9.0

Included VST Instruments
Prologue
24 dB LP
This filter type attenuates frequencies above the cutoff frequency with a 24 dB/
octave slope that produces a warm and fat sound.
24 dB LP II
This low-pass filter has a cascade design that attenuates frequencies above the
cutoff frequency with a 24 dB/octave slope, which produces a warm and dark
sound.
12 dB Band
This band-pass filter cuts both high and low frequencies above and below the
cutoff frequency with a 12 dB/octave slope, producing a nasal and thin sound.
12 dB Notch
This notch filter cuts off frequencies near the cutoff frequency by 12 dB/octave,
letting the frequencies below and above through. This produces a phaser-like
sound.
12 dB HP
A high-pass filter cuts out the lower frequencies and lets the high frequencies
pass. This high-pass filter has a 12 dB/octave slope, producing a bright and thin
sound.
24 dB HP
This filter has a 24 dB/octave slope, producing a bright and sharp sound.
Master Volume and Pan
The master Volume knob controls the master volume (amplitude) of the instrument. By
default, this parameter is controlled by Envelope 1, to generate an amplitude envelope for
the oscillators.
The Pan knob controls the position of the instrument in the stereo spectrum. You can use
Pan as a modulation destination.
Modulation and Controllers
The lower half of the control panel displays the various modulation and controller
assignment pages available, as well as the EFX page. You switch between these pages using
the buttons above this section.
The following pages are available:
• The LFO page has two low frequency oscillators (LFOs) for modulating parameters.
• The ENV page contains the four envelope generators that can be assigned to control
parameters.
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