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ManualsBrandsTEXAS INSTRUMENTS ManualsInterface ICsInterface IC - drivers DSL 1/0 SOIC 16 N
11121314151617181920
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−85
−80
−75
−70
−65
−60
−55
−50
−45
f − Frequency − Hz
Full Bias
Low Bias
Mid Bias
2nd HD −dBc
Differential configuration
100 k 1 M 10 M 100 M
V
CC
= ±12 V
Gain = 5
R
L
= 50 Ω
R
F
= 1 kΩ
V
O
= 2 V
PP
−85
−80
−75
−70
−65
−60
−55
−50
−45
f − Frequency − Hz
Full Bias
Low Bias
2nd HD −dBc
Mid Bias
Differential configuration
100 k 1 M 10 M 100 M
V
CC
= ±5 V
Gain = 5
R
L
= 50 Ω
R
F
= 1 kΩ
V
O
= 2 V
PP
−100
−90
−80
−70
−60
−50
−40
f − Frequency − Hz
Full Bias
Low Bias
2nd HD −dBc
Mid Bias
Differential configuration
100 k 1 M 10 M 100 M
V
CC
= ±5 V
Gain = 5
R
L
= 200 Ω
R
F
= 1 kΩ
V
O
= 2 V
PP
−100
−90
−80
−70
−60
−50
−40
−30
f − Frequency − Hz
Full Bias
Low Bias
Mid Bias
3rd HD −dBc
Differential configuration
100 k 1 M 10 M 100 M
V
CC
= ±12 V
Gain = 10
R
L
= 200 Ω
R
F
= 1 kΩ
V
O
= 2 V
PP
−100
−90
−80
−70
−60
−50
−40
−30
f − Frequency − Hz
Full Bias
Low Bias
Mid Bias
3rd HD −dBc
Differential configuration
100 k 1 M 10 M 100 M
V
CC
= ±5 V
Gain = 10
R
L
= 200 Ω
R
F
= 1 kΩ
V
O
= 2 V
PP
−100
−90
−80
−70
−60
−50
−40
−30
f − Frequency − Hz
Full Bias
Low Bias
Mid Bias
3rd HD −dBc
Differential configuration
100 k 1 M 10 M 100 M
V
CC
= ±5 V
Gain = 10
R
L
= 50 Ω
R
F
= 1 kΩ
V
O
= 2 V
PP
−100
−90
−80
−70
−60
−50
−40
−30
f − Frequency − Hz
Full Bias
Low Bias
3rd HD −dBc
Mid Bias
Differential configuration
100 k 1 M 10 M 100 M
V
CC
= ±5 V
Gain = 5
R
L
= 200 Ω
R
F
= 1 kΩ
V
O
= 2 V
PP
−100
−90
−80
−70
−60
−50
−40
−30
f − Frequency − Hz
Full Bias
Low Bias
Mid Bias
3rd HD −dBc
Differential configuration
100 k 1 M 10 M 100 M
V
CC
= ±12 V
Gain = 5
R
L
= 200 Ω
R
F
= 1 kΩ
V
O
= 2 V
PP
−100
−90
−80
−70
−60
−50
−40
−30
f − Frequency − Hz
Full Bias
Low Bias
Mid Bias
3rd HD −dBc
Differential configuration
100 k 1 M 10 M 100 M
V
CC
= ±12 V
Gain = 10
R
L
= 50 Ω
R
F
= 1 kΩ
V
O
= 2 V
PP
THS6182
SLLS544H – SEPTEMBER 2002 – REVISED JUNE 2007
2ND HARMONIC DISTORTION 2ND HARMONIC DISTORTION 2ND HARMONIC DISTORTION
vs vs vs
FREQUENCY FREQUENCY FREQUENCY
Figure 50. Figure 51. Figure 52.
3RD HARMONIC DISTORTION 3RD HARMONIC DISTORTION 3RD HARMONIC DISTORTION
vs vs vs
FREQUENCY FREQUENCY FREQUENCY
Figure 53. Figure 54. Figure 55.
3RD HARMONIC DISTORTION 3RD HARMONIC DISTORTION 3RD HARMONIC DISTORTION
vs vs vs
FREQUENCY FREQUENCY FREQUENCY
Figure 56. Figure 57. Figure 58.
13
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