...10.0] Adjusts the depth of the effect. RESONANCE [0.0...10.0] Adjusts the amount of resonance. MANUAL [1.0...10.0] Sets the cutoff frequency. “MANUAL” has no effect if “DEPTH” is set to 10.0. POLARITY [UP, DOWN] Specifies the direction of movement. SENS [0.0...10.
JamVOX Effect guide 8. PITCH SHIFTER Mono in/Mono out 1 This is a pitch shifter with a range of two octaves up or down, rivaling sophisticated rack-mounted signal processors. PITCH [–24...+24] Adjusts the pitch in 100-cent units. FINE [–50...+50] Adjusts the pitch in one-cent units. TRACKING [10...150 ms] Adjusts the tracking of the pitch shifter (i.e., how closely it will follow).
E. Modulation Effects 9. TEXTREM Stereo in/Stereo out 2 This models the popular tremolo circuit that’s built into the BLACK 2x12 model. The “SPREAD” setting lets you produce a panning effect that spreads to left and right. SPEED [1.00...10.00 Hz] Adjusts the tremolo speed. DEPTH [0.0...10.0] Adjusts the tremolo depth. SPREAD [0.0...10.0] Adjusts the left/right spaciousness. LEVEL [1.0...10.0] Adjusts the output level.
JamVOX Effect guide 10. ROTARY Mono in/Stereo out 2 This models a stereo rotary speaker. When you adjust the speed, it will take a certain amount of time for the specified speed to be reached — just like on an actual rotary speaker. This is because it takes several seconds for the motor that creates the rotation to accelerate or decelerate. SPEED1 [0.80...10.0 Hz] Adjusts the rotational speed of the speaker. DEPTH [0.0...10.00] Adjusts the modulation depth. SPEED2 [0.80...10.
E. Modulation Effects 11. MOD DELAY Mono in/Mono out 1 (Mode=1), Mono in/Mono out 3 (Mode=2), Mono in/Stereo out 1 (Mode=3) This models an analog delay that lets you add a vibrato effect to the delayed sound. The actual unit provided 400 ms of delay time, but this simulation extends this up to 1400 ms while maintaining the same warm sound, and can also be used as a sub-delay for the DELAY section. SPEED [0.100...10.00 Hz] Adjusts the modulation speed. DEPTH [0.0...10.0] Adjusts the modulation depth.
JamVOX Effect guide 12. TALK MOD Mono in/Mono out 2 This is an envelope controlled talking modulator. The vocal character will change according to the input from your guitar. ATTACK [1.0...10.0] Adjusts the speed of the response. DEPTH [0.0...10.0] Adjusts the depth of operation. TYPE [A–E...O–U] Selects one of the following transitions between vowels. ‘A’-‘E’, ‘A’-‘I’, ‘A’-‘O’, ‘A’-‘U’, ‘E’-‘I’, ‘E’-‘O’, ‘E’-‘U’, ‘I’-‘O’, ‘I’-‘U’, ‘O’-‘U’ MANUAL [1.0...10.0] Adjusts the vocal character.
F. Delay Effects F. Delay Effects Here you can make settings for a delay effect. You can choose one of eleven types. Parameters marked with can be controlled by an optional Korg EXP-2 foot controller connected to the JamVOX monitor. Parameters marked with can be controlled by an optional VOX VFS-2 foot switch connected to the JamVOX monitor. For details on how to assign a parameter to the foot controller or foot switch, refer to “Option pedal/switch settings” (☞JamVOX owner’s manual p. 32). 1.
JamVOX Effect guide 2. CROSS DELAY Stereo in/Stereo out 3 This is the DL8000R with settings to make the feedback cross over from L→R and R→L. TIME [1...4000 ms] Sets the delay time. FEEDBACK [0.0...10.0] Adjusts the amount of feedback. TONE [1.0...10.0] Adjusts the tone of the delay. DUCKING [0.0...10.0] Adjusts the sensitivity at which the effect will “duck” (decrease) in response to the volume of your guitar. MIX Adjusts the mix amount of the delay. 38 [0.0...10.
