User Manual
Table Of Contents
- UAD Powered Plug-Ins
- Introduction
- UAD Installation
- Overview
- QuickStart DVD
- System Requirements
- Supported Hosts
- Latest Information & Software Updates
- UAD Software Installation
- Install Software First
- UAD Hardware Installation
- Authorization
- Authorize Plug-Ins Procedure
- Load Authorization File
- Offline Authorization
- Using Unlicensed Plug-Ins
- Verifying Installation
- Learn More
- Software Removal
- UAD System Overview
- My.uaudio.com
- Using Multiple UAD Cards
- UAD Meter & Control Panel
- Overview
- Launching the UAD Meter & Control Panel Application
- Using the UAD Meter
- UAD Meter Elements
- UAD Control Panel
- System Information Panel
- Plug-Ins Panel
- Configuration Panel
- Help & Support Panel
- Using UAD Powered Plug-Ins
- Tempo Sync
- UAD Delay Compensation
- UAD-Xpander & UAD-Xtenda
- LA-2A and 1176LN
- LA-3A Compressor
- Fairchild 670
- Precision Multiband
- Precision Limiter
- Precision Buss Compressor
- Neve 33609 Compressor
- VCA VU
- Neve 88RS Channel Strip
- CS-1 Channel Strip
- Precision Equalizer
- Cambridge EQ
- Pultec and Pultec-Pro
- Neve 1073 Equalizer
- Neve 1081 Equalizer
- Helios Type 69 Equalizer
- Roland CE-1
- Roland Dimension D
- Roland RE-201
- RealVerb Pro
- DreamVerb
- Plate 140
- Precision Maximizer
- Precision De-Esser
- Precision Enhancer kHz
- SPL Transient Designer
- Nigel
- Introducing Nigel
- Preflex Plug-in
- Preflex Modules
- Gate/Comp Module
- Amp Module
- Amp Controls
- Cabinet Module
- Phasor Module
- Mod Filter Module
- TremModEcho plug-in
- Trem/Fade Module
- Mod Delay Module
- Echo Module
- Moog Multimode Filter
- History
- Index

UAD Powered Plug-Ins Manual - 305 - Chapter 36: SPL Transient Designer
CHAPTER 36
SPL Transient Designer
Overview
Universal Audio has partnered with German company Sound Performance
Lab (SPL) to bring you the Transient Designer, with its unique and compelling
Differential Envelope Technology for shaping the dynamic response of a
sound. Only two simple audio controls are required to allow you to effortlessly
reshape the attack and sustain characteristics. SPL was the first company to
design an analog solution for level-independent shaping of envelopes,
allowing transients to be accelerated or slowed down and sustain prolonged
or shortened.
You can shorten or lengthen the attack and sustain of percussive signals such
as kick drum, snare or toms, easily take the bleed from open mics, or expand
the room sound of overheads. The Transient Designer’s magic can be applied
to virtually any other signal as well: Amplify or reduce the picking sound of an
acoustic guitar, hold the sound of strings longer, or reduce the reverb time of
a choir.
SPL Transient Designer Screenshot
Figure 109. The SPL Transient Designer plug-in window