User Manual

ManualsBrandsStrymon ManualsDelays - EcoTimeline - GUITAR PEDAL DELAY EFFECTS PROCESSOR

TimeLine - User Manual

pg 17

REC / DUB PLAY

STOP

TYPE

REVERSE

FILTER

DUAL

DIGITAL

dBUCKET

PATTERN

dTAPE

BANK / TIME

hold (looper)

hold (save)

push (param)

ICE

TREM

DUCK

SWELL

LO-FI

VALUE

FILTER

GRIT SPEED DEPTH

B TAPA

TIME

REPEATS MIX

MOD

BANK DOWN BANK UP

hold (global)

Delay Machines: Lo-Fi

Sample Rate: Selects the sample rate of the delay line, from 96 KHz all the way down to 750Hz. As the sample rate

is reduced, aliasing artifacts wreak havoc on the repeats.

750Hz

1 kHz

1.5 kHz

2 kHz

3 kHz

4 kHz

5 kHz

6 kHz

7 kHz

8 kHz

9 kHz

10 kHz

11 kHz

12 kHz

14 kHz

16 kHz

19 kHz

24 kHz

32 kHz

48 kHz

96 kHz

Allows creative destruction of your delay signal. Add ﬁ ltering, vinyl noise, low bit rate distortion, sample rate aliasing, etc.

PARAMETERS:

Bit Depth: Reduces the digital bit depth from 32 bits down to 4 bits. Fuzzy crunchy

artifacts are introduced as the bit depth is reduced.

4 Bit

4.5 Bit

5 Bit

5.5 Bit

6 Bit

6.5 Bit

7 Bit

7.5 Bit

8 Bit

9 Bit

10 Bit

11 Bit

12 Bit

13 Bit

14 Bit

15 Bit

16 Bit

18 Bit

20 Bit

24 Bit

32 Bit

D | L

Mix: Mixes the lo-ﬁ (bit and sample-rate dependent) signal with the full

resolution signal. Heinously corrupted audio can sit on top of the full

resolution signal, or go full lo-ﬁ mix for just the crud.

Filter Shape: A collection of ﬁ lters inspired by telephones, victrolas, am radios, bull horns, and other gadgets. The

mixed loﬁ and full-resolution signal (along with any dVinyl noise) goes through the selected ﬁ lter.

OFF

1 (Portable Vintage Amp)

2 (Victrola Phonograph)

3 (70s Clock Radio)

4 (Bullhorn Megaphone)

5 (Cheerleader’s Plastic Megaphone)

6 (Antique Telephone Ear Piece)

7 (Cell Phone)

8 (Apartment Intercom)

D ||| (dynamic)

Vinyl: Our exclusive dVinyl technology introduces random vinyl dust noise and

scratches from a 33 1/3 rpm record. The ﬁ rst half of the control (dynamic)

adds vinyl noise that only occurs with the repeats, while the 2nd half of the

control (static) adds full-time vinyl noise for song intros, outros or bridges.

S ||||| (static)

TIPS & TRICKS:

With a minimum

delay time of 2ms,

you can set the MIX

to full wet (fully CW)

and get a real-time

loﬁ machine with

bit-crush, sample-

rate and ﬁ ltering

possibilities. All knobs

and PARAMS are still

active. Additionally,

you can create

modulation effects

like chorus, ﬂ ange

and vibrato by using

the MOD SPEED and

MOD DEPTH knobs to

modulate the delay

line. For modern

digital mod effects,

set the SAMPLE rate

to 96kHz and BITS

to 32 and turn the

FILTER param to OFF.

Experiment with the

Filter and Grit knobs

and the Lo-Fi Params

to go from pristine to

vintage to garbage

can.