User Manual

ManualsBrandsStrymon ManualsDelays - EcoTimeline - GUITAR PEDAL DELAY EFFECTS PROCESSOR

TimeLine - User Manual

pg 16

REC / DUB PLAY

STOP

TYPE

REVERSE

FILTER

DUAL

DIGITAL

dBUCKET

PATTERN

dTAPE

BANK / TIME

hold (looper)

hold (save)

push (param)

ICE

TREM

DUCK

SWELL

LO-FI

VALUE

FILTER

GRIT SPEED DEPTH

B TAPA

TIME

REPEATS MIX

MOD

BANK DOWN BANK UP

hold (global)

Delay Machines: Filter

High Pass: Reduces the low frequency content of the wet signal after the delay. A useful

additional tone sculptor for delays on low-note riffs or chords where you

want to reduce booming in your rig.

OFF

20Hz

40Hz

60Hz

80Hz

100Hz

120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz

A delay with synchronized sweeping ﬁ lter affecting the repeats. The ﬁ lter can be placed pre or post

delay.

PARAMETERS:

LFO (Low Frequency Oscillator): Selects from a variety of LFO waveforms to control the ﬁ lter

envelope of the delayed signal. Choose a sine at slow speed for atmospheric

treatments. Choose a random LFO at higher speeds and high Filt-Q for a

futuristic sound.

Depth: Selects the depth or intensity of the ﬁ lter sweep. Use in conjunction with the Filter knob, which sets the

mid-point of the sweep, to get the precise range you desire.

OFF

|||||||||

Speed: Selects the ratio at which the LFO tracks the delay time.

1/32

1/24

1/18

1/16

1/12

1/10

1/9

1/8

1/7

1/6

1/5

1/4

1/3

1/2

2/3

3/4

1/1

4/3

3/2

5/2

3/1

7/2 8/1

4/1

5/1

6/1

7/1

9/1

10/1

12/1

16/1

18/1

24/1

32/1

+Triangle

-Triangle

-Square

+Square

-Sine

Ramp

Down

Saw

+Sine

Random

Filter Q: Adjusts the Q, or resonance, of the sweeping ﬁ lter. Lower values produce milder ﬁ ltering effects

with a broader response and lower resonance. Higher values create sharper resonant peaks which

can lend to dramatic sweeping and special effects

0.5

0.7

1.0

1.2

1.5

2.0

2.5

3.0

4.0

5.0 10.0

7.0

Location: This parameter places the LFO-controlled ﬁ lter either before the delay line

(PRE) or after the delay line (POST). The sonic differences between the two

can be substantial, with POST creating a more prominent effect.

PRE

POST

TIPS & TRICKS: The

FILT-Q parameter

sets the resonance or

sharpness of the ﬁ lter.

At higher settings, the

increase in amplitude

at the ﬁ lter’s resonant

frequency can result in

an increase in apparent

wet signal volume.

Use the MIX knob to

adjust the wet level

accordingly.

TIPS & TRICKS:

The ‘+’ or ‘-’ in front of

the SINE, TRI and SQR

lfo shapes designates

the polarity of the

LFO when it sync to

your playing. The ‘+’

LFO shapes will have

the highest frequency

occur synchronous to

the input, while the ‘-’

LFOs will have their

lowest frequencies

synchronous to the

input.