User manual

UAD Powered Plug-Ins Manual - 64 - Using UAD Powered Plug-Ins
Send Situation: You have a song with drums and guitar on audio tracks, and a MIDI
bass line. You want a cohesive room reverb on the audio tracks so you send
them to the UAD RealVerb Pro via an effect send. Result: The RealVerb Pro ef-
fect return plays late in relation to the MIDI track.
Solution: Put a TrackAdv plugin on the track insert of the audio tracks with a
Plugs value of 1. If you had an 1176LN and a RealVerb Pro on the send re-
turn, the TrackAdv Plugs value would be 2. Keep the Sample value at zero.
Group/Bus Situation: You have a song with 2 vocals on audio tracks, and a MIDI piano.
You want a smoother vocal blend so you put both vocal tracks on a
group/bus for compression with the infamous LA2A. Result: The vocal tracks
play late in relation to the MIDI track.
Solution: Put a TrackAdv with a Plugin value of 1 on the track inserts of the vo-
cal tracks. Keep the Sample value at zero.
Situation: You have a song with drums, guitar, and 2 separate vocals on au-
dio tracks, and a MIDI bass line. You want a smoother vocal blend so you put
both vocal tracks on a group/bus for compression with the 1176LN. Result:
The vocal tracks play late in relation to the instrument tracks.
Solution: Put a TrackAdv with a Plugin value of 1 on the track inserts of the vo-
cal tracks. Keep the Sample value at zero. Note that the DelayComp plugin
is not need at all in this situation.
Live Processing
The previous discussion of delay compensation applies primarily to playback
and mixing of existing tracks. During recording (tracking), the primary con-
cern usually centers around getting the absolute lowest possible latency out of
your hardware and software combination. The lower the latency is, the closer
you can get to a realtime, “ears match the fingers” performance situation in
the digital environment where some latency is unavoidable.
Minimizing realtime latency is simply a matter of setting the hardware device
driver (ASIO or similar) buffer setting as low as possible before system over-
loads or diminished audio quality (such as distortion) occurs. The manufac-
turer of the sound output device in use may offer additional tips for optimizing
latency on systems that use their hardware.