Operation Manual

58
The Edit Button
f HARM TO DELAY
Sets the amount of harmony level sent into the
Delay block. The HARMONY effect must be on
to feed this send.
f UMOD TO DELAY
This allows you to feed the delay block with the
effected output of the µMod block. The µMod
effect must be on to feed this send.
f LEAD LEVEL
Controls the lead (dry + Tone) voice level when
the individual effect is turned on with its respec-
tive footswitch. This allows a unique wet/dry mix
for individual effects. When multiple effects are
active, the lowest LEAD LEVEL value will deter-
mine the value.
Note that the LEAD EFFECT SENDS parameter
on the PRESET tab must be set to PRE in order
for any signal to get to the effect block when
LEAD LEVEL is set to OFF.
f FEEDBACK L / FEEDBACK R
Re-introduces a portion of the audio output
signal of the Delay block back to the input to add
echo repeats.
f XFB R TO L / XFB L TO R
These send cross feedback from the left and right
delay lines (XFL L) and from right to left (XFR
L). Cross feedback returns the delayed audio to
the opposite side’s delay line for ping pong type
effects.
f LOCUT L / LOCUT R & HICUT L /
HICUT R
These gentle highpass (LOWCUT) and low pass
(HIGHCUT) lters control the bandwidth of the
delays. Applying these lters to the delays can
create the feeling of space while not obscuring
the main vocal signal.
f DUCKING AMOUNT
This sets how much attenuation (gain reduction)
is applied to the delayed signal when a vocal is
present. For ducking to not be too obvious, a
slight reduction of -6 dB is best. The DUCKING
parameter must be set to ON for this to have
any effect.
f DUCKING TIME
Ducking time sets how long it takes to ramp up
the delay level at the end of vocal phrases.
f LEAD TO DELAY
Sets the amount of lead voice sent into the Delay
block.