User Manual

ManualsBrandsStrymon ManualsDelays - EcoTimeline - GUITAR PEDAL DELAY EFFECTS PROCESSOR

TimeLine - User Manual

pg 13

REC / DUB PLAY

STOP

TYPE

REVERSE

FILTER

DUAL

DIGITAL

dBUCKET

PATTERN

dTAPE

BANK / TIME

hold (looper)

hold (save)

push (param)

ICE

TREM

DUCK

SWELL

LO-FI

VALUE

FILTER

GRIT SPEED DEPTH

B TAPA

TIME

REPEATS MIX

MOD

BANK DOWN BANK UP

hold (global)

Delay Machines: Duck

High Pass: Reduces the low frequency content of the wet signal after the delay. A useful

additional tone sculptor for delays on low-note riffs or chords where you want to

reduce booming in your rig.

OFF

20Hz

40Hz

60Hz

80Hz

100Hz

120Hz

140Hz

160Hz

180Hz

200Hz

230Hz

260Hz

300Hz

350Hz

400Hz

500Hz

600Hz

700Hz

800Hz

900Hz

A dynamic delay that reacts to your playing with adjustable sensitivity and release time. As the sensitivity is increased, the

ducking effect becomes more pronounced.

Sensitivity: Adjusts the input sensitivity for the ducking feature. Turn to higher settings for more

extreme ducking. A low level guitar signal will require higher settings to achieve the

same ducking effect as a high level guitar signal. At low settings, subtle ducking effects

can be achieved.

|||||

PARAMETERS:

Release Time: Sets the release time for the ducking effect. This determines how quickly the

delay signal returns to full level once you stop playing. A fast Release with

extreme ducking can create a dramatic special effect, while slower releases with

moderate ducking can be transparent yet effective.

0.05

0.10

0.15

0.20

0.25

0.30

0.35

0.40

0.45

0.50

0.55

0.60

0.65

0.70

0.75

0.80

0.85

0.90

0.95

1.00

Ducking Feedback: Sets the feedback ducking parameter. When on, the Repeats knob is effectively set

to minimum while you are playing, and then quickly returns to the Knob setting when

you stop playing. Very cool for single line playing with extreme ducking, you can play a

‘dry’ solo, and only the last note played will repeat.

NORMAL

GATE

TIPS & TRICKS: With very slight amounts of ducking, the dynamics of the delay are more ‘felt’ than ‘heard’. Set the

SENS parameter to just ever-so-slightly reduce the delay volume when you play (most easily discovered with high

REPEATS and MIX settings, and RELEASE around 0.30). Then reduce the RELEASE param to 0.01, while keeping the

FEEDBK param at NORMAL. Now set the MIX and REPEATS to your liking. The results can be addicting.

0.01