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A10-TX-US User Guide
ª Remember, for a given channel / sub channel, the actual frequency will change depending on
the TV Channel Mapping setting.
The frequency is displayed with an asterisk (*) when the tune value does not fall within the pre-
allocated sub channel.
See the Frequency Tables in this guide for a complete list of frequencies corresponding to the
channel and sub channel selections.
Modulation
Modulation can be set to Standard (Std) or Long Range (LR) in Menu > Settings > Modulation.
When compared to Standard Modulation, Long Range Modulation has better sensitivity. This
increased sensitivity results in more robust performance in challenging RF environments.
ª The Modulation setting must match between the A10-TX-US and the A10-RX in order for the
transmitted signal to be received.
Audio Input and Control
The A10-TX-US input accepts a wide range of audio input types, including lavalier microphones,
balanced microphones, and balanced and unbalanced line level signals. 12 V and 48 V phantom
power is available for balanced microphones. The Selection Menu offers options for audio level
control, input type, limiters, and low cut lter.
Lavalier Microphones
Unbalanced lavalier microphones wired in two-wire mode, are directly compatible with the
A10-TX-US input. When connected, the A10-TX-US auto-detects the presence of a lavalier
microphone.
Balanced Microphones with Phantom
Balanced microphones, including phantom powered shotgun microphones, can be connected
to the A10-TX-US. 12 V and 48 V phantom power are available for microphones requiring
it. For microphones that can properly operate on 12 V phantom, such as the Schoeps CMIT,
select 12 V phantom to signicantly increase battery runtime.
Line-Level Sources
Wireless systems are often used as “camera hop” systems. For most camera hop applications
the output of a eld mixer is connected to a wireless transmitter. The wireless receiver output
is connected to the camera input. The line level input selection simplies using the A10
System as a camera hop. Select Line in the Selection Menu to accept balanced or unbalanced
line level inputs.
ª To connect balanced microphone or line level sources to the A10-TX-US a cable wired as
described in the specications or the AC-BALXLR cable is required. This connects the shell
of the LEMO connector to pin-1 of an XLR connector.
Audio Level Control
Input levels are controlled from the Audio Gain option in the Selection Menu. The gain range
available is source-dependent as follows:
Lavalier setting: 0 dB to 40 dB, 1 dB increments
Line setting: -10 to 16 dB, 1 dB increments
Mic setting (with 20 dB pad): 16 to 40 dB, 1 dB increments
Mic setting (with no pad): 36 to 60 dB, 1 dB increments
Set input levels so that the limiter is active only on the strongest peaks.