Manual
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FIELD OF VIEW FOV
The eld of view (FOV) refers to how much of the scene can be captured
through the camera lens. For Video mode, SuperView FOV captures the
largest amount of the scene, while Linear FOV captures the least.
The FOV options that appear are based on the selected resolution and
fps.
FOV Best Use
SuperView
SuperView delivers the world’s most immersive
eld of view. Good for body-or gear-mounted
shots. More vertical 4:3 content is automatically
stretched to full-screen 16:9 for stunning
widescreen playback on your computer or TV.
Wide (default)
Large eld of view that is good for action
shots where you want to capture as much as
possible within the frame. This FOV results in a
sheye look, especially around the edge of the
scene. (You can crop that out during editing, if
needed.)
Linear
Mid-range eld of view that removes the sheye
eect found in the Wide FOV. Subjects close
to the edge of the frame might have some
level of distortion, so this option might not be
appropriate for those shots. Good for capturing
aerial footage or any other shot where you want
a more traditional perspective.
In addition to selecting an FOV, you can further zoom in or out on a
subject. For details, see Zoom (page 70).
VIDEO MODE: SETTINGS
HERO6 BLACK VIDEO RESOLUTIONS
Video
Resolution
(RES)
FPS
(NTSC/
PAL)
1
FOV
Screen
Resolution
Aspect
Ratio
4K 60/50 Wide 3840x2160 16:9
4K
30/25
24/24
Wide, SuperView 3840x2160 16:9
4K 4:3
30/25
24/24
Wide 4096x3072 4:3
2.7K 120/100 Wide 2704x1520 16:9
2.7K
60/50
30/25
24/24
Linear, Wide,
SuperView
2704x1520 16:9
2.7K 4:3
60/50
30/25
24/24
Linear, Wide 2704x2028 4:3
1440p
60/50
30/25
24/24
Linear, Wide 1920x1440 4:3
1080p 240/200 Wide 1920x1080 16:9
VIDEO MODE: SETTINGS