Virtual Guitarist 2
Table Of Contents
- English
- Table of Contents
- Congratulations!
- Virtual Guitarist 2 - What’s The Deal?
- Register Your Software!
- The Steinberg Key
- Minimum System Requirements (PC version)
- Installing Virtual Guitarist 2 (PC version)
- Minimum System Requirements (Mac version)
- Installing Virtual Guitarist 2 (Mac version)
- Activating the Steinberg Key
- Preparations
- Using a MIDI Keyboard
- First Test
- How to Play Virtual Guitarist 2
- Virtual Guitarist 2 Terminology
- Chord recognition
- Sustain pedal
- The Play Page
- Loading and Saving Styles
- Auditioning Styles
- The Parts Browser
- The Play Page Controls
- The Riff Page
- The Riff Editor
- Groove Settings
- The FX Page
- The Amp Section
- FX Section
- The Effects
- The Output Section
- FX Management
- Plug-in Version of the Effect Board
- MIDI Controller Default Assignments
- Assigning MIDI Controllers in Virtual Guitarist 2
- The Setup Page
- Additional Phrasings
- Reference
- Credits
- Deutsch
- Inhaltsverzeichnis
- Herzlichen Glückwunsch!
- Virtual Guitarist 2 – worum geht es?
- Lassen Sie Ihre Software registrieren!
- Der Steinberg Key
- Systemanforderungen (PC-Version)
- Installation (PC-Version)
- Systemanforderungen (Mac-Version)
- Installation (Mac-Version)
- Aktivieren des Steinberg Key
- Einrichten des Systems
- Verwenden eines MIDI-Keyboards
- Erster Test
- Wie spielt man Virtual Guitarist 2?
- Virtual Guitarist 2 – Terminologie
- Akkorderkennung
- Sustain-Pedal
- Die Play-Seite
- Laden und Speichern von Styles
- Anhören von Styles
- Der Parts-Browser
- Die Bedienelemente der Play-Seite
- Die Riff-Seite
- Der Riff-Editor
- Groove-Einstellungen
- Die FX-Seite
- Der Verstärkerbereich
- Der Effektbereich
- Die Effekte
- Der Ausgabebereich
- Effektverwaltung
- Die PlugIn-Version der FX-Seite
- Standardzuweisungen für MIDI-Controller
- Zuweisen von MIDI-Controllern in Virtual Guitarist 2
- Die Setup-Seite
- Zusätzliche Phrasen
- Referenz
- Credits
- Français
- Table des Matières
- Félicitations !
- Virtual Guitarist 2 – Quoi de neuf?
- Enregistrez votre logiciel !
- La clé Steinberg
- Système minimum requis (version PC)
- Installation de Virtual Guitarist 2 (version PC)
- Système minimum requis (version Mac)
- Installation de Virtual Guitarist 2 (version Mac)
- Activation de la Clé Steinberg
- Préparatifs
- Utilisation d’un clavier MIDI
- Premier Test
- Comment jouer sur Virtual Guitarist 2
- Terminologie de Virtual Guitarist 2
- Reconnaissance d’accord
- Pédale Sustain
- La page Play (Jouer)
- Charger et enregistrer des Styles
- Écouter les styles
- Le Navigateur de Parts
- Contrôles de la page Play
- La page Riff
- L’éditeur de Riff
- Réglages de Groove
- La page FX
- La section Amp
- Section FX
- Les effets
- La section de sortie
- Gestion des effets
- Version plug-in du pédalier d’effets
- Assignations de contrôleurs MIDI par défaut
- Assignation de contrôleurs MIDI dans Virtual Guitarist 2
- La page Setup (Configuration)
- Phrasés supplémentaires
- Référence
- Crédits
Virtual Guitarist
48 English
Auto Wah
Turning up the speed control in the top left corner of the Wah section
activates Auto Wah, a Wah that automatically modulates at the speed
you set. The foot pedal now controls the center frequency of the Wah.
Set the Auto Wah rate by moving the speed control. The following ta-
ble gives some examples of how long one filter movement or Wah will
take at different speed settings:
Of course you can synchronize the speed of the Wah to your host’s
tempo. Select a note resolution from the Speed/Sync drop down menu
next to the speed knob. T stands for triplets, * for dotted.
Envelope
When you set the Speed knob to maximum, the Wah Pedal will be
controlled by an envelope analysis method called “envelope follower”.
This means that the filter cutoff will be controlled by the input signal. In
this Auto Mode the Speed knob’s display reads “Env”.
Compressor
A compressor is a tool for controlling the dynamic range of an audio
signal. Technically speaking, it consists of an envelope detector con-
trolling a voltage controlled amplifier. Practically it limits volume peaks
and allows you to lift the volume of the quieter parts of the signal. Use
it to accentuate attacks or increase the sustain of your sound.
Speed (Hz) Seconds per “Wah”
0.1 10
0.5 2
10 0,1










