9.0
Table Of Contents
- Table of Contents
- Included Effect Plug-ins
- MIDI Effects
- Included VST Instruments
- Groove Agent SE
- HALion Sonic SE
- LoopMash
- Mystic
- Padshop
- Prologue
- Retrologue
- Spector
- Functional Diagrams
- Index
Included Effect Plug-ins
Reverb Plug-ins
Channel The signal from this source… …was recorded with
this microphone
LL left source left microphone
LR left source right microphone
RL right source left microphone
RR right source right microphone
NOTE
If your true-stereo impulse responses are only available as separate mono files, you can use
the Export Audio Mixdown function to create REVerence compliant interleaved files (see the
Operation Manual).
REVerence automatically works in true-stereo mode if the plug-in is inserted on a stereo
track and you load a 4-channel impulse response.
Therefore, if you are working with surround files, that is, 4-channel impulse responses
recorded with a Quadro configuration (L/R, LS/RS), you need to insert the plug-in on an audio
track with a 4.0 configuration. On a stereo track, these files would be processed in true-
stereo mode, too.
So how can you prevent REVerence from unintentionally processing surround files in true-
stereo mode? The answer is a Recording Method attribute that can be written to the iXML
chunk of the corresponding impulse response file. Whenever you load an impulse response
with a 4-channel configuration on a stereo track, REVerence searches the iXML chunk of the
file. If the plug-in finds the Recording Method attribute, the following happens:
• If the attribute is set to TrueStereo, the plug-in works in true-stereo mode.
• If the attribute is set to A/B or Quadro, the plug-in works in normal stereo mode and
processes only the L/R channels of the surround file.
NOTE
You can use the Attribute Inspector in the MediaBay to tag your own impulse response files
with the Recording Method attribute. For more information, see the Operation Manual.
Relocating Content
Once you have imported your own impulse responses to REVerence, you can comfortably
work with them on your computer. But what if you need to transfer your content to another
computer, for example, because you work sometimes with a PC and sometimes with a
notebook, or you need to hand over a project to a colleague in the studio?
The factory content is not a problem because it is also present on the other computer. For
these impulse responses, you just need to transfer your REVerence programs and presets to
be able to access your setups.
User content is a different matter, though. If you have transferred your audio files to an
external drive or a different hard disk location on the other computer, REVerence cannot
access the impulse responses any more because the old file paths have become invalid.
119










