9.5

Included VST Instruments
Mystic
A pop-up menu appears in which all possible velocity destinations are shown.
2. Select a destination.
The selected velocity destination is now shown in the list. Beside the destination, a default
value (50) has been set. The value represents the modulation amount. See below for an
example of how velocity modulation works.
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You can set positive and negative values by clicking on the value in the list, typing in
a new value, and pressing Enter.
To enter negative values, type a minus sign followed by the value.
3. Using the same basic method, you can add any number of velocity destinations for the
Envelope.
They are all listed in the Vel Dest box.
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To remove a velocity destination, click on its name in the list and select Off from the
pop-up menu.
Envelope modulation velocity control
If you follow the steps above and select the Cut parameter as a Velocity destination, the
following happens:
● The harder you strike the key, the more the parameter is modulated by the envelope.
● If you enter a negative value for the velocity modulation amount, the opposite happens;
the harder you play the less the Cut parameter is modulated by the Envelope.
Event Page
The Event page is opened by clicking the EVENT button at the top of the lower half of the control
panel. This page contains the most common MIDI controllers and their assignments.
Modulation Wheel
The modulation wheel on your keyboard can be used to modulate parameters.
Velocity
Controls parameters according to how hard or soft you play notes on your keyboard.
A common application of velocity is to make sounds brighter and louder if you strike
the key harder.
Aftertouch
Aftertouch, or channel pressure, is MIDI data sent when pressure is applied to a
keyboard after the key has been struck, and while it is being held down or sustained.
Aftertouch is often routed to control filter cutoff, volume, and other parameters to
add expression.
Key Pitch Tracking
This can change parameter values linearly according to where on the keyboard you
play.
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