Manualshelf

8.0

ManualsBrandsSteinberg ManualsApplicationsCubase AI
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Table Of Contents
Included Effect Plug-ins
Distortion Plug-ins
31
Flanger
Rate – Allows you to set the sweep rate. This parameter can be synchronized
to the project tempo.
Feedback – Determines the character of the flanger effect. Higher settings
produce a more metallic sounding sweep.
Tone – Allows you to attenuate the low frequencies.
Mix – Sets the level balance between the dry signal and the wet signal.
DI Driver
Level – Sets the output level.
Blend – Blends between normal and tube emulation circuitry. With Blend at
0, Drive and Presence are not active.
Bass – Boosts or attenuates low frequencies.
Treble – Boosts or attenuates high frequencies.
Presence – Boosts or attenuates upper harmonics and attacks.
Drive – Sets gain and overdrive.
Enhancer
Enhance – Simulates the classic enhancer effect.
Tone – Allows you to attenuate low frequencies.
Octaver
Direct – Adjusts the level of the original signal. A value of 0 means only the
generated and transposed signal is heard. By raising this value, more of the
original signal is heard.
Octave 1 – Adjusts the level of the signal that is generated one octave below
the original pitch. A setting of 0 means that the voice is muted.
Tone – Changes the sound character of the generated signal.
Delay
Delay – Sets the delay time in milliseconds. This parameter can be
synchronized to the project tempo.
Feedback – The higher this setting, the more delay repeats are created.
Mix – Sets the level balance between the dry signal and the wet signal.
Tape Ducking Delay
Delay – The Delay parameter sets the delay time in milliseconds.
Feedback – The higher this setting, the more delay repeats are created.
Duck – Works like an automatic mix parameter. If the level of the input signal
is high, the portion of the effect signal is lowered, or ducked (low internal mix
value). If the level of the input signal is low, the portion of the effect signal is
raised (high internal mix value). This way the delayed signal stays rather dry
during loud or intensely played passages.
Tone – Allows you to attenuate the low frequencies.