8.0

Included VST Instruments
Prologue
236
18 dB LP
This low-pass filter also has a cascade design, attenuating frequencies above
the cutoff frequency with a 18
dB/octave slope, as used in the classic TB 303
synth.
24 dB LP
This filter type attenuates frequencies above the cutoff frequency with a
24
dB/octave slope that produces a warm and fat sound.
24 dB LP II
This low-pass filter has a cascade design that attenuates frequencies above
the cutoff frequency with a 24
dB/octave slope, which produces a warm and
dark sound.
12 dB Band
This band-pass filter cuts both high and low frequencies above and below the
cutoff frequency with a 12
dB/octave slope, producing a nasal and thin sound.
12 dB Notch
This notch filter cuts off frequencies near the cutoff frequency by
12
dB/octave, letting the frequencies below and above through. This
produces a phaser-like sound.
12 dB HP
A high-pass filter cuts out the lower frequencies and lets the high frequencies
pass. This high-pass filter has a 12
dB/octave slope, producing a bright and
thin sound.
24 dB HP
This filter has a 24 dB/octave slope, producing a bright and sharp sound.
Master Volume and Pan
The master Volume knob controls the master volume (amplitude) of the instrument.
By default, this parameter is controlled by Envelope 1, to generate an amplitude
envelope for the oscillators.
The Pan knob controls the position of the instrument in the stereo spectrum. You
can use Pan as a modulation destination.
Modulation and Controllers
The lower half of the control panel displays the various modulation and controller
assignment pages available, as well as the EFX page. You switch between these
pages using the buttons above this section.