5.0
Table Of Contents
- Table of Contents
- About this manual
- VST Connections: Setting up input and output busses
- The Project window
- Playback and the Transport panel
- Recording
- Fades, crossfades and envelopes
- The mixer
- Audio effects
- VST Instruments and Instrument tracks
- Automation
- Audio processing and functions
- The Sample Editor
- The Audio Part Editor
- The Pool
- Working with Track Presets
- Remote controlling Cubase AI
- MIDI realtime parameters
- MIDI processing and quantizing
- The MIDI editors
- Introduction
- Opening a MIDI editor
- The Key Editor - Overview
- Key Editor operations
- The Drum Editor - Overview
- Drum Editor operations
- Working with drum maps
- Using drum name lists
- The List Editor - Overview
- List Editor operations
- Working with System Exclusive messages
- Recording System Exclusive parameter changes
- Editing System Exclusive messages
- The Score Editor - Overview
- Score Editor operations
- Editing tempo and signature
- Export Audio Mixdown
- Synchronization
- Video
- File handling
- Customizing
- Key commands
- Index
66
Fades, crossfades and envelopes
Preview, Apply and Process
The buttons in the bottom row are different depending on
whether you are editing a fade made with the fade handles
or applying a fade using processing:
The Edit Fade dialogs have the following buttons:
The Process Fade dialogs have the following buttons:
Creating crossfades
Overlapping audio material on the same track can be cross-
faded, for smooth transitions or special effects. You create
a crossfade by selecting two consecutive audio events and
selecting the Crossfade command on the Audio menu (or
by using the corresponding key command, by default [X]).
The result depends on whether the two events overlap or
not:
• If the events overlap, a crossfade is created in the over-
lapping area.
The crossfade will be of the default shape – initially a linear, symmetric
crossfade, but you can change this as described below.
• If the events do not overlap but are directly consecutive
(lined up end-to-start, with no gap) it is still possible to
crossfade them – provided that their respective audio
clips overlap! In this case, the two events are resized so
that they overlap, and a crossfade of the default length
and shape is applied.
The default crossfade length and shape are set in the Crossfade dialog
(see “Default buttons” on page 68).
An example:
The events themselves do not overlap, but their clips do. Therefore, the
events can be resized so that they overlap, which is required for a cross-
fade to be created.
When you select the Crossfade function, the two events are resized so that
they overlap, and a default crossfade is created in the overlapping section.
• If the events do not overlap, and cannot be resized
enough to overlap, a crossfade cannot be created.
• Once you have created a crossfade, you can edit it by
selecting one or both crossfaded events, and selecting
“Crossfade” from the Audio menu again (or by double-
clicking in the crossfade zone).
This opens the Crossfade dialog, see below.
Removing crossfades
To remove a crossfade, proceed as follows:
• Select the events and select “Remove Fades” from the
Audio menu.
You can also use the Range Selection tool: drag the Range Selection
tool so that the selection encloses all the fades and crossfades you wish
to remove, and select “Remove Fades” from the Audio menu.
• You can also remove a crossfade by clicking and drag-
ging it outside the track.
Button Function
OK Applies the set fade curve to the event, and closes the dialog.
Cancel Closes the dialog.
Apply Applies the set fade curve to the event, without closing the
dialog.
Button Function
Preview Plays back the fade area. Playback will repeat until you click
the button again (the button is labeled “Stop” during play-
back).
Process Applies the set fade curve to the clip, and closes the dialog.
Cancel Closes the dialog without applying any fade.
The Edit Fade dialog The Process Fade dialog
Overlapping
section
Audio clips
Audio events