9.5
Manuals
Brands
Steinberg Manuals
Applications
Cubase LE
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Table Of Contents
Table of Contents
Included Effect Plug-ins
Delay Plug-ins
ModMachine
MonoDelay
PingPongDelay
StereoDelay
Distortion Plug-ins
AmpSimulator
BitCrusher
DaTube
Distortion
Grungelizer
Magneto II
Quadrafuzz v2
SoftClipper
VST Amp Rack
VST Bass Amp
Dynamics Plug-ins
Brickwall Limiter
Compressor
DeEsser
EnvelopeShaper
Expander
Gate
Limiter
Maximizer
MIDI Gate
Setting Up MIDI Gate
Applying MIDI Gate
MultibandCompressor
MultibandEnvelopeShaper
MultibandExpander
Tube Compressor
VintageCompressor
VSTDynamics
EQ Plug-ins
CurveEQ
DJ-EQ
GEQ-10/GEQ-30
StudioEQ
Making Settings
Using Modifier Keys
Frequency
Global Settings
Filter Plug-ins
DualFilter
MorphFilter
PostFilter
StepFilter
Creating Variations for StepFilter Patterns
ToneBooster
WahWah
Mastering Plug-ins
UV22HR
Modulation Plug-ins
AutoPan
Chopper
Chorus
Cloner
Flanger
Metalizer
Phaser
RingModulator
Rotary
StudioChorus
Tranceformer
Tremolo
Vibrato
Network Plug-ins
VST Connect CUE Mix
VST Connect SE
Other Plug-ins
LoopMash FX
Controlling LoopMash FX with a MIDI Keyboard
Randomizer
Creating Variations of Audio Events
Pitch Shift Plug-ins
Octaver
Pitch Correct
PitchDriver
Reverb Plug-ins
REVelation
REVerence
Setting up Programs
Reverb Settings
The Impulse Response Display
EQ Settings
The Pictures Section
Output Settings
Custom Impulse Responses
Importing Impulse Responses
Reading Order of Input Channels
True Stereo
Relocating Content
RoomWorks
RoomWorks SE
Spatial + Panner Plug-ins
Anymix Pro
Input/Output Configuration
Channel Order
Latency Compensation
The Plug-in Panel
Panning Mode
Upmix
Proximity
Advanced Options
MonoToStereo
StereoEnhancer
VST MultiPanner
Surround Plug-ins
Bass Manager
MatrixEncoder
Setting Up
Using the MatrixEncoder/Decoder
Using the MatrixEncoder with the 5.0 Surround Format
Using the MatrixDecoder with the 5.0 Surround Format
MatrixDecoder
Mix6to2
Mix8to2
MixConvert V6
Soloing Channels in the Channel Displays
MixerDelay
Tools Plug-ins
MultiScope
SMPTEGenerator
Synchronizing a Device to Your Host
TestGenerator
Tuner
MIDI Effects
Arpache 5
Creating an Arpeggio
Arpache SX
Auto LFO
Beat Designer
Selecting Drum Sounds
Entering Drum Steps
Removing Steps
Velocity Settings
Editing Operations
Lane Handling
Pattern Functions Menu
Swing Setting
Flams
Adding Flams
Offsetting Lanes
Using the Drum Patterns in Your Project
Converting Patterns into MIDI Parts
Triggering Patterns
Chorder
Entering Chords
Using Layers
Layer Modes
Empty Layers
Resetting Layers
Playstyle
Compressor
Context Gate
Application Examples
Density
MIDI Control
MIDI Echo
MIDI Modifiers
MIDI Monitor
Micro Tuner
Note to CC
Quantizer
StepDesigner
Creating a Basic Pattern
Adding Controller Curves
Setting Up the Controller Menu
Adjusting the Step Length
Other Pattern Functions
Automating Pattern Changes
Track Control
Transformer
Included VST Instruments
Groove Agent SE
HALion Sonic SE
LoopMash
Getting Started
How Does LoopMash Work?
LoopMash Parameters
The Track Section
Importing and Removing Loops
Defining the Master Loop
Auditioning Slices
Playback and Master Slice Indicators
Setting a Loop Range
Setting Track Transposition Value and Track Volume
Setting the Similarity
Creating Composite Tracks
Applying Slice Selection Modifiers and Slice Effects
Transport Controls
Setting the LoopMash Tempo
Controlling Transport Functions with Your MIDI Keyboard
Storing Your Configuration as Scenes
Setting a Jump Interval
Triggering Scene Pads with Your MIDI Keyboard
Slice Selection
Audio Parameters
Performance Controls
Mystic
Sound Parameters
The Impulse Control Section
Comb Filter Sound Parameters
Master Volume and Pan
Modulation and Controllers
LFO Page
About the Sync Modes
About the Waveforms
Assigning LFO Modulation Destinations
Assigning LFO Velocity Destinations
LFO modulation velocity control
Envelope Page
Assigning Envelope Modulation Destinations
Assigning Envelope Velocity Destinations
Envelope modulation velocity control
Event Page
Assign a Controller to a Parameter
Effects (EFX) Page
SR Parameters
Padshop
Prologue
Sound Parameters
Oscillator Section
Filter Section
Master Volume and Pan
Modulation and Controllers
LFO Page
About the Sync Modes
About the Waveforms
Assigning LFO Modulation Destinations
Assigning LFO Velocity Destinations
LFO modulation velocity control
Envelope Page
Assigning Envelope Modulation Destinations
Assigning Envelope Velocity Destinations
Envelope modulation velocity control
Event Page
Assign a Controller to a Parameter
Effects (EFX) Page
SR Parameters
Retrologue
Spector
Sound Parameters
Oscillator Section
Master Volume and Pan
Modulation and Controllers
LFO Page
About the Sync Modes
About the Waveforms
Assigning LFO Modulation Destinations
Assigning LFO Velocity Destinations
LFO modulation velocity control
Envelope Page
Assigning Envelope Modulation Destinations
Assigning Envelope Velocity Destinations
Envelope modulation velocity control
Event Page
Assign a Controller to a Parameter
Effects (EFX) Page
SR Parameters
Functional Diagrams
Index
Included VST Instruments
Functional Diagrams
A bonus effect of using lower sample rates is that it reduces the load on the computer CPU,
allowing for more simultaneous voices to be played, etc.
Functional Diagrams
Prologue Diagram
Mystic Diagram
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