User Manual

14
BRIT 800
This models a UK-manufactured 100W single-channel head with master
volume made in 1983. Turn the GAIN control all the way up to get the thick,
snarling hard rock and heavy metal sound that dominated the 80’s.
BRIT VM
This models an English-made 100W amp head released in 2007 that boasts
a four-channel design with powerful tone. We’ve used the “Overdrive 2”
channel, which produces a tight low-end and transparent high-gain metal
sound.
SL-OD
This models the overdrive channel of a snakeskin-covered 100W amp head
built in 1991. With an open low-end and a compressed mid/high range, its
powerful, heavy sound delivers a forceful tone that will not break down even
with the most extreme gain settings.
DOUBLE REC
This models the modern high-gain channel from a wild beast of an amp.
Its deep and loose low-end, sparkling highs, and monstrous gain are ideal
for guitars tuned as low as possible, or for metal acts wielding seven-string
guitars.
VOCODER
When you sing or speak into the microphone while playing the guitar, the
talking modulation effect is activated, which makes it sounds as if the guitar
is singing. This is effective when you speak clearly while changing your voice.
[TIP] When the microphone is not connected, talking modulation is applied in
connection with guitar picking.
LINE
Only a tone control amplier that produces a clean tone. This works best
with audio signal input from a line-level instrument like an electric acoustic
guitar or keyboard. In the VOX MINI GO 50, the high frequency (HIGH), mid
frequency (MID), and low frequency (LOW) tones are adjusted using the
GAIN, TREBLE, and BASS knobs, respectively. In the VOX MINI GO 3/10, the
high frequency (HIGH) tone is adjusted using the GAIN knob, and the low
frequency (LOW) tone is adjusted using the TONE knob.
EFFECTS 1 (Modulation types/Octave)
CHORUS
A standard chorus effect that gives the sound a sway and rich expanse.
Adjust the modulation speed with the knob.
PHASER
A phaser effect that creates a cyclical swell. Adjust the modulation speed
with the knob.
TREMOLO
A typical tremolo that modulates the volume up and down cyclically.
OCTAVE
An effect that adds a bass sound that is one octave lower. You can adjust the
knob to achieve a subtle octave or one that is fully present, and increasing
the knob further provides synth bass sound with good resonance.
If you play multiple strings at the same time, it may cause a malfunction, so
play with a single note.
EFFECTS 2 (Delay/Reverb types)
A.DLY
This models an analog delay that uses a Bucket Brigade Device (BBD).
Its audio quality is lo-, but it is popular for its warm sound. Adjust the mix
amount of the delay sound with the knob. Set the delay time with the TAP
button. The maximum delay time is approximately 1.45 seconds.
D.DLY
This creates a clear sound delay unique to digital systems. This is effective
for rhythmic play that matches the delay time to the tempo of the song. The
usage of knobs or buttons and the maximum delay time are the same as
A.DLY.
SPRING
This simulates the spring reverb that’s built into many guitar amps. Adjust
the mix amount of the reverb sound with the knob. Set the reverb time with
the TIME button (13).
The reverb time is about four times the interval at which the TIME button is
pressed.