F. Delay Effects 3. 2TAP DELAY Mono in/Stereo out 1 This is the DL8000R with two delay taps whose DELAY TIME is skewed and separately assigned to L and R, turning a mono input into stereo. TIME [1...4000 ms] Sets the delay time. FEEDBACK [0.0...10.0] Adjusts the amount of feedback. TONE [1.0...10.0] Adjusts the tone of the delay. DUCKING [0.0...10.0] Adjusts the sensitivity at which the effect will “duck” (decrease) in response to the volume of your guitar. TAP TIME [0.0...10.
JamVOX Effect guide 4. RHYTHM DELAY Mono in/Mono out 1 This provides a DL8000R function in which the “TIME” of two delay taps is automatically set according to the “RHYTHM” you specify. TIME [1...4000 ms] Sets the delay time. FEEDBACK [0.0...10.0] Adjusts the amount of feedback. TONE [1.0...10.0] Adjusts the tone of the delay. DUCKING [0.0...10.0] Adjusts the sensitivity at which the effect will “duck” (decrease) in response to the volume of your guitar. RHYTHM [1...
F. Delay Effects 5. HOLD DELAY Mono in/Mono out 1 This models a Korg DL8000R 24-bit digital delay set to the “hold delay” setting. TIME [1...8000 ms] Sets the delay time. FEEDBACK [0.0...10.0] Adjusts the amount of feedback. TONE [1.0...10.0] Adjusts the tone of the delay. MIX [0.0...10.0] Adjusts the mix amount of the delay. HOLD SW [OFF, ON] If this is ON, the delay sound will be held.
JamVOX Effect guide 6. REVERSE DELAY Mono in/Mono out 1 This is a digital delay that plays the delay sound backward. You can get some really cool results by playing long notes in a legato fashion. TIME [26...8000 ms] Sets the delay time. FEEDBACK [0.0...10.0] Adjusts the amount of feedback. TONE [1.0...10.0] Adjusts the tone of the delay. MIX [0.0...10.0] Adjusts the mix balance between the delay sound and direct sound. With a setting of 10.0 you will hear only the delay.
F. Delay Effects 7. MOD DELAY Mono in/Mono out 1 This models Korg’s first digital delay, the SDD-3000. You can also use this to produce chorus or flanger-like effects by setting a short “TIME” and using the LFO to modulate it. TIME [3...2000 ms] Sets the delay time. FEEDBACK [0.0...10.0] Adjusts the amount of feedback. TONE [1.0...10.0] Adjusts the tone of the delay. SPEED [0.100...10.00 Hz] Adjusts the modulation speed. MIX [0.0...10.0] Adjusts the mix amount of the delay.
JamVOX Effect guide 8. SWEEP DELAY Mono in/Mono out 1 This also models the SDD-3000. Here you can use the envelope of your guitar signal to control the DELAY TIME, and by setting a short “TIME” and raising the “FEEDBACK” you can produce a distinctive flanger effect. Even with conventional settings of “TIME,” you can produce unique effects that would not be possible with an LFO. TIME [26...2000 ms] Sets the delay time. FEEDBACK [0.0...10.0] Adjusts the amount of feedback. TONE [1.0...10.
F. Delay Effects 9. ANALOG DELAY Mono in/Mono out 1 This models an analog delay that used a bucket-brigade device (BBD) instead of a tape mechanism and was known for its compactness and reliability. It is characterized by a warmly distorted sound. TIME [1...2000 ms] Sets the delay time. FEEDBACK [0.0...10.0] Adjusts the amount of feedback. TONE [1.0...10.0] Adjusts the tone of the delay. MIX [0.0...10.0] Adjusts the mix amount of the delay.
JamVOX Effect guide 10. MULTI HEAD Mono in/Mono out 1 This is a model of a tape echo unit boasting three playback heads. The echo from each head has its own feedback loop, letting you create warm and complex “multi-tap” echo effects. TIME [1...2000 ms] Sets the delay time. FEEDBACK [0.0...10.0] Adjusts the amount of feedback. TONE [1.0...10.0] Adjusts the tone of the delay sound. MODE [1, 2, 3, 4, 5] Specifies the combination of heads that will be used. 1: Conventional echo.
