User Manual

TimeLine - User Manual
®
pg 8
REC / DUB PLAY
STOP
TYPE
REVERSE
FILTER
DUAL
DIGITAL
dBUCKET
PATTERN
dTAPE
BANK / TIME
hold (looper)
hold (save)
push (param)
ICE
TREM
DUCK
SWELL
®
LO-FI
VALUE
FILTER
GRIT SPEED DEPTH
B TAPA
TIME
REPEATS MIX
MOD
BANK DOWN BANK UP
hold (global)
Delay Machines: Digital
A classic crystal-clear “voiced” digital delay. A wide range of delay tones are possible by tweaking the Filter, Grit and
Modulation controls. Modern to classic 80’s delay tones are easily achievable with this delay machine.
PARAMETERS:
Smear: Softens the attack of the repeats while maintaining full frequency response. This
allows for higher mix levels while keeping the delay out of the way of the dry
signal. With high Repeats levels, the delayed signal gets dreamy and ethereal.
OFF
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OFF
20Hz
40Hz
60Hz
80Hz
100Hz
120Hz
140Hz
160Hz
180Hz
200Hz
230Hz
260Hz
300Hz
350Hz
400Hz
OFF
ON
500Hz
600Hz
700Hz
800Hz
900Hz
High Pass: Reduces the low frequency content of the wet signal after the delay. A useful
additional tone sculptor for delays on low-note riffs or chords where you want to
reduce booming in your rig.
Repeat Dynamics: Reduces the Repeats in a non-linear fashion so that the delay tapers off faster
than it normally would. The effect is most easily heard with high Repeats levels,
allowing for high repeats that trail off to allow the next phrase or chord to stand
out more.
TIPS & TRICKS: The HIPASS parameter can be very effective in producing bright repeats for a ‘super-clean’ digital
delay. Set the Filter and GRIT knobs to minimum position for full bandwidth and experiment.
Set GRIT and FILTER knobs to 12:00 for an “analog-voiced” digital delay, or try GRIT at minimum and FILTER at
maximum for a “tape-voiced” digital delay.