User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Introduction
- UAD Installation
- Overview
- QuickStart DVD
- System Requirements
- Supported Hosts
- Latest Information & Software Updates
- UAD Software Installation
- Install Software First
- UAD Hardware Installation
- Authorization
- Authorize Plug-Ins Procedure
- Load Authorization File
- Offline Authorization
- Using Unlicensed Plug-Ins
- Verifying Installation
- Learn More
- Software Removal
- UAD System Overview
- My.uaudio.com
- Using Multiple UAD Cards
- UAD Meter & Control Panel
- Overview
- Launching the UAD Meter & Control Panel Application
- Using the UAD Meter
- UAD Meter Elements
- UAD Control Panel
- System Information Panel
- Plug-Ins Panel
- Configuration Panel
- Help & Support Panel
- Using UAD Powered Plug-Ins
- Tempo Sync
- UAD Delay Compensation
- UAD-Xpander & UAD-Xtenda
- LA-2A and 1176LN
- LA-3A Compressor
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Buss Compressor
- Neve 33609 Compressor
- VCA VU
- Neve 88RS Channel Strip
- CS-1 Channel Strip
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Neve 1073 Equalizer
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- RealVerb Pro
- DreamVerb
- Plate 140
- Precision Maximizer
- Precision De-Esser
- Precision Enhancer kHz
- SPL Transient Designer
- Nigel
- Introducing Nigel
- Preflex Plug-in
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho plug-in
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- Moog Multimode Filter
- History
- Index

UAD Powered Plug-Ins Manual - 364 - Chapter 39: History
"My big mentors were Andy Johns and Lee DeCarlo and Ron Nevision because they were all
Record Plant guys. I learned how to make a rock and roll record from them. Although over the
years it's become my own thing, my style still tends to be that Record Plant style, U87s, 1176s,
LA-2As, 47 F.E.T.s...it's what I like."
Mike Clink
Producer/Engineer Mike Clink (Guns N' Roses, Sammy Hagar, Pushmonkey) also comes from
the Record Plant school of recording. "I find that I actually use 1176s more now than I ever
did," he comments. "I like them because they bring out the brightness and presence of a sound-
-they give it an energy. It seems like when I'm mixing I end up using an 1176 on the vocals ev-
ery time. And if I want to compress a room sound I'll take a mono room mic, put an 1176 across
it and push in all the buttons."
Bruce Swedien
Bruce Swedien is a master engineer who needs no introduction. He also is a die-hard 1176
fan. "I have two silverface 1176LNs in my rack that Bill Putnam personally picked out for me,"
he says. "I remember sitting at Bill's place in the Channel Islands, and talking about the 1176
and how I wanted a pair . The next time we went over he'd picked this pair out and they were
sitting in his garage waiting for me. I love them on vocals. All of the Michael Jackson and James
Ingram vocals that everyone has heard so much were done with at least one of those 1176s.
I couldn't part with them for anything. They sound fabulous."