9.5
Table Of Contents
- Table of Contents
- Included Effect Plug-ins
- MIDI Effects
- Included VST Instruments
- Groove Agent SE
- HALion Sonic SE
- LoopMash
- Mystic
- Padshop
- Prologue
- Retrologue
- Spector
- Functional Diagrams
- Index
Included Effect Plug-ins
Dynamics Plug-ins
Dynamics
Reduction
Controls the intensity of the de-essing effect.
Threshold (-50 to 0 dB)
If the Auto option is deactivated, you can use this control to set a threshold for the
incoming signal level above which the plug-in starts to reduce the sibilants.
Release (1 to 1000 ms)
Sets the time after which the de-essing effect returns to zero when the signal drops
below the threshold.
Auto
Automatically and continually sets an optimum threshold setting independent of
the input signal. The Auto option does not work for low-level signals (<-30 db peak
level). To reduce the sibilants in such a file, set the threshold manually.
Side-Chain
Freq (25 Hz to 20 kHz)
If the Side-Chain button is activated, this sets the frequency of the filter. You can set
the frequency either in Hz or as a note value. If you enter a note value, the frequency
is automatically displayed in Hz accordingly. For example, a note value of A3 sets the
frequency to 440 Hz. When you enter a note value, you can also enter a cent offset.
For example, enter A5 -23 or C4 +49.
NOTE
Make sure that you enter a space between the note and the cent offset. Only in this
case, the cent offsets are taken into account.
Q-Factor
If the Side-Chain button is activated, this sets the resonance or width of the filter.
Side
Activates the internal side-chain filter. You can now shape the input signal according
to the filter parameters. Internal side-chaining can be useful for tailoring how the
gate operates.
Monitor
Allows you to monitor the filtered signal.
Live
If this button is activated, the look-ahead feature of the effect is deactivated. Look-
ahead produces more accurate processing, but adds a specific amount of latency
as a trade-off. If Live mode is activated, there is no latency, which is better for live
processing.
Positioning the DeEsser in the Signal Chain
When recording a voice, the DeEsser’s position in the signal chain is usually located after the
microphone pre-amp and before a compressor/limiter. This keeps the compressor/limiter from
unnecessarily limiting the overall signal dynamics.
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