11.0
Table Of Contents
- Table of Contents
- New Features
- WaveLab Elements Introduction
- Setting Up Your System
- WaveLab Elements Concepts
- Workspace Window
- File Handling
- Opening Files
- Closing Files
- Saving Files
- Deleting Files
- File Renaming
- File Browser
- Switching Between Files
- Recently Used Files
- Temporary Files
- Undoing and Redoing
- Value Editing
- Drag Operations
- Zooming in the Workspace Window
- Presets
- Templates
- Work Folders vs. Document Folders
- Copying Audio Information to the Clipboard
- Setting the Focus on the Current File
- Playback
- Transport Bar
- Play Button
- Stop Playback Button
- Playing Back Audio Ranges
- Playing Back from an Anchor or until an Anchor
- Using the Auto Selection Mode
- Skipping Sections During Playback
- Loop Playback
- Pre-Roll and Post-Roll
- Playback Shortcuts
- Save Transport Bar Preset Dialog
- Changing the Position of the Transport Bar
- Hiding the Transport Bar
- Audio-Processing Load
- Starting Playback From the Time Ruler
- Playing Back Focused Audio Channels
- Playing Back Multichannel Files
- Playback Scrubbing
- Timecode Window
- Scroll During Playback
- Playback in the Audio Montage Window
- Transport Bar
- Audio File Editing
- Wave Window
- Audio Editor Tabs
- File Handling in the Audio Editor
- Mono/Stereo Handling
- Multichannel Audio Files
- Supported File Formats
- Creating New Audio Files
- Saving an Audio File
- Saving in Another Format
- Encoding Audio Files
- Inserting Audio Files into Another Audio File
- Turning Selections Into New Files
- Special File Format Dialog
- Converting From Stereo to Mono and From Mono to Stereo
- Swapping Channels in a Stereo File
- Special Paste Options
- Moving Audio
- Copying Audio
- Mixing Down – Audio Files Rendering
- Changing the Audio Properties
- Metadata
- Silence Generator Dialog
- Replacing Audio with Tone
- Waveform Restoration with the Pen Tool
- Audio Analysis
- Global Analysis
- 3D Frequency Analysis
- Offline Processing
- Audio Montage
- Montage Window
- Audio Montage Tabs
- Signal Path in the Audio Montage
- Creating Audio Montages
- Audio Montage Duplicates
- Audio Montage Properties
- Import Options for Audio Montages
- Broken Audio File References
- Assembling the Audio Montage
- Tracks
- Clips
- Inserting Audio Files into Audio Montages
- Inserting Audio Files into Audio Montages Using Drag and Drop
- Inserting Audio Files into Audio Montages Using the Context Menu
- Inserting Audio Files into Audio Montages Using Copy and Paste
- Inserting Audio Files into Audio Montages Using the File Explorer/macOS Finder
- Inserting Audio Files into Audio Montages Using the File Browser Window
- Inserting Audio File Regions into Audio Montages Using Drag and Drop
- Inserting Audio Files into Audio Montages by Copying From Other Audio Montages
- Insert Stereo Audio Files into Mono Tracks or Vice Versa
- Mismatched Sample Rates When Inserting Audio Files
- Multichannel Operations in the Audio Montage
- Clip Editing
- Managing Source Files of Clips
- Envelopes for Clips
- Track Ducking
- Fades and Crossfades in Audio Montages
- Effects for Tracks, Clips, and the Montage Output
- Montage Output Effects
- Inspector Window
- Adding Effects to Tracks, Clips, or to the Montage Output
- Removing Effects from Tracks, Clips, or the Montage Output
- Rearranging the Order of Effects
- Copying Effect Settings to Tracks, Clips, or the Montage Output
- Undoing Effect Changes
- Setting Pan and Gain for Effects
- Setting the Global Gain for Effects
- Plug-in Windows for Audio Montages
- CD Window
- Mixing Down – The Render Function
- Loudness Meta Normalizer
- Notes Window
- Importing Audio CDs
- Recording
- Master Section
- Markers
- Marker Types
- Markers Window
- Creating Markers
- Deleting Markers
- Moving Markers
- Navigating to Markers
- Hiding Markers of a Specific Type
- Converting the Type of a Single Marker
- Renaming Markers
- Selecting Markers
- Selecting the Audio Between Markers
- Binding Markers to Clips in the Audio Montage
- How Marker Information is Saved
- Metering
- Writing Operations
- Loops
- Audio CD Import
- Video
- WaveLab Exchange
- Batch Conversion
- Podcast
- RSS Feed
- Customizing
- Configuring WaveLab Elements
- Index
Render
Start
Starts the rendering process.
RELATED LINKS
Audio Montage Tabs on page 183
Render Tab for the Master Section on page 280
Signal Path in the Audio Montage
The audio signal passes through the various sections of WaveLab Elements in a certain way.
1.
The audio samples are read.
2.
Clip envelope
3.
Clip effects
4.
Clip pan
5.
Individual clip gain (CD window)
6.
Clips are mixed into the track slot (for example, overlapping clips).
7. Track effects
8. Track level settings
9. Each track is mixed into a stereo bus.
10. The stereo channel is processed through the plug-ins of the montage output.
11. The stereo bus is sent to the Master Section input.
Signal Path in the Master Section
1. Channels/Sample rate can change at each plug-in slot.
2. Master Section meters
3. Final Effect/Dithering pane in the Master Section
4. Independent meters
5. Playback or le format rendering
Creating Audio Montages
You can create new, empty audio montages with custom audio montage properties.
PROCEDURE
1.
Select File> New.
2.
Select Audio Montage> Custom.
3.
Specify the sample rate of the audio montage.
4.
Click Create.
RESULT
The audio montage is created.
Audio Montage
Signal Path in the Audio Montage
192
WaveLab Elements 11.2.0