F. Delay Effects 11. ECHO PLUS Mono in/Mono out 1 This models one of the most respected analogue tape echo machines ever made. In the original, the “echo” is produced by a playback head and the exact “delay time” is set by varying the motor speed. Many professionals prefer these “lo-fi” units because of the warm, dark echoes they produce. TIME [26...2000 ms] Sets the delay time. FEEDBACK [0.0...10.0] Adjusts the amount of feedback. TONE [1.0...10.0] Adjusts the tone of the delay. LO DAMP [0.0...
JamVOX Effect guide G. Reverb Effects Here you can make settings for the reverb effect. You can choose one of fifteen types. Parameters marked with can be controlled by an optional Korg EXP-2 foot controller connected to the JamVOX monitor. For details on how to assign a parameter to the foot controller or foot switch, refer to “Option pedal/switch settings” (☞JamVOX owner’s manual p. 32). 1. SLAP Mono in/Stereo out 1 This models a tiny room with a very short reverb time. TIME [1.0...10.
G. Reverb Effects 2. GATE Mono in/Stereo out 1 This is a versatile gated reverb, ideal for percussive playing. By setting “SHAPE” to 2 and “MIX” to 10.0 (i.e., effect only) you can create a reverseplayback type of sound. TIME [5…500 ms] Sets the gate time. LO DAMP [0.0…10.0] Adjusts the attenuation of the low frequency range. HI DAMP [0.0…10.0] Adjusts the attenuation of the high frequency range. PRE DELAY [0…100 ms] Sets the initial delay before the reverberation begins.
JamVOX Effect guide 3. SPRING Mono in/Stereo out 1 This models the spring reverb system used in guitar amps — ideal for surf music! The parameters are same as in SLAP. (See “SLAP” on page 48) 4. BOUNCE Mono in/Stereo out 1 This models a spring reverb that produces a higher-density reverberation. The parameters are same as in SLAP. (See “SLAP” on page 48) 5. PLATE Mono in/Stereo out 1 This models a type of reverb unit that works by vibrating a metal plate instead of a spring.
G. Reverb Effects 6. GARAGE Mono in/Stereo out 1 This models a garage that produces a high-density reverberation. The parameters are same as in SLAP. (See “SLAP” on page 48) 7. CHAMBER Mono in/Stereo out 1 In years past, recording studios often used a room (echo chamber) that was specially designed to produce reverberation and contained a speaker and mic used to record reverberation. This model simulates a mild-sounding echo chamber. The parameters are same as in SLAP. (See “SLAP” on page 48) 8.
JamVOX Effect guide 9. ROOM Mono in/Stereo out 1 This models the reverberation of a typical room, with numerous early reflections. The parameters are same as in SLAP. (See “SLAP” on page 48) 10. STUDIO Mono in/Stereo out 1 This models the reverberation of a large room. The parameters are same as in SLAP. (See “SLAP” on page 48) 11. HALL This models the reverberation of a concert hall with numerous echoes. The parameters are same as in SLAP.
G. Reverb Effects 12. ARENA Mono in/Stereo out 1 This models an arena with smooth and dense reverberation. The parameters are same as in SLAP.
JamVOX Effect guide 13. HD-ROOM Mono in/Stereo out 1 This is a high-quality reverb that faithfully simulates the reverberation of a typical room. By adjusting the parameter settings you can simulate the acoustics of a wide variety of rooms. PRE LPF [0.0…10.0] Sets the tone of the input. PRE DELAY [0…1360 ms] Sets the initial delay before the reverberation begins. TIME [0.0…10.0] Sets the reverb time. HI DAMP [0.0…10.0] Adjusts the attenuation of the high-frequency range. LO GAIN [-12.0…6.
G. Reverb Effects 14. HD-CHAMBER Mono in/Stereo out 1 This is a high-quality reverb that simulates a reverb chamber specifically designed to produce reverberation. In addition to producing the natural sound of a conventional room, it also allows you to create original reverb settings in which the reverberation is controlled intentionally. The parameters are the same as for HD-ROOM. (See “HD-ROOM” on page 54) 15.
JamVOX Effect guide Block Diagram For the modulation, delay, and reverb effects, the signal input/output configuration will be one of those shown in the block diagrams at right. The particular block diagram for each effect is listed at the right of the effect model name.
Block Diagram 57
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