Quick Start Guide

10 HARMONY V100/ V60 Quick Start Guide 11
HARMONY V100/V60 Controls
(EN)
Step 2: Controls
*Note: Controls marked* below are capable of being
operated by the footswitch. See the footswitch
section for more details
Microphone Section
(1) MIC IN - this input accepts XLR and ¼" TRS
connections from microphones.
(2) PHANTOM - if your microphone
requires phantom power, select ON.
Caution: some microphones can be
damaged by phantom power.
(3) TALK* - bypasses all DSP (except Adaptive
Tone), when unprocessed speech is required.
(4) VOLUME - adjust the microphone
volume level.
(5) ANTI-FEEDBACK - automatically silences
feedback from the mic. This is illuminated
green when pressed and blue when anti-
feedback is working.
(6) ADAPTIVE TONE - oers automatic EQ
and dynamic processing, so your vocals
sound studio-produced. In the OFF
position, all tone algorithms are disabled
including compression, de-essing, gate,
and adaptive EQ. When this knob is turned
clockwise, then compression, de-essing and
gate are enabled, and adaptive EQ can be
increased up to full at the maximum setting.
(7) CORRECTION - enables chromatic
pitch correction, that varies from OFF
(no correction) to maximum eect.
(8) HARMONY* - select from 8 Vocal
Harmony eects:
Unison (doubling)
High
High and higher
Low and high
Lower and higher
Low
Lower
Bass and high
(9) LEVEL - adjust the Harmony eect level.
(10) ENABLE – enable/disable Harmony.
(11) REVERB* - adjust the reverb eect from OFF
(no reverb) through various venue sizes from
ROOM, CLUB, and HALL.
(12) ECHO* - adjust the echo eect from OFF
(no eect) through TAPE, DIGITAL, and SLAP.
Guitar Section
(13) GUITAR IN - this input accepts XLR and ¼" TRS
connections from guitars and instruments.
(14) TUNER - shows the tuning of the incoming
guitar signals A-G, with LEDs for sharp,
tuned, and at.
(15) MUTE* - mutes the guitar input when tuning
or taking a break.
(16) VOLUME - adjust the guitar level.
(17) ANTI-FEEDBACK - automatically silences
feedback from the guitar. This is illuminated
green when pressed and blue when anti-
feedback is engaged.
(18) BODYREZ - restores natural tone when
using guitars with piezo pickups. There are
four selections:
OFF: (no eect)
Red: (Bodyrez 1)
Blue: (Bodyrez 2)
Green: (Bodyrez 3)
(19) BASS - adjust the level of the bass frequency
range +/- 12 dB.
(20) MID - adjust the level of the mid frequency
range +/- 12 dB.
(21) TREBLE - adjust the level of the higher
frequency range +/- 12 dB.
(22) CHORUS* - adjust the chorus eect from OFF
(no chorus) through various styles: DETUNE,
SILK, and CORONA.
(23) REVERB* - adjust the reverb eect from OFF
(no reverb) through various venue sizes from
ROOM, CLUB, and HALL.
(24) ECHO* - adjust the echo eect from OFF
(no echo) through TAPE, DIGITAL, and SLAP.
Looper Section
(25) LEVEL - adjust the playback level of the
currently-recorded loop, relative to the live
performance.
(26) VOICE/ALL/GUITAR - select which source can
be looped: just vocals, vocals and guitar, or
just guitar.
(27) PLAY/RECORD* - play the current loop and
this switch is illuminated in green, or in red
when recording or dubbing.
(28) TAP TEMPO* - sets the delay tempo,
and ashes the current tempo. If a loop is
recorded, the tempo is derived from the
loop length. Holding this switch will toggle
between tempo derivation from the loop
length and manually tapped.
(29) STOP* - stop the loop playback or recording.
Master Section
(30) MASTER - adjust the main volume. Turn this
down when making any connections and
when turning the unit on or o.
Rear Panel
(31) AC INPUT - securely connect the supplied
power cord here. Caution: Use only the
supplied power cord.
(32) AC POWER SWITCH - use this switch to turn
the unit on or o. This switch shall remain
readily operable.
(33) USB - connect the unit to a computer to
allow recording and playback to and from the
computer.
(34) FOOTSWITCH - connect the supplied
footswitch to allow foot control of many
features. Use only the supplied footswitch.
(35) TOP TWEETER - turn the internal top tweeter
on or o.
(36) PHONES - connect this stereo 3.5 mm
TRS connection to headphones.
Caution: to prevent hearing damage,
turn down the Master volume level before
connecting and putting on headphones.
(37) GUITAR/RIGHT OUT - this male XLR
connector outputs the guitar/right main
audio output to the PA system.
(38) DI/FX/MIX SWITCH - allows selection
between unprocessed guitar DI, guitar with
processing, or full mix right channel for the
guitar/right audio output.
(39) GROUND LIFT - this lifts the audio ground
from the left and right XLR outputs. This is
useful in situations where a ground loop hum
can be reduced. It does not aect the power
supply safety ground.
(40) MIC/LEFT OUT - this male XLR connector
outputs the microphone/left main audio
output to the PA system.
(41) DI/FX/MIX SWITCH - allows selection
between the unprocessed mic DI, mic with
processing, or full mix left channel for the
mic/left audio output.
(42) AUX INPUT - this 3.5 mm TRS input allows
the use of an auxiliary external source such
as an MP3 player, or a computer’s headphone
output.
(43) AUX LEVEL - this adjusts the input level of the
incoming auxiliary audio source.
(44) VENTILATION SLOTS – these allow
ventilation of the main power ampliers and
power supply. Caution: Always keep the vents
clear from obstruction, and allow adequate
airow to prevent the unit overheating.
(1) (5)(2) (3) (4) (6) (7) (8) (9) (10) (11) (12) (25) (26)
(13) (16) (19) (20) (21) (22) (23) (24)
(44)
(14) (15) (27) (29) (30)(28)(17) (18)
(31) (32) (33) (34) (43)(37) (40)(35) (38) (39) (41)(36) (42)