Manual

ManualsBrandsTC Electronic ManualsMusical InstrumentsG-Force

WERKPRESETS

115

116

117

118

119

120

121

122

123

124

125

126

127

128

129

130

131

132

133

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154

155

156

157

158

159

160

161

162

163

164

165

166

167

168

169

170

171

172

Eats Your Attack

Pedal Octave Down

Pedal Octave Up

Pitch Dm 5 and 3

Pedal Add Octave Up

Flanger Beautyverb

Verb Morphed to Dly

I've Been Drinking

Panner Pedal

Picking Style

Envelope Filter

Nervosa Doubler

Blues Room

Hammer to Fall

Iron Man

Thick'n Juicy Lead

Smooth Tubedrive

Duckman Lead

Lead Pedal Wah

Touch Wah Driven

Pedal Iiaahh

Driven Lead

Octavia Lead

The Smiths

Cyber Sci-fi Surfer

Steppers in Time

Spaceyplace

Bluebox Echophased

Echoverb

Duality Effects

Bowling Multitaps

Slow Swell Pad

Expandelay

Infinity and Beyond

Deep Bass 9

Flange Pedal Speed

Duck on Crack

Sus4 Dreamscape

Crazy Brown Lead

Eastern Ocean

Skysaw Doubler

Synthesized Leads

Sexwah Pedalead Fuzz

Industrial Mayhem

Electric Church

Trance Yer Ass Off

Owner Solo

Double Fridge Solo

Tribute 2 Bootsy

War of the Worlds

Inside Out Dyn Pan

Far Away Vibrato

Dynamic Lesley

Varispeed Phaser

Dark Envelope Filter

Touch Wah + Octave

Who's Next.

Broken Speaker

Nr. Name Preamp Setting Pedal Description

Clean / Dirty

Clean

Clean / Dirty

Distorted

Clean / Dirty

Clean

Clean / Dirty

Clean

Dirty

Clean

Clean / Dirty

Clean

Clean / Dirty

Clean

Clean / Dirty

Distorted

Clean / Dirty

Clean

Clean / Dirty

Clean

Clean / Dirty

Envelope controlled input volume. Will perform the Volume knob trick automatically.

Pedal performs a Whammy down when set to heel.

Pedal performs a Whammy up when set to toe.

Single note lead. Play in D-minor with a third and a fifth added.

Pedal to heel = crunchy lead sound, Pedal to toe = adds an octave voice.

Dense, thick reverb with medium long decay through a slow flanger. Good for leads and chords.

An Envelope controlled crossfade between Reverb and Delay. Reverb when you play, Delay when you stop.

Pedal to heel = Phased guitar / Pedal to toe = Room spinning.

Pedal pans from left to right

Input sensitive parallel Wah Filter, great for picking guitar

Envelope Filter effect. Input level threshold dependent

Fluttery Phaser and Panning with Chorus and Pitch-shifter doubles. Good on both lead and chords

Nice for blues

Totally dominant distorted main rhythm guitar sound, inspired by the famed Queen song.

The Ultimate power chord sound. Metallica, saturated, ominous. Check the tittle, need we say more?

Nice greasy lead

Gives you that drive with a loose bottom that you know from older tube amps. Good for lead

Quacks like a duck, thanks to a Wah-Wah. Brings back the 70's.

Feed the G-Force with a clean tone and Wah away with your pedal. Great for leads.

Feed the G-Force with a clean tone and Wah away with your picking power. Great for leads.

Feed the G-Force with a dirty tone and talk away with your pedal. Very special lead sound.

Overdriven lead sound with an octave shifter feed into a big hall.

Works well on distortion setting for wild "Yes" type solos

Wide tremolo sound on top of a punchy distorted sound. Inspired by .....guess who!

Fast Panning Chorus, sweeping Phaser and Pitch-shifter doubles into filtered slap Delays and very small Reverb.

Stepped Formant Filter that steps in time with repeating Delays. Play along with Delay time for best effect.

Slow echoes and a big Reverb. Pedal controls Phaser level.

The kitchen sink, full fuzz, deep Phaser, pitch at -12 and -5, panned echo and Chorus. Good on leads

Smooth chorus, echo + a long hall Verb makes you sound like an ECM artist

Two separate effect chains. Pedal controls the speed and level of the Phaser

Play melodically in time with the echoes for fun and turn on the Drive for a fuzzed sound.

Dreamy "attack free" sound designed for slow chord or melody passages. Input level dependent

First four repeats become increasingly louder before subsequent repeats decrease in volume.

Long Reverb and Delays.

Highly compressed bass sound, designed for ambient/Techno/TR303 emulation.

Pedal controls the speed of the Flanger

Pedal to heel = Moderately normal guitar / Pedal to toe = Dynamically controlled duck (1 Octave up)

Dual Shifters add a fourth and a fifth creating a sus4 chord with lots of Chorus, Delay and Reverb

Sounds best on leads. Shifter adds Octave up and down with a crazed Pan and Phaser. Dynamic Delay.

Dual shifters at a 5th and octave above feed into a chorus + a very wet long Reverb. Good for slow leads.

Crashy fuzz into dual Pitch-shifters set an octave up with sweeping high feedback Flanger. Great for leads.

Fuzz, pitched an octave up and down into Compressor with Touchwah and slap Delays. Good on soft leads

A complex distorted effect with an octave + a fifth feeding a Chorus and some tap Delays. Pedal controls the Formant filters.

Touchwah and a low octave shifter. Input level dependent.

Removes your attack. Sounds very synth-like.

For single note lines. Use Ext. 1 to morph from Flanger to Detuned Octaver to Touchwah and vice-versa.

Creates a guitar synth-like texture for over-the-top soloing

If you weren't using the G-Force, you might need two racks of gear to create this sound.

Funky bass rig

Play single note melodies to create instant cheesy Sci-fi tones.

Slow Panner speeds up as signal fades

You're sitting far away with your Vibrato sound.

Spins fast with louder signals.

This Phaser changes speed all the time.

Compressed Envelope-Filtered Reverb. Input level dependent.

Pretty much what the name says. One octave up and a Touchwah.

Square Tremolo and an Autowah.

Transistor radio guitar.

Lead

Wacky