User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Chapter 1. Introduction 15
 - Chapter 2. Installation 26
 - Chapter 3. Using UAD Powered Plug-Ins 28
 - Chapter 4. RealVerb Pro 74
 - Chapter 5. DreamVerb 89
 - Chapter 6. Plate 140 107
 - Chapter 7. LA-2A and 1176LN 114
 - Chapter 8. Fairchild 670 124
 - Chapter 9. Precision Multiband 132
 - Chapter 10. Precision Limiter 146
 - Chapter 11. Precision Equalizer 153
 - Chapter 12. Cambridge EQ 159
 - Chapter 13. Pultec and Pultec-Pro 170
 - Chapter 14. Nigel 179
 - Chapter 15. CS-1 Channel Strip 208
 - Chapter 16. Roland CE-1 218
 - Chapter 17. Roland Dimension D 222
 - Chapter 18. Roland RE-201 224
 - Chapter 19. Neve 1073 Equalizer 231
 - Chapter 20. Neve 33609 Compressor 236
 - Chapter 21. Neve 1081 Equalizer 246
 - Chapter 22. Helios Type 69 Equalizer 253
 - Chapter 23. History 259
 
 - Introduction
 - Installation
 - Using UAD Powered Plug-Ins
- Overview
 - Launching a UAD Powered Plug-In
 - UAD DSP Performance Meter Application
 - Accessing Meter Functions
 - Using the Meter
 - UAD System Information Window
 - UAD Configuration Window
 - Delay Compensation
 - UAD Delay Compensator plugin
 - DelayComp Examples
 - Compensating for Pultec EQ
 - Compensating for Precision Limiter
 - Compensating for Precision Equalizer
 - Compensating for Precision Multiband
 - UAD Track Advance
 - TrackAdv Examples
 - Live Processing
 - DSP Usage
 - Tempo Sync
 - Multiple Cards
 - Optional Plug-Ins
 - Authorizing Multiple Cards
 - Authorizations Window
 - Demo Mode
 - Plug-In Authorization Procedure
 
 - RealVerb Pro
 - DreamVerb
 - Plate 140
 - LA-2A and 1176LN
 - Fairchild 670
 - Precision Multiband
 - Precision Limiter
 - Precision Equalizer
 - Cambridge EQ
 - Pultec and Pultec-Pro
 - Nigel
- Introducing Nigel
 - Preflex Plugin
 - Preflex Modules
 - Gate/Comp Module
 - Amp Module
 - Amp Controls
 - Cabinet Module
 - Phasor Module
 - Mod Filter Module
 - TremModEcho Plugin
 - Trem/Fade Module
 - Mod Delay Module
 - Echo Module
 
 - CS-1 Channel Strip
 - Roland CE-1
 - Roland Dimension D
 - Roland RE-201
 - Neve 1073 Equalizer
 - Neve 33609 Compressor
 - Neve 1081 Equalizer
 - Helios Type 69 Equalizer
 - History
 - Index
 
UAD Powered Plug-Ins - 163 -  Cambridge EQ
Low Cut / High Cut Filters
The Low Cut and High Cut filters are offered in ad-
dition to the five parametric/shelf bands. A wide 
range of filter types is provided to facilitate tonal 
creativity. Many filters that are available are repre-
sented.
Three controls are offered: Cut Type, Enable, and 
Frequency. Each control is detailed below.
Cut Type Menu The Cut Type menu determines the sound of the low 
and high cut filters. To view the Cut Type menu, click 
and hold the green cut type button.
Four types of responses are provided: Coincident 
Pole, Bessel, Butterworth, and Elliptic. The numbers 
represent the filter order, i.e. Bessel 4 is a fourth-or-
der filter. Each offers a different sound. To select a 
new cut response, drag to the desired response and 
release.
The responses are more gentle on filters with lower 
numbers, and get steeper and more aggressive as 
the numbers increase. The coincident-pole filters are 
first-order filters cascaded in series and offer gentle 
slopes. Bessel filters are popular because of their 
smooth phase characteristic with decent rejection. Butterworth filters offer 
even stronger rejection. The Elliptic setting is about as “brick wall” as you can 
get. Generally speaking, more phase shifting occurs as the response gets 
steeper.
Note: UAD DSP usage does increase some as the filters get stronger.
Cut Enable 
Button
This button activates the cut filters. The filters are enabled when the “In” button 
is green. UAD DSP usage is slightly reduced when the cut filters are disabled.
Cut Frequency 
Knob
This knob determines the cutoff frequency for the Cut filters. The available 
range is from 20Hz-5kHz for the low cut filter, and 20Hz-20kHz for the high 
cut filter.










