11.0
Table Of Contents
- Table of Contents
- New Features
- WaveLab Elements Introduction
- Setting Up Your System
- WaveLab Elements Concepts
- Workspace Window
- File Handling
- Opening Files
- Closing Files
- Saving Files
- Deleting Files
- File Renaming
- File Browser
- Switching Between Files
- Recently Used Files
- Temporary Files
- Undoing and Redoing
- Value Editing
- Drag Operations
- Zooming in the Workspace Window
- Presets
- Templates
- Work Folders vs. Document Folders
- Copying Audio Information to the Clipboard
- Setting the Focus on the Current File
- Playback
- Transport Bar
- Play Button
- Stop Playback Button
- Playing Back Audio Ranges
- Playing Back from an Anchor or until an Anchor
- Using the Auto Selection Mode
- Skipping Sections During Playback
- Loop Playback
- Pre-Roll and Post-Roll
- Playback Shortcuts
- Save Transport Bar Preset Dialog
- Changing the Position of the Transport Bar
- Hiding the Transport Bar
- Audio-Processing Load
- Starting Playback From the Time Ruler
- Playing Back Focused Audio Channels
- Playing Back Multichannel Files
- Playback Scrubbing
- Timecode Window
- Scroll During Playback
- Playback in the Audio Montage Window
- Transport Bar
- Audio File Editing
- Wave Window
- Audio Editor Tabs
- File Handling in the Audio Editor
- Mono/Stereo Handling
- Multichannel Audio Files
- Supported File Formats
- Creating New Audio Files
- Saving an Audio File
- Saving in Another Format
- Encoding Audio Files
- Inserting Audio Files into Another Audio File
- Turning Selections Into New Files
- Special File Format Dialog
- Converting From Stereo to Mono and From Mono to Stereo
- Swapping Channels in a Stereo File
- Special Paste Options
- Moving Audio
- Copying Audio
- Mixing Down – Audio Files Rendering
- Changing the Audio Properties
- Metadata
- Silence Generator Dialog
- Replacing Audio with Tone
- Waveform Restoration with the Pen Tool
- Audio Analysis
- Global Analysis
- 3D Frequency Analysis
- Offline Processing
- Audio Montage
- Montage Window
- Audio Montage Tabs
- Signal Path in the Audio Montage
- Creating Audio Montages
- Audio Montage Duplicates
- Audio Montage Properties
- Import Options for Audio Montages
- Broken Audio File References
- Assembling the Audio Montage
- Tracks
- Clips
- Inserting Audio Files into Audio Montages
- Inserting Audio Files into Audio Montages Using Drag and Drop
- Inserting Audio Files into Audio Montages Using the Context Menu
- Inserting Audio Files into Audio Montages Using Copy and Paste
- Inserting Audio Files into Audio Montages Using the File Explorer/macOS Finder
- Inserting Audio Files into Audio Montages Using the File Browser Window
- Inserting Audio File Regions into Audio Montages Using Drag and Drop
- Inserting Audio Files into Audio Montages by Copying From Other Audio Montages
- Insert Stereo Audio Files into Mono Tracks or Vice Versa
- Mismatched Sample Rates When Inserting Audio Files
- Multichannel Operations in the Audio Montage
- Clip Editing
- Managing Source Files of Clips
- Envelopes for Clips
- Track Ducking
- Fades and Crossfades in Audio Montages
- Effects for Tracks, Clips, and the Montage Output
- Montage Output Effects
- Inspector Window
- Adding Effects to Tracks, Clips, or to the Montage Output
- Removing Effects from Tracks, Clips, or the Montage Output
- Rearranging the Order of Effects
- Copying Effect Settings to Tracks, Clips, or the Montage Output
- Undoing Effect Changes
- Setting Pan and Gain for Effects
- Setting the Global Gain for Effects
- Plug-in Windows for Audio Montages
- CD Window
- Mixing Down – The Render Function
- Loudness Meta Normalizer
- Notes Window
- Importing Audio CDs
- Recording
- Master Section
- Markers
- Marker Types
- Markers Window
- Creating Markers
- Deleting Markers
- Moving Markers
- Navigating to Markers
- Hiding Markers of a Specific Type
- Converting the Type of a Single Marker
- Renaming Markers
- Selecting Markers
- Selecting the Audio Between Markers
- Binding Markers to Clips in the Audio Montage
- How Marker Information is Saved
- Metering
- Writing Operations
- Loops
- Audio CD Import
- Video
- WaveLab Exchange
- Batch Conversion
- Podcast
- RSS Feed
- Customizing
- Configuring WaveLab Elements
- Index
Peaks menu
Select whether WaveLab Elements should limit the sample values (digital peaks), or
ignore the peaks.
Maximum Peak
Determines the maximum peak value that must not be exceeded.
Force Equal Loudness
If Limit True Peaks or Limit Digital Peaks is selected, some clip might not reach the
required gain for the reference loudness. In that case, activate Force Equal Loudness
to reduce the loudness of the clip that is used as a reference to achieve equal loudness
across all clips.
Additional Options
Exclude Audio Montage Effects
If this option is activated, audio montage effects are not taken into account when you
use the
Loudness Meta Normalizer.
This option also affects the Pre-Gain and Post-Gain options in the CD window.
●
If Exclude Audio Montage Effects is activated, the Loudness Meta Normalizer
changes the Pre-Gain value of the clips.
● If Exclude Audio Montage Effects is deactivated, the Loudness Meta Normalizer
changes the Post-Gain value of the clips.
Only Selected Clips
If this option is activated, only the selected clips are processed with the Loudness
Meta Normalizer.
Notes Window
This window allows you to enter notes about the current audio montage session.
● To open the Notes window, open an audio montage and select Tool Windows> Notes.
You can enter the text directly in this window and use the standard HTML text editor controls to
format the text, and to add images and lists. The notes are saved with the audio montage.
Importing Audio CDs
You can import audio CD les. The imported audio CD opens as an audio montage.
PROCEDURE
1.
Select File> Import.
2.
Click Audio CD.
Audio Montage
Notes Window
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WaveLab Elements 11.2.0